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Aubrey Schenck

Producer, also writer · Died April 14, 1999, aged 90 · Brooklyn, New York City, New York, USA

Born
August 26, 1908
Died
April 14, 1999 (aged 90)
From
Brooklyn, New York City, New York, USA
Works as
Producer, also writer
Titles
45 on MovieCove · 54 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Down 14% in 30 days

What are Aubrey Schenck's films like?

Across their 45 MovieCove titles with a thematic analysis, their films lean Morality and Survival.

Genres

Drama17 titlesTypical Midcredits score: 29th percentile, at or above their average across these genres
: browse their Drama movies
Crime13 titlesTypical Midcredits score: 45th percentile, at or above their average across these genres
: browse their Crime movies
Action4 titlesTypical Midcredits score: 15th percentile
: browse their Action movies
Adventure4 titlesTypical Midcredits score: 24th percentile
: browse their Adventure movies
Horror4 titlesTypical Midcredits score: 10th percentile
: browse their Horror movies
Comedy3 titlesTypical Midcredits score: 44th percentile, at or above their average across these genres
: browse their Comedy movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Morality
41%
Survival
18%
Bonds
13%
Power
10%
Society
10%
Self
8%
Ideas
2%
Justice14 titles, browse their movies with this themeSurvival9 titles, browse their movies with this themeDuty8 titles, browse their movies with this themeGreed7 titles, browse their movies with this themeBetrayal9 titles, browse their movies with this themeFamily bonds6 titles, browse their movies with this themeDeception5 titles, browse their movies with this themeRedemption5 titles, browse their movies with this theme

What they feel like to watch

their average across 45 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

Light 12 · Serious 18 · Dark 15

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 26 · Stylized 16 · Heightened 3

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 6 · Charged 28 · Intense 11

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 17 · Shifting 26 · Whiplash 2

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 37 · Some laughs 6 · Funny 2

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 17 · Even-paced 27 · Relentless 1

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 20 · Engaged 24 · Full focus 1

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 38 · Open-ended 7 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
37
Dread
15
Melancholic
16
Thrilling
14
Joyful
5
Other
26

How their films linger

Bittersweet20 titles, browse their movies with this aftertasteUnsettling15 titles, browse their movies with this aftertasteFun11 titles, browse their movies with this aftertasteCathartic7 titles, browse their movies with this aftertasteFeel-good8 titles, browse their movies with this aftertasteThought-provoking6 titles, browse their movies with this aftertaste

How their films end · 11 with a twist

  • Happy11
  • Bittersweet26
  • Tragic3
  • Ambiguous5

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Aubrey Schenck's films?

As of October 24, 2026, 38 of their 45 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Aubrey Schenck's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

54 credits, 45 with a MovieCove page.

  • The Alpha Caper(1973)

    Producer

    Midcredits score: 56th percentile of all films

  • Daughters of Satan(1972)

    Producer

    Midcredits score: 7th percentile of all films

  • Barquero(1970)

    Executive Producer

    Midcredits score: 52nd percentile of all films

  • Impasse(1969)

    Executive Producer

    Midcredits score: 8th percentile of all films

  • More Dead Than Alive(1969)

    Producer

    Midcredits score: 49th percentile of all films

  • Kill a Dragon(1967)

    Executive Producer

    Midcredits score: 5th percentile of all films

  • Ambush Bay(1966)

    Executive Producer

    Midcredits score: 20th percentile of all films

  • Don't Worry, We'll Think of a Title(1966)

    Executive Producer

    Midcredits score: 7th percentile of all films

  • Robinson Crusoe on Mars(1964)

    Producer

    Midcredits score: 61st percentile of all films

  • Wild Harvest (not in the MovieCove catalog yet)(1962)

    Producer

  • Up Periscope(1959)

    Producer

    Midcredits score: 61st percentile of all films

  • Born Reckless(1958)

    Producer · Story

    Midcredits score: 5th percentile of all films

  • Macabre(1958)

    Producer

    Midcredits score: 26th percentile of all films

  • Frankenstein 1970(1958)

    Producer · Screenplay

    Midcredits score: 11th percentile of all films

  • Violent Road (not in the MovieCove catalog yet)(1958)

    Producer

  • Fort Bowie(1958)

    Producer

    Midcredits score: 30th percentile of all films

  • Hell Bound(1957)

    Executive Producer

    Midcredits score: 45th percentile of all films

  • The Girl in Black Stockings(1957)

    Executive Producer

    Midcredits score: 28th percentile of all films

  • Jungle Heat(1957)

    Producer

    Midcredits score: 16th percentile of all films

  • War Drums(1957)

    Executive Producer

    Midcredits score: 25th percentile of all films

  • Untamed Youth (not in the MovieCove catalog yet)(1957)

    Producer

  • Revolt at Fort Laramie(1957)

    Executive Producer

    Midcredits score: 24th percentile of all films

  • Pharaoh's Curse(1957)

    Executive Producer

    Midcredits score: 8th percentile of all films

  • Voodoo Island(1957)

    Executive Producer

    Midcredits score: 8th percentile of all films

  • Outlaw's Son(1957)

    Producer

    Midcredits score: 38th percentile of all films

  • The Dalton Girls(1957)

    Producer

    Midcredits score: 30th percentile of all films

  • Tomahawk Trail(1957)

    Producer

    Midcredits score: 25th percentile of all films

  • Emergency Hospital(1956)

    Executive Producer

    Midcredits score: 29th percentile of all films

  • Hot Cars(1956)

    Executive Producer

    Midcredits score: 51st percentile of all films

  • Rebel in Town(1956)

    Executive Producer

    Midcredits score: 71st percentile of all films

  • The Black Sleep(1956)

    Executive Producer · as Prison Coroner's Clerk (uncredited)

    Midcredits score: 38th percentile of all films

  • Quincannon, Frontier Scout(1956)

    Executive Producer

    Midcredits score: 14th percentile of all films

  • The Broken Star(1956)

    Executive Producer

    Midcredits score: 38th percentile of all films

  • Crime Against Joe(1956)

    Executive Producer

    Midcredits score: 31st percentile of all films

  • Three Bad Sisters(1956)

    Executive Producer

    Midcredits score: 38th percentile of all films

  • Ghost Town(1956)

    Producer

    Midcredits score: 28th percentile of all films

  • Big House, U.S.A.(1955)

    Producer

    Midcredits score: 67th percentile of all films

  • Desert Sands(1955)

    Producer

    Midcredits score: 23rd percentile of all films

  • Fort Yuma(1955)

    Producer

    Midcredits score: 16th percentile of all films

  • Shield for Murder(1954)

    Producer

    Midcredits score: 74th percentile of all films

  • War Paint(1953)

    Producer

    Midcredits score: 25th percentile of all films

  • The Fat Man (not in the MovieCove catalog yet)(1951)

    Producer

  • Target Unknown (not in the MovieCove catalog yet)(1951)

    Producer

  • Undercover Girl (not in the MovieCove catalog yet)(1950)

    Producer

  • Wyoming Mail(1950)

    Producer

    Midcredits score: 33rd percentile of all films

  • Port of New York(1949)

    Producer

    Midcredits score: 35th percentile of all films

  • Down Memory Lane (not in the MovieCove catalog yet)(1949)

    Producer

  • Red Stallion In The Rockies (not in the MovieCove catalog yet)(1949)

    Producer

  • Mickey(1948)

    Producer

    Midcredits score: 62nd percentile of all films

  • T-Men(1947)

    Producer

    Midcredits score: 76th percentile of all films

  • Repeat Performance(1947)

    Producer

    Midcredits score: 71st percentile of all films

  • It's a Joke, Son!(1947)

    Producer

    Midcredits score: 44th percentile of all films

  • Strange Triangle (not in the MovieCove catalog yet)(1946)

    Producer

  • Shock(1946)

    Producer

    Midcredits score: 49th percentile of all films

Career shape

A full career of 45 titles from 1946 to 1972.

Highest rated

T-Men (1947)

Midcredits 76th

Most popular right now

Robinson Crusoe on Mars (1964)

Film career

By role

only this rolewith another role
Acting1 of 45: 0 only acting, 1 with another roleWriting2 of 45: 0 only writing, 2 with another roleProducing45 of 45: 42 only producing, 3 with another role · typical Midcredits score32nd

45 titles, 3 with more than one role — producing and writing overlap on 2 of them.

By decade

1940s8 · crew1950s28 · 1 acting · 28 crew1960s7 · crew1970s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Aubrey Schenck's films land?

Their typical MovieCove film has a Midcredits score in the 30th percentile, the median of all 45; across their 45 films with reception data, the typical film sits in the 37th percentile for acclaim.

Acclaim · how much people like their films

37thpercentile
Typical film, the median of 45

Approval · how many liked their films

29thpercentile
Typical film, the median of 45

Reach · how many have seen their films

30thpercentile
Typical film, the median of 45

Midcredits score across 45 titles, by percentile

  • 75th and up1
  • 50th to 74th10
  • 25th to 49th20
  • Below 25th14

Shape of the crowd

17 of their 45 titles are Mixed.

  • Crowd Pleaser12
  • Broadly Agreed16
  • Mixed17

Most divisive · producer

Don't Worry, We'll Think of a Title (1966)

75th percentile spread · 49% rated it 4 or lower

Most loved · producer

T-Men (1947)

Midcredits 76th · 68% liked

Reviewers score the dialogue 44/100 and the plot and story 46/100 in their films, across 45 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Aubrey Schenck work with?

People who share at least 2 of Aubrey Schenck's MovieCove titles, grouped by what they did on them; Howard W. Koch shares the most, 29.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers

Mixed roles