- April 4, 1908
- June 25, 1990 (aged 82)
- Philadelphia, Pennsylvania, USA
- Writer, also producer
- 24 on MovieCove · 29 credits in all
What are Sydney Boehm's films like?
Across their 23 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 23
Light 3 · Serious 10 · Dark 10
A split, not a type: Grounded 13 · Stylized 10 · Heightened 0
Gentle 0 · Charged 14 · Intense 9
A split, not a type: Steady 11 · Shifting 10 · Whiplash 2
Straight-faced 21 · Some laughs 2 · Funny 0
Slow burn 9 · Even-paced 14 · Relentless 0
Casual 8 · Engaged 15 · Full focus 0
Easy watch 4 · Affecting 17 · Heavy 2
Resolved 21 · Open-ended 2 · Ambiguous 0
Moods and endings
- Happy12
- Bittersweet10
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Sydney Boehm's films?
As of October 24, 2026, 2 of their 24 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Sydney Boehm's titles on MovieCove; rent and buy are not counted.
Filmography
29 credits, 24 with a MovieCove page.

Rough Night in Jericho(1967)
Midcredits score: 59th percentile of all films
Sylvia(1965)
Midcredits score: 62nd percentile of all films
Shock Treatment (not in the MovieCove catalog yet)(1964)

One Foot in Hell(1960)
Midcredits score: 42nd percentile of all films
Seven Thieves(1960)
Midcredits score: 61st percentile of all films
Woman Obsessed(1959)
Midcredits score: 40th percentile of all films
A Nice Little Bank That Should Be Robbed (not in the MovieCove catalog yet)(1958)

Harry Black and the Tiger (not in the MovieCove catalog yet)(1958)
Midcredits score: 59th percentile of all films
The Bottom of the Bottle(1956)
Midcredits score: 51st percentile of all films
Hell on Frisco Bay(1955)
Midcredits score: 55th percentile of all films
The Tall Men(1955)
Midcredits score: 70th percentile of all films
Violent Saturday(1955)
Midcredits score: 79th percentile of all films
Six Bridges to Cross(1955)
Midcredits score: 71st percentile of all films
Black Tuesday(1954)
Midcredits score: 73rd percentile of all films
The Raid(1954)
Midcredits score: 77th percentile of all films
Secret of the Incas(1954)
Midcredits score: 45th percentile of all films
The Siege at Red River(1954)
Midcredits score: 24th percentile of all films
The Big Heat(1953)
Midcredits score: 98th percentile of all films
Second Chance(1953)
Midcredits score: 36th percentile of all films
The Savage(1952)
Midcredits score: 43rd percentile of all films
The Atomic City(1952)
Midcredits score: 45th percentile of all films
When Worlds Collide(1951)
Midcredits score: 64th percentile of all films
Branded(1950)
Midcredits score: 70th percentile of all films
Union Station(1950)
Midcredits score: 75th percentile of all films
Mystery Street(1950)
Midcredits score: 85th percentile of all films
Side Street (not in the MovieCove catalog yet)(1950)

The Undercover Man(1949)
Midcredits score: 65th percentile of all films
High Wall (not in the MovieCove catalog yet)(1947)
Career shape
A full career of 29 titles from 1947 to 1967.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Sydney Boehm's films land?
Their typical MovieCove film has a Midcredits score in the 62nd percentile, the median of all 24; across their 23 films with reception data, the typical film sits in the 62nd percentile for acclaim.
- 75th and up5
- 50th to 74th12
- 25th to 49th6
- Below 25th1
Shape of the crowd
None of their 24 titles divides audiences: 17 are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser17
- Broadly Agreed5
- Mixed1
Reviewers score the dialogue 53/100 and the plot and story 53/100 in their films, across 23 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Sydney Boehm work with?
People who share at least 2 of Sydney Boehm's MovieCove titles, grouped by what they did on them; Rudolph Maté shares the most, 5.
Directors
- Rudolph MatéShared titles: The Siege at Red River (1954), Second Chance (1953), When Worlds Collide (1951), Branded (1950), Union Station (1950)See all 5 shared titles with Rudolph Maté

- Henry HathawayShared titles: Seven Thieves (1960), Woman Obsessed (1959), The Bottom of the Bottle (1956)See all 3 shared titles with Henry Hathaway

- Raoul WalshShared titles: The Revolt of Mamie Stover (1956), The Tall Men (1955)See all 2 shared titles with Raoul Walsh

- Hugo FregoneseShared titles: Black Tuesday (1954), The Raid (1954)See all 2 shared titles with Hugo Fregonese

Writers
- William P. McGivernShared titles: Hell on Frisco Bay (1955), The Big Heat (1953)See all 2 shared titles with William P. McGivern

Actors
- Milburn StoneShared titles: Black Tuesday (1954), The Siege at Red River (1954), The Atomic City (1952), The Savage (1952), Branded (1950)See all 5 shared titles with Milburn Stone

- Joanne DruShared titles: Sylvia (1965), Hell on Frisco Bay (1955), The Siege at Red River (1954)See all 3 shared titles with Joanne Dru

- Alan LaddShared titles: One Foot in Hell (1960), Hell on Frisco Bay (1955), Branded (1950)See all 3 shared titles with Alan Ladd

- Edward G. RobinsonShared titles: Seven Thieves (1960), Hell on Frisco Bay (1955), Black Tuesday (1954)See all 3 shared titles with Edward G. Robinson

Composers, cinematographers and editors
- Hugo FriedhoferShared titles: Woman Obsessed (1959), The Revolt of Mamie Stover (1956), Violent Saturday (1955)See all 3 shared titles with Hugo Friedhofer

- Louis R. LoefflerShared titles: The Revolt of Mamie Stover (1956), The Tall Men (1955), Violent Saturday (1955)See all 3 shared titles with Louis R. Loeffler
- John F. SeitzShared titles: Hell on Frisco Bay (1955), The Savage (1952), When Worlds Collide (1951)See all 3 shared titles with John F. Seitz

- Roy WebbShared titles: The Raid (1954), Second Chance (1953), Branded (1950)See all 3 shared titles with Roy Webb

Producers
- Buddy AdlerShared titles: The Bottom of the Bottle (1956), The Revolt of Mamie Stover (1956), Violent Saturday (1955)See all 3 shared titles with Buddy Adler

- Mel EpsteinShared titles: Secret of the Incas (1954), The Savage (1952), Branded (1950)See all 3 shared titles with Mel Epstein
- Leonard GoldsteinShared titles: The Raid (1954), The Siege at Red River (1954)See all 2 shared titles with Leonard Goldstein
Mixed roles
- Martin RackinShared titles: Rough Night in Jericho (1967), Hell on Frisco Bay (1955)See all 2 shared titles with Martin Rackin
