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Sarah E. Johnson

Sarah E. Johnson

Producer

Primetime Emmy nominee

Works as
Producer
Titles
33 on MovieCove · 39 credits in all
TMDB popularity, last 155 days to Oct 26Down 13% in 30 days

What are Sarah E. Johnson's films like?

Across their 30 MovieCove titles with a thematic analysis, their films lean Bonds and Survival.

What they feel like to watch

their average across 30 films
ToneFeelDemandtheir average · filled zone: the category

Light 4 · Serious 10 · Dark 16

Grounded 22 · Stylized 6 · Heightened 2

A split, not a type: Gentle 4 · Charged 11 · Intense 15

A split, not a type: Steady 15 · Shifting 12 · Whiplash 3

Straight-faced 24 · Some laughs 4 · Funny 2

A split, not a type: Slow burn 15 · Even-paced 13 · Relentless 2

Casual 8 · Engaged 18 · Full focus 4

A split, not a type: Easy watch 5 · Affecting 10 · Heavy 15

Resolved 17 · Open-ended 11 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
20
Melancholic
13
Dread
11
Hopeful
8
Contemplative
8
Other
20

How their films end · 1 with a twist

  • Happy3
  • Bittersweet19
  • Ambiguous8

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Sarah E. Johnson's films?

As of October 24, 2026, 26 of their 33 MovieCove titles stream on a subscription or free service, most on Tubi (16).

Subscription and free streaming for Sarah E. Johnson's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

39 credits, 33 with a MovieCove page.

  • The Inn Between (not in the MovieCove catalog yet)(2024)

    Executive Producer

  • Ordinary Angels(2024)

    Producer

    Midcredits score: 92nd percentile of all films
  • Defiant (not in the MovieCove catalog yet)(2023)

    Executive Producer

  • After Antarctica(2021)

    Producer

    Midcredits score: 98th percentile of all films (provisional, few ratings)
  • Midcredits score: 74th percentile of all films (provisional, few ratings)
  • Spaceship Earth(2020)

    Producer

    Midcredits score: 59th percentile of all films
  • The Great Hack(2019)

    Executive Producer

    Midcredits score: 80th percentile of all films
  • Catch and Release (not in the MovieCove catalog yet)(2018)

    Executive Producer

  • Lost Child(2017)

    Producer

    Midcredits score: 49th percentile of all films
  • Submergence(2017)

    Executive Producer

    Midcredits score: 20th percentile of all films
  • Tulip Fever(2017)

    Executive Producer

    Midcredits score: 44th percentile of all films
  • All Nighter(2017)

    Executive Producer

    Midcredits score: 30th percentile of all films
  • Rules Don't Apply(2016)

    Producer

    Midcredits score: 30th percentile of all films
  • Triple 9(2016)

    Executive Producer

    Midcredits score: 47th percentile of all films
  • Strangerland(2015)

    Executive Producer

    Midcredits score: 15th percentile of all films
  • Manglehorn(2014)

    Executive Producer

    Midcredits score: 26th percentile of all films
  • Dare to Be Wild(2015)

    Producer

    Midcredits score: 58th percentile of all films
  • Child 44(2015)

    Executive Producer

    Midcredits score: 55th percentile of all films
  • The Hunting Ground(2015)

    Producer

    Midcredits score: 91st percentile of all films
  • The Search (not in the MovieCove catalog yet)(2014)

    Executive Producer

  • How I Got Over (not in the MovieCove catalog yet)(2014)

    Executive Producer

  • Midcredits score: 94th percentile of all films
  • The Green Inferno(2013)

    Executive Producer

    Midcredits score: 19th percentile of all films
  • Wish I Was Here(2014)

    Executive Producer

    Midcredits score: 66th percentile of all films
  • The Sacrament(2013)

    Executive Producer

    Midcredits score: 42nd percentile of all films
  • Joe(2013)

    Executive Producer

    Midcredits score: 76th percentile of all films
  • Song One(2014)

    Executive Producer

    Midcredits score: 34th percentile of all films
  • Midcredits score: 84th percentile of all films
  • The Immigrant(2013)

    Executive Producer

    Midcredits score: 68th percentile of all films
  • Blood Ties(2013)

    Executive Producer

    Midcredits score: 56th percentile of all films
  • The Square(2013)

    Executive Producer

    Midcredits score: 98th percentile of all films
  • Devil's Knot(2013)

    Executive Producer

    Midcredits score: 42nd percentile of all films
  • Welcome to the Punch(2013)

    Executive Producer

    Midcredits score: 39th percentile of all films
  • The Invisible War(2012)

    Executive Producer

    Midcredits score: 95th percentile of all films
  • Miss Representation(2011)

    Executive Producer

    Midcredits score: 89th percentile of all films
  • The Last Mountain(2011)

    Producer

    Midcredits score: 89th percentile of all films
  • Midcredits score: 62nd percentile of all films
  • Living in Emergency: Stories of Doctors Without Borders (not in the MovieCove catalog yet)(2008)

    Executive Producer

  • Lioness(2008)

    Producer

    Midcredits score: 81st percentile of all films

Career shape

A full career of 31 titles from 2008 to 2024.

By role

only this rolewith another role
Producing31 of 31: 31 only producing, 0 with another role · typical Midcredits score49th

By decade

2000s1 · crew2010s27 · crew2020s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

Awards

Nominated for a Primetime Emmy in 2014, Outstanding Documentary or Nonfiction Special.

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Sarah E. Johnson's films land?

Their typical MovieCove film has a Midcredits score in the 59th percentile, the median of all 33; across their 30 films with reception data, the typical film sits in the 60th percentile for acclaim.

Acclaim · how much people like their films

60thpercentile
Typical film, the median of 30

Approval · how many liked their films

62ndpercentile
Typical film, the median of 30

Reach · how many have seen their films

87thpercentile
Typical film, the median of 30

Midcredits score across 33 titles, by percentile

  • 75th and up12
  • 50th to 74th8
  • 25th to 49th10
  • Below 25th3

Shape of the crowd

11 of their 33 titles are Crowd Pleasers.

  • Universally Loved5
  • Cult Classic1
  • Crowd Pleaser11
  • Broadly Agreed9
  • Mixed7

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Sarah E. Johnson's work okay for kids?

Across up to 16 MovieCove titles with content scores, violence & gore, sex & nudity, profanity, alcohol & drugs and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore10 titles26–87 · median 63 · intenseheavier than most filmsMedian of all films: 44
Sex & Nudity16 titles14–57 · median 42 · moderateheavier than most filmsMedian of all films: 32
Profanity13 titles37–77 · median 62 · intenseheavier than most filmsMedian of all films: 36
Alcohol & Drugs8 titles31–63 · median 49 · moderateheavier than most filmsMedian of all films: 33
Frightening / Intense10 titles30–89 · median 53 · moderateheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Sarah E. Johnson work with?

People who share at least 2 of Sarah E. Johnson's MovieCove titles, grouped by what they did on them; Molly Conners shares the most, 14.

Directors

Writers

Actors

Cinematographers and editors

Producers

Mixed roles