James Woolf

What are James Woolf's films like?

Across their 10 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch James Woolf's films?

As of October 24, 2026, 3 of their 10 MovieCove titles stream on a subscription or free service, most on Tubi (2).

• Tubi2 titles, browse their movies on this service
  • King Rat (1965) · producer · free
  • Moulin Rouge (1952) · producer · free
• Prime Video1 title, browse their movies on this service
  • Moulin Rouge (1952) · producer

Subscription and free streaming for James Woolf's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

11 credits, 10 with a MovieCove page.

• 

  Life at the Top(1965)

  Producer

  Midcredits score: 61st percentile of all films61^st
• 

  King Rat(1965)

  Producer

  Midcredits score: 93rd percentile of all films93^rd
• 

  Of Human Bondage(1964)

  Producer

  Midcredits score: 59th percentile of all films59^th
• 

  The Pumpkin Eater(1964)

  Producer

  Midcredits score: 83rd percentile of all films83^rd
• 

  The L-Shaped Room(1962)

  Producer

  Midcredits score: 90th percentile of all films90^th
• 

  Term of Trial (not in the MovieCove catalog yet)(1962)

  Producer
• 

  Room at the Top(1958)

  Producer

  Midcredits score: 92nd percentile of all films92^nd
• 

  The Silent Enemy(1958)

  Producer

  Midcredits score: 66th percentile of all films66^th
• 

  I Am a Camera(1955)

  Producer

  Midcredits score: 56th percentile of all films56^th
• 

  Moulin Rouge(1952)

  Producer

  Midcredits score: 78th percentile of all films78^th
• 

  The African Queen(1951)

  Producer

  Midcredits score: 95th percentile of all films95^th

Career shape

A full career of 7 titles from 1958 to 1965.

Biggest box office

The African Queen (1951)

$47K worldwide

Highest rated

The African Queen (1951)

Midcredits 95^th

How do James Woolf's films land?

Their typical MovieCove film has a Midcredits score in the 81^st percentile, the median of all 10; across their 10 films with reception data, the typical film sits in the 78^th percentile for acclaim.

Shape of the crowd

None of their 10 titles divides audiences: 7 are Crowd Pleasers.

37

• Universally Loved3
• Crowd Pleaser7

Most loved · producer

The African Queen (1951)

Midcredits 95^th · 84% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does James Woolf work with?

People who share at least 2 of James Woolf's MovieCove titles, grouped by what they did on them; John Woolf shares the most, 7.