Skip to content
MovieCove
Tom Schulman

Tom Schulman

Writer, producer and director · Born October 20, 1950 (76) · Nashville, Tennessee, USA

Thomas H. Schulman (born October 20, 1950 in Nashville) is an American screenwriter most famous for his screenplay Dead Poets Society which won the Best Screenplay Academy Award for 1989. Other scripts include Honey, I Shrunk the Kids, Welcome to Mooseport, What About Bob?, 8 Heads In A Duffel Bag and Medicine Man. In 2009, Schulman was elected vice president of the Writers Guild of America, West. Tom Schulman lives in Los Angeles, California with his wife Miriam and sons Max and Peter.

Read more

Biography from TMDB.

Born
October 20, 1950 (76)
From
Nashville, Tennessee, USA
Works as
Writer, producer and director
Titles
14 on MovieCove · 17 credits in all
TMDB popularity, last 37 days to Oct 26Down 25% in 30 days

What are Tom Schulman's films like?

Across their 13 MovieCove titles with a thematic analysis, their films lean Morality and Self.

What they feel like to watch

their average across 13 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 8 · Serious 2 · Dark 3

Grounded 11 · Stylized 2 · Heightened 0

Gentle 5 · Charged 6 · Intense 2

A split, not a type: Steady 7 · Shifting 6 · Whiplash 0

A split, not a type: Straight-faced 5 · Some laughs 3 · Funny 5

A split, not a type: Slow burn 7 · Even-paced 6 · Relentless 0

Casual 9 · Engaged 4 · Full focus 0

Resolved 11 · Open-ended 2 · Ambiguous 0

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Tom Schulman's films?

As of October 24, 2026, 10 of their 14 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Tom Schulman's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

17 credits, 14 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • Double Down South(2022)

    Director · Producer · Writer

    Midcredits score: 50th percentile of all films
  • Distant Tales (not in the MovieCove catalog yet)(2023)

    Executive Producer

  • Welcome to Mooseport(2004)

    Producer · Screenplay

    Midcredits score: 13th percentile of all films
  • Me, Myself & Irene(2000)

    Executive Producer

    Midcredits score: 64th percentile of all films
  • Genius(1999)

    Executive Producer

    Midcredits score: 44th percentile of all films
  • Holy Man(1998)

    Writer

    Midcredits score: 12th percentile of all films
  • 8 Heads in a Duffel Bag(1997)

    Director · Writer

    Midcredits score: 17th percentile of all films
  • Indecent Proposal(1993)

    Executive Producer

    Midcredits score: 41st percentile of all films
  • Medicine Man(1992)

    Screenplay · Story

    Midcredits score: 37th percentile of all films
  • What About Bob?(1991)

    Screenplay

    Midcredits score: 81st percentile of all films
  • Second Sight(1989)

    Writer

    Midcredits score: 11th percentile of all films
  • Honey, I Shrunk the Kids(1989)

    Screenplay

    Midcredits score: 59th percentile of all films
  • Dead Poets Society(1989)

    Writer

    Midcredits score: 99th percentile of all films
  • Midcredits score: 31st percentile of all films
  • The Gladiator(1986)

    Executive Producer · Story

    Midcredits score: 19th percentile of all films
  • The Kid from Not-So-Big (not in the MovieCove catalog yet)(1978)

    Assistant Director

  • Joy Ride: An Auto Theft (not in the MovieCove catalog yet)(1976)

    Assistant Director · Writer

Career shape

A full career of 17 titles from 1976 to 2024.

By role

only this rolewith another role
Directing2 of 17: 0 only directing, 2 with another roleWriting12 of 17: 7 only writing, 5 with another role · typical Midcredits score31stProducing6 of 17: 4 only producing, 2 with another role · typical Midcredits score41stOther crew2 of 17: 1 only other crew, 1 with another role

17 titles, 5 with more than one role — writing and producing overlap on 2 of them.

By decade

1970s2 · crew1980s5 · crew1990s6 · crew2000s2 · crew2020s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Tom Schulman's films land?

Their typical MovieCove film has a Midcredits score in the 39th percentile, the median of all 14; across their 13 films with reception data, the typical film sits in the 37th percentile for acclaim.

Acclaim · how much people like their films

37thpercentile
Typical film, the median of 13

Approval · how many liked their films

39thpercentile
Typical film, the median of 13

Reach · how many have seen their films

88thpercentile
Typical film, the median of 13

Midcredits score across 14 titles, by percentile

  • 75th and up2
  • 50th to 74th3
  • 25th to 49th4
  • Below 25th5

Reviewers score the dialogue 50/100 and the plot and story 44/100 in their films, across 13 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Tom Schulman's work okay for kids?

Across up to 8 MovieCove titles with content scores, violence & gore and frightening / intense run lighter than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore5 titles20–35 · median 27 · mildlighter than most filmsMedian of all films: 44
Sex & Nudity8 titles16–53 · median 38 · moderatenear the median of all filmsMedian of all films: 32
Profanity4 titlesmedian 35 · moderateMedian of all films: 36
Alcohol & Drugs5 titles17–38 · median 33 · mildnear the median of all filmsMedian of all films: 33
Frightening / Intense5 titles13–54 · median 27 · mildlighter than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Tom Schulman work with?

People who share at least 2 of Tom Schulman's MovieCove titles; David Holden shares the most, 2.