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Val Lewton

Val Lewton

Producer and writer · Died March 14, 1951, aged 46 · Yalta, Taurida Governorate, Russian Empire [now Crimea, Ukraine]

Born in the Russian Empire in 1904, Val Lewton (born Vladimir Ivanovich Leventon) moved with his mother and sister to Berlin in 1906, then to the United States in 1909. He wrote for newspapers, magazines, novels, pornography, etc. —often using pseudonyms to disguise their origin (the name Val Lewton was one such pseudonym, used first for some novels in the 1930s, then revived later in his career to take writing credit for two movies). In 1933 he got a job with David O. Selznick, where he spent many years as a story editor and jack-of-all-trades. Then in 1942 RKO hired him to head their new horror unit, where he made many famous and well-respected B-movies, for very low costs and high profits. In 1946, he “graduated” to A-movies, but increasing health problems, trouble working with big-money Hollywood, and other factors combined to force him to produce only three more movies before his death in 1951.

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Biography from TMDB.

Born
May 7, 1904
Died
March 14, 1951 (aged 46)
From
Yalta, Taurida Governorate, Russian Empire [now Crimea, Ukraine]
Works as
Producer and writer
Titles
12 on MovieCove · 18 credits in all
TMDB popularity, last 37 days to Oct 26Down 34% in 30 days

What are Val Lewton's films like?

Across their 10 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

What they feel like to watch

their average across 10 films
ToneFeelDemandtheir average · filled zone: the category

Light 2 · Serious 1 · Dark 7

Grounded 2 · Stylized 8 · Heightened 0

A split, not a type: Gentle 1 · Charged 2 · Intense 7

Steady 6 · Shifting 4 · Whiplash 0

Straight-faced 9 · Some laughs 1 · Funny 0

Slow burn 6 · Even-paced 4 · Relentless 0

Casual 3 · Engaged 7 · Full focus 0

A split, not a type: Resolved 4 · Open-ended 2 · Ambiguous 4

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Dread
7
Tense
6
Melancholic
4
Hopeful
3
Warm
1
Other
3

How their films end · 1 with a twist

  • Happy2
  • Bittersweet7
  • Tragic1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Val Lewton's films?

As of October 24, 2026, 4 of their 12 MovieCove titles stream on a subscription or free service, most on HBO Max (3).

Subscription and free streaming for Val Lewton's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

18 credits, 12 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • Midcredits score: 92nd percentile of all films
  • Apache Drums(1951)

    Producer

    Midcredits score: 63rd percentile of all films
  • Please Believe Me (not in the MovieCove catalog yet)(1950)

    Producer

  • My Own True Love (not in the MovieCove catalog yet)(1948)

    Producer

  • Bedlam(1946)

    Producer · Screenplay

    Midcredits score: 73rd percentile of all films
  • Isle of the Dead(1945)

    Producer · Writer

    Midcredits score: 59th percentile of all films
  • The Body Snatcher(1945)

    Producer · Screenplay

    Midcredits score: 88th percentile of all films
  • Youth Runs Wild (not in the MovieCove catalog yet)(1944)

    Producer

  • Mademoiselle Fifi (not in the MovieCove catalog yet)(1944)

    Producer

  • Midcredits score: 68th percentile of all films
  • The Ghost Ship (not in the MovieCove catalog yet)(1943)

    Producer

  • The Seventh Victim(1943)

    Producer

    Midcredits score: 70th percentile of all films
  • The Leopard Man(1943)

    Producer

    Midcredits score: 71st percentile of all films
  • Midcredits score: 81st percentile of all films
  • Cat People(1942)

    Producer

    Midcredits score: 87th percentile of all films
  • A Star Is Born(1937)

    Editorial Staff

    Midcredits score: 90th percentile of all films
  • Midcredits score: 65th percentile of all films
  • The Year's Work (not in the MovieCove catalog yet)

    Director

Career shape

A full career of 18 titles, 17 of them dated from 1932 to 2005.

By role

only this rolewith another role
Acting1 of 18: 1 only acting, 0 with another roleDirecting1 of 18: 1 only directing, 0 with another roleWriting3 of 18: 1 only writing, 2 with another roleProducing14 of 18: 12 only producing, 2 with another role · typical Midcredits score71stOther crew1 of 18: 1 only other crew, 0 with another role

By decade

1930s2 · crew1940s12 · crew1950s2 · crew2000s1 · acting

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Val Lewton's films land?

Their typical MovieCove film has a Midcredits score in the 72nd percentile, the median of all 12; across their 10 films with reception data, the typical film sits in the 72nd percentile for acclaim.

Acclaim · how much people like their films

72ndpercentile
Typical film, the median of 10

Approval · how many liked their films

68thpercentile
Typical film, the median of 10

Reach · how many have seen their films

75thpercentile
Typical film, the median of 10

Midcredits score across 12 titles, by percentile

  • 75th and up5
  • 50th to 74th7

Shape of the crowd

None of their 12 titles divides audiences: 12 are Crowd Pleasers.

  • Crowd Pleaser12

Reviewers score the dialogue 56/100 and the plot and story 52/100 in their films, across 10 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Val Lewton work with?

People who share at least 2 of Val Lewton's MovieCove titles, grouped by what they did on them; Roy Webb shares the most, 7.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers