Skip to content
MovieCove
John Rusk

John Rusk

Producer

Works as
Producer
Titles
26 on MovieCove
TMDB popularity, last 63 days to Oct 26Down 30% in 30 days

What are John Rusk's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Self and Morality.

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 1 · Stylized 4 · Heightened 0

Gentle 0 · Charged 1 · Intense 4

Steady 2 · Shifting 3 · Whiplash 0

Straight-faced 5 · Some laughs 0 · Funny 0

Slow burn 1 · Even-paced 4 · Relentless 0

Casual 0 · Engaged 4 · Full focus 1

Resolved 1 · Open-ended 2 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
5
Dread
3
Cold
1
Hopeful
2
Contemplative
1

How their films end · 2 with a twist

  • Bittersweet3
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch John Rusk's films?

As of October 24, 2026, 21 of their 26 MovieCove titles stream on a subscription or free service, most on Tubi (7).

Subscription and free streaming for John Rusk's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

26 credits, 26 with a MovieCove page.

  • Dangerous Waters(2023)

    Co-Producer · First Assistant Director

    Midcredits score: 18th percentile of all films
  • The Slumber Party(2023)

    First Assistant Director

    Midcredits score: 35th percentile of all films
  • Blood and Money(2020)

    First Assistant Director

    Midcredits score: 16th percentile of all films
  • 21 Bridges(2019)

    First Assistant Director

    Midcredits score: 66th percentile of all films
  • Glass(2019)

    Co-Producer · First Assistant Director

    Midcredits score: 61st percentile of all films
  • Split(2016)

    First Assistant Director

    Midcredits score: 89th percentile of all films
  • After Earth(2013)

    First Assistant Director · Producer

    Midcredits score: 8th percentile of all films
  • Devil(2010)

    Producer

    Midcredits score: 47th percentile of all films
  • The Last Airbender(2010)

    First Assistant Director

    Midcredits score: 3rd percentile of all films
  • The Happening(2008)

    Producer

    Midcredits score: 12th percentile of all films
  • Lady in the Water(2006)

    Associate Producer · First Assistant Director

    Midcredits score: 29th percentile of all films
  • The Village(2004)

    First Assistant Director · as Radio Announcer

    Midcredits score: 64th percentile of all films
  • The Clearing(2004)

    First Assistant Director

    Midcredits score: 31st percentile of all films
  • Tuck Everlasting(2002)

    First Assistant Director

    Midcredits score: 67th percentile of all films
  • Signs(2002)

    First Assistant Director

    Midcredits score: 74th percentile of all films
  • Unbreakable(2000)

    First Assistant Director · as Security Dispatcher

    Midcredits score: 89th percentile of all films
  • Animal Factory(2000)

    First Assistant Director

    Midcredits score: 65th percentile of all films
  • The Sixth Sense(1999)

    Assistant Director

    Midcredits score: 99th percentile of all films
  • The Devil's Own(1997)

    Second Assistant Director

    Midcredits score: 45th percentile of all films
  • Outbreak(1995)

    Second Assistant Director

    Midcredits score: 67th percentile of all films
  • The Pelican Brief(1993)

    Second Assistant Director

    Midcredits score: 67th percentile of all films
  • A League of Their Own(1992)

    Second Assistant Director

    Midcredits score: 91st percentile of all films
  • For the Boys(1991)

    Second Assistant Director

    Midcredits score: 58th percentile of all films
  • Green Card(1990)

    Second Second Assistant Director

    Midcredits score: 49th percentile of all films
  • Dead Poets Society(1989)

    Second Second Assistant Director

    Midcredits score: 99th percentile of all films
  • Poltergeist III(1988)

    as Gallery Man

    Midcredits score: 9th percentile of all films

Career shape

A full career of 26 titles from 1988 to 2023.

Film career

By role

only this rolewith another role
Acting3 of 26: 1 only acting, 2 with another roleProducing5 of 26: 2 only producing, 3 with another role · typical Midcredits score29thOther crew23 of 26: 18 only other crew, 5 with another role · typical Midcredits score64th

26 titles, 5 with more than one role — other crew and producing overlap on 3 of them.

By decade

1980s2 · 1 acting · 1 crew1990s7 · crew2000s8 · 2 acting · 8 crew2010s6 · crew2020s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do John Rusk's films land?

Their typical MovieCove film has a Midcredits score in the 60th percentile, the median of all 26; across their 5 films with reception data, the typical film sits in the 23rd percentile for acclaim.

Acclaim · how much people like their films

23rdpercentile
Typical film, the median of 5

Approval · how many liked their films

15thpercentile
Typical film, the median of 5

Reach · how many have seen their films

97thpercentile
Typical film, the median of 5

Midcredits score across 26 titles, by percentile

  • 75th and up5
  • 50th to 74th9
  • 25th to 49th6
  • Below 25th6

Shape of the crowd

11 of their 26 titles are Crowd Pleasers.

  • Universally Loved3
  • Cult Classic1
  • Crowd Pleaser11
  • Broadly Agreed5
  • Mixed6

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is John Rusk's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Their medianMedian of all films
Violence & Gore4 titlesmedian 68 · intenseMedian of all films: 44
Sex & Nudity4 titlesmedian 15 · minimalMedian of all films: 32
Profanity4 titlesmedian 28 · mildMedian of all films: 36
Alcohol & Drugs4 titlesmedian 26 · mildMedian of all films: 33
Frightening / Intense4 titlesmedian 62 · intenseMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does John Rusk work with?

People who share at least 2 of John Rusk's MovieCove titles, grouped by what they did on them; M. Night Shyamalan shares the most, 4.

Directors

Composers and cinematographers

Producers