
Laurence Harvey (born Zvi Mosheh Skikne; 1 October 1928 – 25 November 1973) was a Lithuanian-born British actor and film director. Born in Joniškis to a Jewish family, he moved with his family to South Africa as a child and grew up in Johannesburg. During the Second World War, he served in the South African Army’s entertainment unit. He later moved to London and began working in theatre and film. Harvey gained international recognition as Joe Lampton in Room at the Top (1959), earning an Academy Award nomination for Best Actor. His later films included The Alamo (1960), BUtterfield 8 (1960) and The Manchurian Candidate (1962). He directed The Ceremony (1963) and took over direction of A Dandy in Aspic (1968) after Anthony Mann died during production. Harvey also directed and starred in Welcome to Arrow Beach (1974). He died of stomach cancer in London at the age of 45.
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Biography from TMDB.
- October 1, 1928
- November 25, 1973 (aged 45)
- Jonischkis, Lithuania
- Actor, also director, producer and writer
- 40 on MovieCove · 64 credits in all
What are Laurence Harvey's films like?
Across their 36 MovieCove titles with a thematic analysis, their films lean Morality and Power.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 3 · Wry 1 · Earnest 32
A split, not a type: Light 6 · Serious 10 · Dark 20
Grounded 15 · Stylized 19 · Heightened 2
Gentle 6 · Charged 21 · Intense 9
Steady 13 · Shifting 22 · Whiplash 1
Straight-faced 24 · Some laughs 9 · Funny 3
A split, not a type: Slow burn 21 · Even-paced 14 · Relentless 1
Casual 10 · Engaged 21 · Full focus 5
Easy watch 7 · Affecting 15 · Heavy 14
Resolved 22 · Open-ended 12 · Ambiguous 2
Roles they play
Usually the Hero: 16 of 34 analyzed roles.
Show the 34 rolesHide the roles
- Heroas Freddie in Scarlet Thread (1951)
- Heroas Romeo in Romeo and Juliet (1954)
- Shadowas Miles 'Rave' Ravenscourt in The Good Die Young (1954)
- Heroas Sir Kenneth of Huntington in King Richard and the Crusaders (1954)
- Heroas Christopher Isherwood in I Am a Camera (1955)
- Shadowas John Durrance in Storm Over the Nile (1955)
- Allyas George in Three Men in a Boat (1956)
- Heroas Sir Humphrey Tavistock in The Truth About Women (1957)
- Mentoras Sir Humphrey Tavistock in The Truth About Women (1957)
- Heroas Lionel Crabbe in The Silent Enemy (1958)
- Heroas Joe Lampton in Room at the Top (1958)
- Shadowas Johnny Jackson in Expresso Bongo (1959)
- Tricksteras Johnny Jackson in Expresso Bongo (1959)
- Heroas Colonel William Barret Travis in The Alamo (1960)
- Shadowas Weston Amsbury Liggett in BUtterfield 8 (1960)
- Shadowas John Buchanan, Jr. in Summer and Smoke (1961)
- Shapeshifteras Pte. Bamforth in Jungle Fighters (1961)
- Tricksteras Raymond Shaw in The Manchurian Candidate (1962)
- Heroas Dove Linkhorn in Walk on the Wild Side (1962)
- Heroas Wilhelm Grimm in The Wonderful World of the Brothers Grimm (1962)
- Shadowas Sean McKenna in The Ceremony (1963)
- Heroas Rex Black in The Running Man (1963)
- Heroas Philip Carey in Of Human Bondage (1964)
- Heroas Husband in The Outrage (1964)
- Heroas Joe Lampton in Life at the Top (1965)
- Tricksteras Francis Trevelyan in The Spy with a Cold Nose (1966)
- Shadowas Tony Wendice in Dial M for Murder (1967)
- Heroas Eberlin in A Dandy in Aspic (1968)
- Heroas Cethegus in The Last Roman (1968)
- Shadowas Hughie Warriner in The Deep (1970)
- Shadowas Bingamon in WUSA (1970)
- Shadowas Major Kirsanov in Escape to the Sun (1972)
- Shapeshifteras John Wheeler in Night Watch (1973)
- Shadowas Jason Henry in Welcome to Arrow Beach (1973)
Moods and endings
- Happy4
- Bittersweet15
- Tragic13
- Ambiguous4
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Laurence Harvey's films?
As of October 24, 2026, 11 of their 40 MovieCove titles stream on a subscription or free service, most on Tubi (9).
- The Manchurian Candidate (1962) · actor · free
- Alfred Hitchcock Presents (1955) · actor · free
- Darling (1965) · actor · free
- The Alamo (1960) · actor · free
- The Charge of the Light Brigade (1968) · actor · free
- The Wonderful World of the Brothers Grimm (1962) · actor · free
- Night Watch (1973) · actor · free
- Expresso Bongo (1959) · actor · free
- The Ceremony (1963) · actor, director, writer, producer · free
- Best TV Ever, show their title on Best TV Ever
- BFI Player, show their title on BFI Player
- Cohen Media Channel, show their title on Cohen Media Channel
- IndieFlix, show their title on IndieFlix
- Lionsgate+, show their title on Lionsgate+
- ScreenPix, show their title on ScreenPix
- Shout! TV, show their title on Shout! TV
Subscription and free streaming for Laurence Harvey's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
64 credits, 40 with a MovieCove page; 11 appearances as themselves are hidden until asked for.

The Deep(1970)
Midcredits score: 57th percentile of all filmsJohn Wayne's 'The Alamo' (not in the MovieCove catalog yet)(1992)

Mission Mind Control (not in the MovieCove catalog yet)(1979)

Welcome to Arrow Beach(1973)
Midcredits score: 27th percentile of all films
Night Watch(1973)
Midcredits score: 55th percentile of all films
Escape to the Sun(1972)
Midcredits score: 9th percentile of all films (provisional, few ratings)
Columbo (not in the MovieCove catalog yet)(1971)

Night Gallery(1969)
Midcredits score: 86th percentile of all shows
WUSA(1970)
Midcredits score: 26th percentile of all films
The Magic Christian(1969)
Midcredits score: 41st percentile of all films
He and She (not in the MovieCove catalog yet)(1969)

The Fight for Rome II - The Betrayal (not in the MovieCove catalog yet)(1969)

ITV Saturday Night Theatre (not in the MovieCove catalog yet)(1969)

The Last Roman(1968)
Midcredits score: 36th percentile of all films
Appointment in Beirut (not in the MovieCove catalog yet)(1968)

The Winter's Tale (not in the MovieCove catalog yet)(1968)
Midcredits score: 65th percentile of all films
A Dandy in Aspic(1968)
Midcredits score: 48th percentile of all films
Dial M for Murder(1967)
Midcredits score: 86th percentile of all films (provisional, few ratings)
The Spy with a Cold Nose(1966)
Midcredits score: 15th percentile of all films
Life at the Top(1965)
Midcredits score: 61st percentile of all films
Darling(1965)
Midcredits score: 79th percentile of all films
The Outrage(1964)
Midcredits score: 45th percentile of all films
Of Human Bondage(1964)
Midcredits score: 59th percentile of all films
MGM 40th Anniversary (not in the MovieCove catalog yet)(1964)

The Ceremony(1963)
Midcredits score: 18th percentile of all films
The Running Man(1963)
Midcredits score: 62nd percentile of all films
A Girl Named Tamiko(1962)
Midcredits score: 30th percentile of all films
The Manchurian Candidate(1962)
Midcredits score: 97th percentile of all films
Midcredits score: 58th percentile of all films
Noah and the Flood (not in the MovieCove catalog yet)(1962)

Walk on the Wild Side(1962)
Midcredits score: 68th percentile of all films
Summer and Smoke(1961)
Midcredits score: 73rd percentile of all films
Two Loves (not in the MovieCove catalog yet)(1961)

Jungle Fighters(1961)
Midcredits score: 67th percentile of all films
BUtterfield 8(1960)
Midcredits score: 55th percentile of all films
The Alamo(1960)
Midcredits score: 73rd percentile of all films
Expresso Bongo(1959)
Midcredits score: 47th percentile of all films
Power Among Men (not in the MovieCove catalog yet)(1959)

Room at the Top(1958)
Midcredits score: 92nd percentile of all films
The Silent Enemy(1958)
Midcredits score: 66th percentile of all films
The Truth About Women(1957)
Midcredits score: 33rd percentile of all films
After the Ball (not in the MovieCove catalog yet)(1957)

Three Men in a Boat(1956)
Midcredits score: 23rd percentile of all films
Storm Over the Nile(1955)
Midcredits score: 39th percentile of all films
Midcredits score: 96th percentile of all shows
I Am a Camera(1955)
Midcredits score: 56th percentile of all films
Romeo and Juliet(1954)
Midcredits score: 42nd percentile of all films
Midcredits score: 30th percentile of all films
The Good Die Young(1954)
Midcredits score: 69th percentile of all films
Innocents in Paris (not in the MovieCove catalog yet)(1953)

Women of Twilight (not in the MovieCove catalog yet)(1953)

A Killer Walks (not in the MovieCove catalog yet)(1952)

I Believe in You (not in the MovieCove catalog yet)(1952)

There Is Another Sun (not in the MovieCove catalog yet)(1951)

Scarlet Thread(1951)
Midcredits score: 18th percentile of all films
The Black Rose(1950)
Midcredits score: 50th percentile of all films
The Dancing Years (not in the MovieCove catalog yet)(1950)

Cairo Road (not in the MovieCove catalog yet)(1950)

Sunday Night Theatre (not in the MovieCove catalog yet)(1950)

Landfall (not in the MovieCove catalog yet)(1949)

Man on the Run(1949)
Midcredits score: 68th percentile of all filmsThe Man from Yesterday (not in the MovieCove catalog yet)(1949)

House of Darkness (not in the MovieCove catalog yet)(1948)
Career shape
Star power in the 99th percentile of 239,109 people with a billed film role, over a full career of 64 titles from 1948 to 2007; peak year 1961.
Film career
Peak 1961 · fewer prominent film roles lately. Top draw in 7 MovieCove titles. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1950Screen debut· The Black Rose
- 1954First top-billed film· The Good Die Young
- 1958Breakout· Room at the Top
- 1958Oscar nomination· Room at the Top
- 1962Golden Globe nomination· The Wonderful World of the Brothers Grimm
Billing
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30; the columns are the share of top-billed roles in each era, 5-year spans from the year on the label, merged until each holds at least 5 roles.
Awards
a Golden Globe from 5 major nominations, 1959–1968.
- Golden Globe, won · World Film Favorite - Male
- Golden Globe, nominated · Best Actor - Drama
- Oscar, nominated · Best Actor in a Leading Role
- BAFTA Award, nominated · Best British Actor
- BAFTA Award, nominated · Best British Actor
Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.
How do Laurence Harvey's films land?
Their typical MovieCove film has a Midcredits score in the 55th percentile, the median of all 38; across their 36 films with reception data, the typical film sits in the 56th percentile for acclaim.
- 75th and up6
- 50th to 74th17
- 25th to 49th12
- Below 25th5
Shape of the crowd
19 of their 40 titles are Crowd Pleasers.
- Universally Loved3
- Crowd Pleaser19
- Broadly Agreed7
- Mixed11
Reviewers score the acting 68/100 in their films, across 32 reviewed titles; fans 77, detractors 44. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Laurence Harvey's work okay for kids?
Across up to 5 MovieCove titles with content scores, 1 of the 5 categories sits near the median of all films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Laurence Harvey work with?
People who share at least 2 of Laurence Harvey's MovieCove titles, grouped by what they did on them; John Woolf shares the most, 6.
Directors
- Lewis GilbertShared titles: The Good Die Young (1954), Scarlet Thread (1951)See all 2 shared titles with Lewis Gilbert

Writers
- John BraineShared titles: Life at the Top (1965), Room at the Top (1958)See all 2 shared titles with John Braine

- Mordecai RichlerShared titles: Life at the Top (1965), Room at the Top (1958)See all 2 shared titles with Mordecai Richler

- Wolf MankowitzShared titles: Jungle Fighters (1961), Expresso Bongo (1959)See all 2 shared titles with Wolf Mankowitz

- Vernon HarrisShared titles: Three Men in a Boat (1956), The Good Die Young (1954)See all 2 shared titles with Vernon Harris
Actors
- John IrelandShared titles: Welcome to Arrow Beach (1973), Escape to the Sun (1972), The Ceremony (1963), The Good Die Young (1954)See all 4 shared titles with John Ireland

- Allan CuthbertsonShared titles: Life at the Top (1965), The Running Man (1963), Room at the Top (1958)See all 3 shared titles with Allan Cuthbertson

- Robert MorleyShared titles: Life at the Top (1965), Of Human Bondage (1964), The Good Die Young (1954)See all 3 shared titles with Robert Morley

- Jeanne MoreauShared titles: Orson Welles: The One-Man Band (1995), The Deep (1970)See all 2 shared titles with Jeanne Moreau

Composers, cinematographers and editors
- Ralph KemplenShared titles: The Ceremony (1963), Room at the Top (1958), Three Men in a Boat (1956), The Good Die Young (1954)See all 4 shared titles with Ralph Kemplen
- Oswald MorrisShared titles: Life at the Top (1965), Of Human Bondage (1964), The Ceremony (1963)See all 3 shared titles with Oswald Morris

- Elmer BernsteinShared titles: A Girl Named Tamiko (1962), Walk on the Wild Side (1962), Summer and Smoke (1961)See all 3 shared titles with Elmer Bernstein

- Alfred SrpShared titles: Escape to the Sun (1972), The Last Roman (1968)See all 2 shared titles with Alfred Srp
Producers
- John WoolfShared titles: Life at the Top (1965), Room at the Top (1958), The Silent Enemy (1958), Three Men in a Boat (1956), I Am a Camera (1955), The Good Die Young (1954)See all 6 shared titles with John Woolf
- James WoolfShared titles: Life at the Top (1965), Of Human Bondage (1964), Room at the Top (1958), The Silent Enemy (1958), I Am a Camera (1955)See all 5 shared titles with James Woolf
- Jack ClaytonShared titles: Room at the Top (1958), Three Men in a Boat (1956), I Am a Camera (1955), The Good Die Young (1954)See all 4 shared titles with Jack Clayton

- Joseph JanniShared titles: Darling (1965), Romeo and Juliet (1954)See all 2 shared titles with Joseph Janni

