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Deborah Moggach

Deborah Moggach

Writer

Works as
Writer
Titles
4 on MovieCove · 12 credits in all
TMDB popularity, last 37 days to Oct 26Down 40% in 30 days

What are Deborah Moggach's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Light 2 · Serious 0 · Dark 1

Grounded 1 · Stylized 1 · Heightened 1

A split, not a type: Gentle 2 · Charged 1 · Intense 0

Steady 2 · Shifting 1 · Whiplash 0

Straight-faced 1 · Some laughs 2 · Funny 0

Slow burn 3 · Even-paced 0 · Relentless 0

Casual 2 · Engaged 1 · Full focus 0

A split, not a type: Easy watch 2 · Affecting 0 · Heavy 1

Resolved 3 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Romantic
3
Warm
2
Bittersweet
3
Tense
2
Hopeful
1
Other
2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Deborah Moggach's films?

As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Deborah Moggach's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

12 credits, 4 with a MovieCove page.

  • Tulip Fever(2017)

    Novel · Screenplay

    Midcredits score: 44th percentile of all films
  • Midcredits score: 87th percentile of all films
  • The Diary of Anne Frank (not in the MovieCove catalog yet)(2009)

    Adaptation

  • The Diary of Anne Frank (not in the MovieCove catalog yet)(2009)

    Show 5 episodes · Creator · Writer

  • Pride & Prejudice(2005)

    Screenplay

    Midcredits score: 98th percentile of all films
  • Final Demand (not in the MovieCove catalog yet)(2003)

    Writer

  • Love in a Cold Climate(2001)

    Show 2 episodes · Teleplay

    Midcredits score: 54th percentile of all shows
  • Close Relations (not in the MovieCove catalog yet)(1998)

    Show 5 episodes · Writer

  • Seesaw (not in the MovieCove catalog yet)(1998)

    Show 3 episodes · Novel

  • Goggle Eyes (not in the MovieCove catalog yet)(1993)

    Show 4 episodes · Teleplay

  • Stolen (not in the MovieCove catalog yet)(1990)

    Show 6 episodes · Writer

  • To Have and to Hold (not in the MovieCove catalog yet)(1986)

    Show 7 episodes · Writer

Career shape

A full career of 12 titles from 1986 to 2017.

By role

only this rolewith another role
Writing12 of 12: 11 only writing, 1 with another roleOther crew1 of 12: 0 only other crew, 1 with another role

By decade

1980s1 · crew1990s4 · crew2000s5 · crew2010s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Deborah Moggach's films land?

Their typical MovieCove film has a Midcredits score in the 87th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 81st percentile for acclaim.

Acclaim · how much people like their films

81stpercentile
Typical film, the median of 3

Approval · how many liked their films

89thpercentile
Typical film, the median of 3

Reach · how many have seen their films

96thpercentile
Typical film, the median of 3

Midcredits score across 4 titles, by percentile

  • 75th and up2
  • 50th to 74th1
  • 25th to 49th1

Shape of the crowd

None of their 4 titles divides audiences: 1 is Universally Loved.

  • Universally Loved1
  • Crowd Pleaser1
  • Broadly Agreed1
  • Mixed1

Reviewers score the dialogue 52/100 and the plot and story 38/100 in their films, across 3 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Deborah Moggach's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Violence & Gore3 titlesmedian 10 · minimalMedian of all films: 44
Sex & Nudity3 titlesmedian 38 · moderateMedian of all films: 32
Profanity3 titlesmedian 27 · mildMedian of all films: 36
Frightening / Intense3 titlesmedian 5 · minimalMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Deborah Moggach work with?

People who share at least 2 of Deborah Moggach's MovieCove titles, grouped by what they did on them; Judi Dench shares the most, 3.

Actors

Editors