From Wikipedia, the free encyclopedia Jane Russell (June 21, 1921 – February 28, 2011) was an American film actress and was one of Hollywood's leading sex symbols in the 1940s and 1950s. Russell moved from the Midwest to California, where she had her first film role in 1943 with The Outlaw. In 1947, Russell delved into music before returning to films. After starring in multiple films in the 1950s, Russell again returned to music while completing several other films in the 1960s. She starred in over 20 films throughout her career. Russell married three times and adopted three children and, in 1955, founded the World Adoption International Fund. For her achievements in film, she received several accolades including having her hand and foot prints immortalized in the forecourt of Grauman's Chinese Theatre and a star on the Hollywood Walk of Fame. Description above from the Wikipedia article Jane Russell, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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Biography from TMDB.
- June 21, 1921
- February 28, 2011 (aged 89)
- Bemidji, Minnesota, USA
- Actor, also producer
- 20 on MovieCove · 43 credits in all
What are Jane Russell's films like?
Across their 18 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 2 · Wry 2 · Earnest 13
Light 10 · Serious 8 · Dark 0
Grounded 6 · Stylized 10 · Heightened 2
Gentle 9 · Charged 9 · Intense 0
Steady 10 · Shifting 7 · Whiplash 1
A split, not a type: Straight-faced 7 · Some laughs 4 · Funny 7
Slow burn 10 · Even-paced 8 · Relentless 0
Casual 15 · Engaged 2 · Full focus 1
Easy watch 15 · Affecting 3 · Heavy 0
Resolved 17 · Open-ended 1 · Ambiguous 0
Roles they play
Usually the Shapeshifter: 4 of 10 analyzed roles.
Show the 10 rolesHide the roles
- Shapeshifteras Rio McDonald in The Outlaw (1943)
- Tricksteras Calamity Jane in The Paleface (1948)
- Shapeshifteras Lenore Brent in His Kind of Woman (1951)
- Allyas Julie Benton in Macao (1952)
- Shapeshifteras Mike 'The Torch' Delroy in Son of Paleface (1952)
- Heroas Dorothy Shaw in Gentlemen Prefer Blondes (1953)
- Heroas Mary 'Mame' Carson in The French Line (1953)
- Shapeshifteras Nella Turner in The Tall Men (1955)
- Heroas Mamie Stover in The Revolt of Mamie Stover (1956)
- Allyas Nona Williams in Johnny Reno (1966)
Moods and endings
- Happy14
- Bittersweet2
- Tragic1
- Cyclical1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Jane Russell's films?
As of October 24, 2026, 9 of their 20 MovieCove titles stream on a subscription or free service, most on Tubi (7).
- ScreenPix, show their 4 titles on ScreenPix
- Dove Channel, show their 2 titles on Dove Channel
- Best Westerns Ever, show their title on Best Westerns Ever
- FilmBox+, show their title on FilmBox+
- Great American Pure Flix, show their title on Great American Pure Flix
- IndieFlix, show their title on IndieFlix
- Midnight Pulp, show their title on Midnight Pulp
- Shout! TV, show their title on Shout! TV
Subscription and free streaming for Jane Russell's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
43 credits, 20 with a MovieCove page; 36 appearances as themselves are hidden until asked for.

Becoming Marilyn (not in the MovieCove catalog yet)(2022)

Reframed: Marilyn Monroe (not in the MovieCove catalog yet)(2022)
Marilyn Monroe: In The Movies (not in the MovieCove catalog yet)(2012)

Cleavage (not in the MovieCove catalog yet)(2002)

Marilyn Monroe: Portrait of a Legend...Suicide Or Murder? (not in the MovieCove catalog yet)(1995)

The Casting Couch (not in the MovieCove catalog yet)(1995)
The Discovery Of Marilyn Monroe (not in the MovieCove catalog yet)(1991)

The Tip of the Iceberg (not in the MovieCove catalog yet)(1989)

Norma Jean Alias Marilyn Monroe (not in the MovieCove catalog yet)(1987)
Midcredits score: 88th percentile of all films
Marilyn Monroe (not in the MovieCove catalog yet)(1986)

Hunter(1984)
Midcredits score: 48th percentile of all shows
Showbiz Goes to War(1982)
Midcredits score: 99th percentile of all films (provisional, few ratings)
Darker Than Amber (not in the MovieCove catalog yet)(1970)

Cauliflower Cupids (not in the MovieCove catalog yet)(1970)

The Born Losers(1967)
Midcredits score: 45th percentile of all films
Mondo Hollywood (not in the MovieCove catalog yet)(1967)

The Legend of Marilyn Monroe (not in the MovieCove catalog yet)(1966)

Waco (not in the MovieCove catalog yet)(1966)

Johnny Reno(1966)
Midcredits score: 26th percentile of all films
Marilyn (not in the MovieCove catalog yet)(1963)

Westinghouse Desilu Playhouse (not in the MovieCove catalog yet)(1958)

The Fuzzy Pink Nightgown(1957)
Midcredits score: 38th percentile of all films
Run for the Sun(1956)
Midcredits score: 55th percentile of all films
Midcredits score: 59th percentile of all films
Hot Blood (not in the MovieCove catalog yet)(1956)

The King and Four Queens(1956)
Midcredits score: 42nd percentile of all films
Gentlemen Marry Brunettes (not in the MovieCove catalog yet)(1955)

The Tall Men(1955)
Midcredits score: 70th percentile of all films
Foxfire (not in the MovieCove catalog yet)(1955)

Underwater! (not in the MovieCove catalog yet)(1955)

The French Line(1953)
Midcredits score: 16th percentile of all films
Gentlemen Prefer Blondes(1953)
Midcredits score: 89th percentile of all films
Road to Bali(1952)
Midcredits score: 62nd percentile of all films
Montana Belle (not in the MovieCove catalog yet)(1952)

Son of Paleface(1952)
Midcredits score: 75th percentile of all films
Macao(1952)
Midcredits score: 63rd percentile of all films
The Las Vegas Story(1952)
Midcredits score: 55th percentile of all films
Double Dynamite(1951)
Midcredits score: 39th percentile of all films
His Kind of Woman(1951)
Midcredits score: 80th percentile of all films
The Paleface(1948)
Midcredits score: 67th percentile of all films
Young Widow (not in the MovieCove catalog yet)(1946)

The Outlaw(1943)
Midcredits score: 23rd percentile of all films
Career shape
Star power in the 96th percentile of 239,109 people with a billed film role, over a full career of 43 titles from 1943 to 2022.
Film career
Top draw in 5 MovieCove titles.
- 1943Screen debut· The Outlaw
- 1952First top-billed film· The Las Vegas Story
- 1953Career best· Gentlemen Prefer Blondes
Billing
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30.
How do Jane Russell's films land?
Their typical MovieCove film has a Midcredits score in the 59th percentile, the median of all 19; across their 18 films with reception data, the typical film sits in the 61st percentile for acclaim.
- 75th and up5
- 50th to 74th7
- 25th to 49th6
- Below 25th2
Shape of the crowd
11 of their 20 titles are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser11
- Broadly Agreed4
- Mixed4
Reviewers score the acting 69/100 in their films, across 16 reviewed titles; fans 79, detractors 43. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Jane Russell work with?
People who share at least 2 of Jane Russell's MovieCove titles, grouped by what they did on them; Harry J. Wild shares the most, 5.
Directors
- Raoul WalshShared titles: The King and Four Queens (1956), The Revolt of Mamie Stover (1956), The Tall Men (1955)See all 3 shared titles with Raoul Walsh

- Howard HawksShared titles: Gentlemen Prefer Blondes (1953), The Outlaw (1943)See all 2 shared titles with Howard Hawks

Writers
- Richard Alan SimmonsShared titles: The Fuzzy Pink Nightgown (1957), The King and Four Queens (1956)See all 2 shared titles with Richard Alan Simmons
- Sydney BoehmShared titles: The Revolt of Mamie Stover (1956), The Tall Men (1955)See all 2 shared titles with Sydney Boehm
- Earl FeltonShared titles: The Las Vegas Story (1952), His Kind of Woman (1951)See all 2 shared titles with Earl Felton
- Frank TashlinShared titles: Son of Paleface (1952), The Paleface (1948)See all 2 shared titles with Frank Tashlin

Actors
- Clark GableShared titles: Marilyn Monroe: Beyond the Legend (1986), The King and Four Queens (1956), The Tall Men (1955)See all 3 shared titles with Clark Gable

- Richard WidmarkShared titles: Marilyn Monroe: Beyond the Legend (1986), Run for the Sun (1956)See all 2 shared titles with Richard Widmark

- Jay C. FlippenShared titles: The King and Four Queens (1956), The Las Vegas Story (1952)See all 2 shared titles with Jay C. Flippen

- Jean WillesShared titles: The King and Four Queens (1956), The Revolt of Mamie Stover (1956)See all 2 shared titles with Jean Willes

Composers, cinematographers and editors
- Harry J. WildShared titles: Gentlemen Prefer Blondes (1953), The French Line (1953), Macao (1952), Son of Paleface (1952), His Kind of Woman (1951)See all 5 shared titles with Harry J. Wild
- Louis R. LoefflerShared titles: The King and Four Queens (1956), The Revolt of Mamie Stover (1956), The Tall Men (1955)See all 3 shared titles with Louis R. Loeffler
- Victor YoungShared titles: The Tall Men (1955), The Paleface (1948), The Outlaw (1943)See all 3 shared titles with Victor Young

- Joseph LaShelleShared titles: The Fuzzy Pink Nightgown (1957), Run for the Sun (1956)See all 2 shared titles with Joseph LaShelle

Producers
- Howard HughesShared titles: Macao (1952), The Las Vegas Story (1952), His Kind of Woman (1951), The Outlaw (1943)See all 4 shared titles with Howard Hughes

- Robert WaterfieldShared titles: The Fuzzy Pink Nightgown (1957), Run for the Sun (1956), The King and Four Queens (1956)See all 3 shared titles with Robert Waterfield

- Robert L. WelchShared titles: Son of Paleface (1952), The Paleface (1948)See all 2 shared titles with Robert L. Welch
- Samuel BischoffShared titles: Macao (1952), The Las Vegas Story (1952)See all 2 shared titles with Samuel Bischoff





