Mark Robson

What are Mark Robson's films like?

Across their 31 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Mark Robson's films?

As of October 24, 2026, 7 of their 31 MovieCove titles stream on a subscription or free service, most on HBO Max (3).

• HBO Max3 titles, browse their movies on this service
  • The Leopard Man (1943) · editor
  • The Seventh Victim (1943) · director
  • Isle of the Dead (1945) · director
• Prime Video2 titles, browse their movies on this service
  • My Foolish Heart (1949) · director
  • Edge of Doom (1950) · director
• Tubi2 titles, browse their movies on this service
  • My Foolish Heart (1949) · director · free
  • Lost Command (1966) · director, producer · free
• MGM+1 title, browse their movies on this service
  • The Bridges at Toko-Ri (1954) · director
• Pluto TV1 title, browse their movies on this service
  • My Foolish Heart (1949) · director · free

Subscription and free streaming for Mark Robson's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

42 credits, 31 with a MovieCove page.

• 

  Avalanche Express(1979)

  Director · Producer

  Midcredits score: 12th percentile of all films12^th
• 

  Earthquake(1974)

  Director · Producer

  Midcredits score: 41st percentile of all films41^st
• 

  Limbo (not in the MovieCove catalog yet)(1972)

  Director
• 

  Happy Birthday, Wanda June(1971)

  Director · Executive Producer

  Midcredits score: 36th percentile of all films36^th
• 

  Daddy's Gone A-Hunting(1969)

  Director · Producer · as (uncredited)

  Midcredits score: 47th percentile of all films47^th
• 

  Valley of the Dolls(1967)

  Director · Producer

  Midcredits score: 52nd percentile of all films52^nd
• 

  Jacqueline Susann and the Valley of the Dolls (not in the MovieCove catalog yet)(1967)

  Actor
• 

  Lost Command(1966)

  Director · Producer

  Midcredits score: 51st percentile of all films51^st
• 

  Von Ryan's Express(1965)

  Director · Producer

  Midcredits score: 86th percentile of all films86^th
• 

  The Prize(1963)

  Director

  Midcredits score: 75th percentile of all films75^th
• 

  Nine Hours to Rama(1963)

  Director · Producer

  Midcredits score: 57th percentile of all films57^th
• 

  The Inspector (not in the MovieCove catalog yet)(1962)

  Executive Producer
• 

  From the Terrace(1960)

  Director · Producer

  Midcredits score: 69th percentile of all films69^th
• 

  The Inn of the Sixth Happiness(1958)

  Director

  Midcredits score: 85th percentile of all films85^th
• 

  Peyton Place(1957)

  Director

  Midcredits score: 85th percentile of all films85^th
• 

  The Little Hut (not in the MovieCove catalog yet)(1957)

  Director · Producer
• 

  The Harder They Fall(1956)

  Director

  Midcredits score: 94th percentile of all films94^th
• 

  A Prize of Gold(1955)

  Director

  Midcredits score: 32nd percentile of all films32^nd
• 

  Trial(1955)

  Director

  Midcredits score: 74th percentile of all films74^th
• 

  The Bridges at Toko-Ri(1954)

  Director

  Midcredits score: 67th percentile of all films67^th
• 

  Phffft(1954)

  Director

  Midcredits score: 64th percentile of all films64^th
• 

  Hell Below Zero (not in the MovieCove catalog yet)(1954)

  Director
• 

  Return to Paradise (not in the MovieCove catalog yet)(1953)

  Director · Producer
• 

  I Want You (not in the MovieCove catalog yet)(1951)

  Director
• 

  Bright Victory(1951)

  Director

  Midcredits score: 89th percentile of all films89^th
• 

  Edge of Doom(1950)

  Director

  Midcredits score: 55th percentile of all films55^th
• 

  My Foolish Heart(1949)

  Director

  Midcredits score: 73rd percentile of all films73^rd
• 

  Home of the Brave(1949)

  Director

  Midcredits score: 77th percentile of all films77^th
• 

  Roughshod (not in the MovieCove catalog yet)(1949)

  Director
• 

  Champion(1949)

  Director

  Midcredits score: 89th percentile of all films89^th
• 

  Bedlam(1946)

  Director · Screenplay

  Midcredits score: 73rd percentile of all films73^rd
• 

  Isle of the Dead(1945)

  Director

  Midcredits score: 59th percentile of all films59^th
• 

  Youth Runs Wild (not in the MovieCove catalog yet)(1944)

  Director
• 

  The Ghost Ship (not in the MovieCove catalog yet)(1943)

  Director
• 

  The Seventh Victim(1943)

  Director

  Midcredits score: 70th percentile of all films70^th
• 

  The Leopard Man(1943)

  Editor

  Midcredits score: 71st percentile of all films71^st
• 

  I Walked with a Zombie(1943)

  Editor

  Midcredits score: 81st percentile of all films81^st
• 

  Journey Into Fear(1943)

  Editor

  Midcredits score: 59th percentile of all films59^th
• 

  Cat People(1942)

  Editor

  Midcredits score: 87th percentile of all films87^th
• 

  The Falcon's Brother(1942)

  Editor

  Midcredits score: 57th percentile of all films57^th
• 

  Mail Trouble (not in the MovieCove catalog yet)(1942)

  Editor
• 

  The Magnificent Ambersons(1942)

  Additional Editing · Editor

  Midcredits score: 94th percentile of all films94^th

Career shape

A full career of 42 titles from 1942 to 1979.

Biggest box office

Earthquake (1974)

$80M worldwide

Highest rated

The Magnificent Ambersons (1942)

Midcredits 94^th

Most popular right now

The Harder They Fall (1956)

How do Mark Robson's films land?

Their typical MovieCove film has a Midcredits score in the 70^th percentile, the median of all 31; across their 31 films with reception data, the typical film sits in the 68^th percentile for acclaim.

Shape of the crowd

None of their 31 titles divides audiences: 23 are Crowd Pleasers.

23

• Universally Loved2
• Crowd Pleaser23
• Broadly Agreed3
• Mixed3

Most loved · editor

The Magnificent Ambersons (1942)

Midcredits 94^th · 81% liked

Reviewers score the atmosphere 71/100 and the pacing 48/100 in their films, across 31 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Mark Robson's work okay for kids?

Across up to 7 MovieCove titles with content scores, violence & gore and sex & nudity run lighter than most films.

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Mark Robson work with?

People who share at least 2 of Mark Robson's MovieCove titles, grouped by what they did on them; Dorothy Spencer shares the most, 7.