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Ron Curtis

Ron Curtis

Producer

Works as
Producer
Titles
9 on MovieCove
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 155 days to Oct 26Down 20% in 30 days

What are Ron Curtis' films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Self and Survival.

Themes

share of theme weight
Self
30%
Survival
18%
Society
14%
Bonds
12%
Power
10%
Morality
9%
Ideas
8%
Ambition3 titles, browse their movies with this themeFamily bonds3 titles, browse their movies with this themeTrauma2 titles, browse their movies with this themeDeception2 titles, browse their movies with this themeArt2 titles, browse their movies with this themeLegacy2 titles, browse their movies with this theme

What they feel like to watch

their average across 8 films
ToneFeelDemandtheir average · filled zone: the category
Dark: How heavy the subject matter and outlook get. Browse their dark movies.
Tone · Weight
lightdark

Light 1 · Serious 3 · Dark 4

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 3 · Stylized 3 · Heightened 2

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 1 · Charged 3 · Intense 4

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 2 · Shifting 4 · Whiplash 2

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 6 · Some laughs 1 · Funny 1

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 3 · Even-paced 5 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 2 · Engaged 5 · Full focus 1

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 3 · Affecting 1 · Heavy 4

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 5 · Open-ended 3 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
6
Melancholic
4
Dread
2
Joyful
1
Bittersweet
2
Other
6

How their films linger

Thought-provoking4 titles, browse their movies with this aftertasteUnsettling3 titles, browse their movies with this aftertasteHaunting2 titles, browse their movies with this aftertasteBittersweet2 titles, browse their movies with this aftertaste

How their films end · 1 with a twist

  • Happy1
  • Bittersweet5
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Ron Curtis' films?

As of October 24, 2026, 8 of their 9 MovieCove titles stream on a subscription or free service, most on Tubi (6).

Also on these channels

Subscription and free streaming for Ron Curtis' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

9 credits, 9 with a MovieCove page.

  • The Brutalist(2024)

    Executive Producer

    Midcredits score: 90th percentile of all films

  • Vox Lux(2018)

    Executive Producer

    Midcredits score: 38th percentile of all films

  • The Childhood of a Leader(2015)

    Producer

    Midcredits score: 59th percentile of all films

  • 99 Homes(2014)

    Executive Producer

    Midcredits score: 86th percentile of all films

  • Innocence(2013)

    Producer

    Midcredits score: 11th percentile of all films

  • The English Teacher(2013)

    Producer

    Midcredits score: 29th percentile of all films

  • Arbitrage(2012)

    Executive Producer

    Midcredits score: 65th percentile of all films

  • At Any Price(2012)

    Executive Producer

    Midcredits score: 27th percentile of all films

  • Diana Vreeland: The Eye Has to Travel(2011)

    Producer

    Midcredits score: 92nd percentile of all films

Career shape

A full career of 6 titles from 2012 to 2024.

Biggest box office

The Brutalist (2024)

$50M worldwide

Highest rated

Diana Vreeland: The Eye Has to Travel (2011)

Midcredits 92nd

Most popular right now

The Brutalist (2024)

By role

only this rolewith another role
Producing6 of 6: 6 only producing, 0 with another role · typical Midcredits score62nd

By decade

2010s5 · crew2020s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Ron Curtis' films land?

Their typical MovieCove film has a Midcredits score in the 59th percentile, the median of all 9; across their 8 films with reception data, the typical film sits in the 55th percentile for acclaim.

Acclaim · how much people like their films

55thpercentile
Typical film, the median of 8

Approval · how many liked their films

48thpercentile
Typical film, the median of 8

Reach · how many have seen their films

92ndpercentile
Typical film, the median of 8

Midcredits score across 9 titles, by percentile

  • 75th and up3
  • 50th to 74th2
  • 25th to 49th3
  • Below 25th1

Shape of the crowd

4 of their 9 titles are Mixed.

  • Universally Loved1
  • Crowd Pleaser3
  • Broadly Agreed1
  • Mixed4

Most divisive · producer

Innocence (2013)

59th percentile spread · 45% rated it 4 or lower

Most loved · producer

Diana Vreeland: The Eye Has to Travel (2011)

Midcredits 92nd · 80% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Ron Curtis' work okay for kids?

Across up to 6 MovieCove titles with content scores, 1 of the 5 categories sits near the median of all films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore4 titlesmedian 48 · moderateMedian of all films: 44
Sex & Nudity6 titles20–62 · median 40 · moderatenear the median of all filmsMedian of all films: 32
Profanity4 titlesmedian 73 · intenseMedian of all films: 36
Alcohol & Drugs4 titlesmedian 72 · intenseMedian of all films: 33
Frightening / Intense4 titlesmedian 50 · moderateMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Ron Curtis work with?

People who share at least 2 of Ron Curtis' MovieCove titles, grouped by what they did on them; Brian Young shares the most, 4.

Directors

Writers

Actors

Cinematographers

Producers