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Trevor Matthews

Trevor Matthews

Producer, actor, writer and director · Born July 24, 1982 (44) · Ottawa, Ontario, Canada

BAFTA Award nominee

After studying Anthropology at Carleton University in Ottawa, Trevor attended the New York Film Academy where he graduated in 2002. It wasn't long before his passion for film enticed Trevor to team up with Jon Knautz and Patrick White to form Brookstreet Pictures Corp. As CEO, Trevor initiated his film career by producing and acting in Brookstreet Pictures' series of short films: Teen Massacre, Still Life, The Other Celia, and Moment of Truth. Trevor is the son of technology magnate, Sir Terence Matthews, founder of Mitel Networks, Newbridge Networks, and owner of the Brookstreet Hotel and Celtic Manor Resort in Wales. Trevor's business acumen was, in part, seasoned through his involvement with various "Matthews" business holdings including March Networks and the venture capital firm, Wesley Clover Corporation. Trevor has demonstrated his ability to transition between both the logistical and creative sides of Brookstreet Pictures, being both the titular character and producer of Jack Brooks: Monster Slayer, Brookstreet Pictures' first feature film. Their second feature, The Shrine, premiered at the 2010 FanTasia Int'l Film Festival where it won the Audience Award for Best Canadian Feature. As CEO of Brookstreet Pictures, Trevor continues to develop projects for future production.

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Biography from IMDb.

Born
July 24, 1982 (44)
From
Ottawa, Ontario, Canada
Works as
Producer, actor, writer and director
Titles
11 on MovieCove · 14 credits in all
TMDB popularity, last 155 days to Oct 26Up 13% in 30 days

What are Trevor Matthews' films like?

Across their 11 MovieCove titles with a thematic analysis, their films lean Morality and Survival.

What they feel like to watch

their average across 11 films
ToneFeelDemandtheir average · filled zone: the category

Light 2 · Serious 0 · Dark 9

Grounded 7 · Stylized 4 · Heightened 0

Gentle 0 · Charged 3 · Intense 8

A split, not a type: Steady 5 · Shifting 4 · Whiplash 2

Straight-faced 10 · Some laughs 1 · Funny 0

Slow burn 2 · Even-paced 7 · Relentless 2

Casual 0 · Engaged 9 · Full focus 2

Easy watch 0 · Affecting 3 · Heavy 8

A split, not a type: Resolved 6 · Open-ended 4 · Ambiguous 1

Roles they play

2 analyzed roles

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
10
Dread
6
Melancholic
7
Hopeful
2
Thrilling
2
Other
3

How their films end · 2 with a twist

  • Bittersweet9
  • Tragic1
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Trevor Matthews' films?

As of October 24, 2026, all 11 MovieCove titles stream on a subscription or free service, most on Tubi (7).

Subscription and free streaming for Trevor Matthews' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

14 credits, 11 with a MovieCove page.

  • Mr. Burton(2025)

    Producer

    Midcredits score: 82nd percentile of all films
  • The Brutalist(2024)

    Producer

    Midcredits score: 90th percentile of all films
  • Knox Goes Away(2023)

    Producer

    Midcredits score: 81st percentile of all films
  • Brothers by Blood(2020)

    Producer

    Midcredits score: 17th percentile of all films
  • The Forgiven(2021)

    Producer

    Midcredits score: 43rd percentile of all films
  • Skin(2018)

    Executive Producer

    Midcredits score: 73rd percentile of all films
  • O.G.(2018)

    Producer

    Midcredits score: 51st percentile of all films
  • First Kill(2017)

    Producer

    Midcredits score: 14th percentile of all films
  • Girl House(2014)

    Director · Producer

    Midcredits score: 27th percentile of all films
  • The Shrine(2010)

    Executive Producer · Writer · as Henryk

    Midcredits score: 28th percentile of all films
  • Jack Brooks: Monster Slayer(2007)

    Producer · Story · as Jack Brooks

    Midcredits score: 39th percentile of all films
  • Still Life (not in the MovieCove catalog yet)(2005)

    Producer · as Nathan Evans

  • Teen Massacre (not in the MovieCove catalog yet)(2004)

    as Pete

  • Love Is Not the Answer (not in the MovieCove catalog yet)

    Executive Producer

Career shape

A full career of 11 titles, 10 of them dated from 2004 to 2025.

Film career

  • 2005Screen debut· Still Life
  • 2005First top-billed film· Still Life

By role

only this rolewith another role
Acting4 of 11: 1 only acting, 3 with another roleDirecting1 of 11: 0 only directing, 1 with another roleWriting2 of 11: 0 only writing, 2 with another roleProducing10 of 11: 6 only producing, 4 with another role · typical Midcredits score45th

11 titles, 4 with more than one role — producing and acting overlap on 3 of them.

By decade

2000s3 · 3 acting · 2 crew2010s4 · 1 acting · 4 crew2020s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

Awards

Nominated for a BAFTA Award in 2026, Outstanding British Film of the Year.

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Trevor Matthews' films land?

Their typical MovieCove film has a Midcredits score in the 43rd percentile, the median of all 11; across their 11 films with reception data, the typical film sits in the 42nd percentile for acclaim.

Acclaim · how much people like their films

42ndpercentile
Typical film, the median of 11

Approval · how many liked their films

44thpercentile
Typical film, the median of 11

Reach · how many have seen their films

91stpercentile
Typical film, the median of 11

Midcredits score across 11 titles, by percentile

  • 75th and up3
  • 50th to 74th2
  • 25th to 49th4
  • Below 25th2

Shape of the crowd

None of their 11 titles divides audiences: 5 are Mixed.

  • Crowd Pleaser4
  • Broadly Agreed2
  • Mixed5

Reviewers score the acting 74/100 in their films, across 11 reviewed titles; fans 81, detractors 56. The element that speaks to their work as an actor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Trevor Matthews' work okay for kids?

Across up to 7 MovieCove titles with content scores, violence & gore, sex & nudity, profanity and alcohol & drugs run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore5 titles54–83 · median 67 · intenseheavier than most filmsMedian of all films: 44
Sex & Nudity7 titles21–68 · median 50 · moderateheavier than most filmsMedian of all films: 32
Profanity6 titles46–79 · median 60 · moderateheavier than most filmsMedian of all films: 36
Alcohol & Drugs5 titles45–80 · median 67 · intenseheavier than most filmsMedian of all films: 33
Frightening / Intense4 titlesmedian 61 · intenseMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Trevor Matthews work with?

People who share at least 2 of Trevor Matthews' MovieCove titles, grouped by what they did on them; Nick Gordon shares the most, 9.

Directors

Writers

Composers and editors

Producers