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What are Edwin F. Zabel's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Survival and Morality.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 6 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 6 · Stylized 0 · Heightened 0

Gentle 1 · Charged 3 · Intense 2

A split, not a type: Steady 4 · Shifting 2 · Whiplash 0

Straight-faced 6 · Some laughs 0 · Funny 0

Slow burn 3 · Even-paced 3 · Relentless 0

Casual 3 · Engaged 3 · Full focus 0

Resolved 6 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
6
Dread
4
Melancholic
3
Thrilling
1
Contemplative
1
Other
2

How their films end · 1 with a twist

  • Happy1
  • Bittersweet5

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Edwin F. Zabel's films?

As of October 24, 2026, 4 of their 6 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Edwin F. Zabel's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

6 credits, 6 with a MovieCove page.

  • Midcredits score: 61st percentile of all films
  • Up Periscope(1959)

    Producer

    Midcredits score: 61st percentile of all films
  • Pharaoh's Curse(1957)

    Producer

    Midcredits score: 8th percentile of all films
  • Voodoo Island(1957)

    Producer

    Midcredits score: 8th percentile of all films
  • Ghost Town(1956)

    Producer

    Midcredits score: 28th percentile of all films
  • War Paint(1953)

    Producer

    Midcredits score: 25th percentile of all films

Career shape

Across their 6 MovieCove titles from 1953 to 1964.

By role

only this rolewith another role
Producing6 of 6: 6 only producing, 0 with another role · typical Midcredits score27th

By decade

1950s5 · crew1960s1 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Edwin F. Zabel's films land?

Their typical MovieCove film has a Midcredits score in the 27th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 30th percentile for acclaim.

Acclaim · how much people like their films

30thpercentile
Typical film, the median of 6

Approval · how many liked their films

26thpercentile
Typical film, the median of 6

Reach · how many have seen their films

36thpercentile
Typical film, the median of 6

Midcredits score across 6 titles, by percentile

  • 50th to 74th2
  • 25th to 49th2
  • Below 25th2

Shape of the crowd

None of their 6 titles divides audiences: 2 are Crowd Pleasers.

  • Crowd Pleaser2
  • Broadly Agreed2
  • Mixed2

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Edwin F. Zabel work with?

People who share at least 2 of Edwin F. Zabel's MovieCove titles, grouped by what they did on them; Aubrey Schenck shares the most, 6.

Writers

Actors

Composers, cinematographers and editors

Producers