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Till We Meet Again

Till We Meet Again

1989Miniseries1 season3 episodes~240 min/epMidcredits score: 41st percentile of all shows

Judith Krantz's Till We Meet Again was a 1989 TV mini-series based on the Judith Krantz novel, Till We Meet Again. It starred Mia Sara, Bruce Boxleitner, Hugh Grant and Courteney Cox.

Your rating, lists and review

Where to watch

Where can I watch Till We Meet Again?

As of October 24, 2026, MovieCove lists Till We Meet Again streaming on Passionflix via Prime Video and Tubi (free) and to rent or buy on Prime Video.

Rent / Buy

Buy

Reception

Is Till We Meet Again worth watching?

Till We Meet Again's Midcredits score is the 41st percentile of all shows, from 755 ratings across 2 sources. 65% liked it (rated it 7 or higher out of 10).

Midcredits score

How well it was received

41st percentile

Better received than 41% of shows

35th percentile among Drama29th percentile among 1980s
Acclaim (how much people like it)43rd
Approval (how many liked it)40th

Acclaim

Mixed: Rating-distribution shape vs the catalog

How much people like it

69 /100

43rd percentile of all shows

41st percentile among Drama32nd percentile among 1980s

Rating distribution

A broad spread centered near 7.2 — solid but not unanimous.

Approval

How many liked it

65% liked it

40th percentile of all shows

32nd percentile among Drama27th percentile among 1980s
65% rated it 7–1035% rated it 1–6

Reach

How many have seen it

47th percentile

753 ratings across platforms

36th percentile among Drama30th percentile among 1980s
TMDB popularity, last 37 days to Oct 26Down 26% in 30 days

What reviewers say

Common ground

Both camps agree the miniseries is a soapy, melodramatic generational saga with a large cast and heavy reliance on romance and wartime tropes.

Fans praised

  • strong female leads and unusual period setting across France, England, USA
  • evocative WWII-era songs and authentic-looking costumes, sets, and vehicles
  • convincing early-career performances by Courteney Cox and Hugh Grant as villain

Detractors panned

  • one-dimensional villain and shallow character development despite large cast
  • soap-opera melodrama with implausible plotlines and historical anachronisms (1980s-style ballads in 1910s, men's mullets in 1930s)

What stands out

Cinematography65

authentic-looking costumes, sets, landscapes; careful production design

Acting60

early roles for Cox, Grant, York; Grant's villain performance convincing to fans, but British accents questioned as un-French

Atmosphere60

romantic time period; transports to pre-WWI through post-WWII settings

Sound and musicDivisive55

evocative songs from WWII era, but anachronistic 1980s-style ballads in 1910s scenes detract

Pacing55

fast-moving but too short for character depth; early historical parts more interesting than later ones

Emotional impactDivisive55

nostalgic for fans who watched as children; melodramatic suffering cited by detractors

Plot and story45

soap-opera ingredients: love, betrayal, war; fans find it engaging, detractors see clichéd melodrama

Characters40

many characters but underdeveloped; strong female leads noted by fans, one-dimensional villain cited by detractors

Episodes

1 season

Season 1 · 1989 · 2 episodes

  • S1E1
    S1E1

    Episode 1

    Nov 19, 1989120 min
  • S1E2
    S1E2

    Episode 2

    Nov 21, 1989120 minFinale

Watch experience

What is Till We Meet Again like to watch?

Conclusions only — categories and positions, no plot detail.

Earnest, dark and charged — a slow-burn watch that leaves you bittersweet.

ToneFeelDemandexact position · filled zone: the category

What it asks of you

What it feels like

Moods
MelancholicRomanticBittersweet
Heaviest: throughout
Wry humor: Amused and slightly dry about it.
Register
Melodramatic · 9% of shows: Heightened emotion, played large.Romantic · 7% of showsTender · 10% of shows
Told as
SerializedSingle-season story
ToneThe series plays its melodramatic material straight, with heightened emotion and sincere performances.
The rideThe series maintains a consistent emotional register of romantic longing and wistful melancholy across the decades.
StructureThe series is serialized, following a linear chronological narrative across the decades, with no strong non-linear or frame devices indicated.
Episode formatThree episodes form a continuous story spanning from 1913 to 1956.
Season formatThe limited series tells one complete story across its single season.

How it leaves you

what you carry away
BittersweetWistful · 6% of shows
Why it leaves you this wayThe sweeping saga leaves a lingering sense of loss and longing, tempered by the resilience of the characters.
How it ends · evidence
Bittersweet ending

Story archetype

where it sits among all shows
Monster — 18% of shows. A threat menaces the hero's world and must be defeated.Rags — 3% of shows. A rise from lowliness to fortune, status, or recognition.Quest — 6% of shows. A journey toward a defined objective, with companions and obstacles.Voyage — 2% of shows. Into a strange world and back again, changed.Comedy — 12% of shows. Confusion and cross-purposes resolved into harmony.Tragedy — 4% of shows. A flaw or fixation drives the protagonist to ruin.Rebirth — 7% of shows. A stalled or darkened life reopened and renewed.Mystery — 8% of shows. A question drives the story — who did it, what happened, what is real — until it is answered.No archetype — 40% of showsPredator — 7% of shows. A creature or killer hunts the protagonists (Jaws, Alien).Tyrant — 3% of shows. A human villain holds power over the hero's world (Die Hard).Invasion — 2% of shows. An external force attacks the home or world (Independence Day).Oppressive state — 3% of shows. A government, its agencies or a secret faction inside them is the monster (V for Vendetta).Corporate villainy — 1% of shows. A company or its bosses are the monster (Erin Brockovich).Institutional injustice — 1% of shows. A court, prison, police force, school or church is itself the enemy (Spotlight).Class system — under 1% of shows. The gap between rich and poor, or a rigid hierarchy, is the monster (Parasite).Technology turns — under 1% of shows. Technology people rely on becomes the threat (The Terminator).Inner demon — 1% of shows. The monster is within — addiction, illness, a dark double.Underdog triumph — 2% of shows. Rise through competition or contest (Rocky).Social ascent — 1% of shows. A climb in class or status (Pretty Woman).Fame and fortune — under 1% of shows. An artistic or showbiz rise (A Star Is Born).Rise and fall — under 1% of shows. Wealth or power gained, self lost (Scarface).Hidden worth revealed — under 1% of shows. The protagonist's true value finally recognized.Treasure hunt — 1% of shows. Retrieve an object of value (Raiders of the Lost Ark).Rescue — 2% of shows. Retrieve or save a person (Saving Private Ryan).Mission — 4% of shows. Accomplish or destroy a defined objective (Mission: Impossible).Journey home — under 1% of shows. The goal is getting back (Finding Nemo).Pilgrimage — under 1% of shows. The journey itself transforms; the destination is symbolic.Portal fantasy — under 1% of shows. Transported into another world (The Wizard of Oz).Fish out of water — 1% of shows. Displaced into an unfamiliar social world (Elf).Survival ordeal — under 1% of shows. Trapped in a hostile environment, fighting back (Cast Away).Time displacement — under 1% of shows. Unstuck in time (Back to the Future).Descent — under 1% of shows. A night-journey into an underworld or subculture (After Hours).Romantic comedy — 2% of shows. Lovers kept apart by confusion, united at last.Comedy of errors — 3% of shows. Mistaken identity or misunderstanding drives the plot.Farce — 2% of shows. Escalating absurd chaos and coincidence (The Hangover).Buddy comedy — 1% of shows. A mismatched pair forced together (Rush Hour).Comedy of manners — 2% of shows. Social codes and class satirized (Clueless).Hubris — 1% of shows. Pride or ambition invites the fall (There Will Be Blood).Obsession — under 1% of shows. A fixation consumes the protagonist (Black Swan).Corruption arc — 1% of shows. Step-by-step moral decay (The Godfather).Doomed love — 1% of shows. Love destroyed by circumstance (Brokeback Mountain).Crushed by fate — 1% of shows. Destroyed by forces beyond the protagonist's control.Redemption — 1% of shows. Moral reawakening of a hardened soul (A Christmas Carol).Healing — 3% of shows. Recovery from grief or trauma (Good Will Hunting).Liberation — 2% of shows. Breaking free of a confining life (Room).Second chance — 1% of shows. A stagnant life re-opened to love or purpose (Groundhog Day).Puzzle — 1% of shows. A clue-by-clue puzzle you can try to solve before the reveal (Knives Out, Clue).Investigation — 6% of shows. A long pursuit of the truth that may never be fully solved (Zodiac, Memories of Murder).Enigma — 1% of shows. The mystery is what is real, or what is actually happening (Mulholland Drive).Voyage
Every story archetype, clockwise from the top
  • Monster 18%: Predator 7% · Tyrant 3% · Invasion 2% · Oppressive state 3% · Corporate villainy 1% · Institutional injustice 1% · Class system under 1% · Technology turns under 1% · Inner demon 1%
  • Rags 3%: Underdog triumph 2% · Social ascent 1% · Fame and fortune under 1% · Rise and fall under 1% · Hidden worth revealed under 1%
  • Quest 6%: Treasure hunt 1% · Rescue 2% · Mission 4% · Journey home under 1% · Pilgrimage under 1%
  • Voyage 2% (this title): Portal fantasy under 1% · Fish out of water 1% · Survival ordeal under 1% · Time displacement under 1% · Descent under 1%
  • Comedy 12%: Romantic comedy 2% · Comedy of errors 3% · Farce 2% · Buddy comedy 1% · Comedy of manners 2%
  • Tragedy 4%: Hubris 1% · Obsession under 1% · Corruption arc 1% · Doomed love 1% · Crushed by fate 1%
  • Rebirth 7%: Redemption 1% · Healing 3% · Liberation 2% · Second chance 1%
  • Mystery 8%: Puzzle 1% · Investigation 6% · Enigma 1%
  • No archetype 40%

Voyage and return: Into a strange world and back again, changed.

2% of shows fit this archetype

A loose fit — the map only half-holds this one.

Why this archetypeThe series spans decades in the lives of three women, but the typical episode follows their personal journeys through love and societal challenges, lacking a single clear quest or monster.

What it's about

7 groups · 53 themes
Bonds — 31% of showsSelf — 27% of showsPower — 7% of showsMorality — 11% of showsSurvival — 9% of showsSociety — 10% of showsIdeas — 5% of showsRomantic love — 10% of showsMarriage — 2% of showsFamily bonds — 22% of showsParenthood — 1% of showsFriendship — 18% of showsLoyalty — 7% of showsIdentity — 20% of showsComing of age — 9% of showsAging — under 1% of showsSelf-worth — 7% of showsAmbition — 14% of showsPurpose — 16% of showsMemory — 3% of showsObsession — 2% of shows. A fixation consumes the protagonist (Black Swan).Power — 5% of showsCorruption — 3% of showsGreed — 2% of showsClass — 4% of showsOppression — 2% of showsFreedom — 4% of showsJustice — 14% of showsDuty — 2% of showsRevenge — 1% of showsGuilt — 1% of showsRedemption — 3% of shows. Moral reawakening of a hardened soul (A Christmas Carol).Forgiveness — under 1% of showsSacrifice — 2% of showsBetrayal — 3% of showsDeception — 6% of showsSurvival — 12% of showsWar — 1% of showsViolence — 2% of showsMortality — 2% of showsGrief — 4% of showsTrauma — 5% of showsMental illness — under 1% of showsAddiction — under 1% of showsIllness and disability — under 1% of showsCommunity — 25% of shows. Consequences reach a town, institution or group.Isolation — 3% of showsPrejudice — 2% of showsDisplacement — 1% of showsFaith — 1% of showsTradition vs change — 3% of showsFame — 5% of showsLegacy — 3% of showsFate — 1% of showsFree will — under 1% of showsTruth — 6% of showsHope — 4% of showsNature — 3% of showsArt — 2% of showsTechnology — 1% of showsSelfFamilybonds
Every theme, clockwise from the top
  • Bonds 31% (this title): Romantic love 10% (this title) · Marriage 2% · Family bonds 22% (this title) · Parenthood 1% · Friendship 18% · Loyalty 7%
  • Self 27%: Identity 20% · Coming of age 9% · Aging under 1% · Self-worth 7% · Ambition 14% · Purpose 16% · Memory 3% · Obsession 2%
  • Power 7%: Power 5% · Corruption 3% · Greed 2% · Class 4% · Oppression 2% · Freedom 4%
  • Morality 11%: Justice 14% · Duty 2% · Revenge 1% · Guilt 1% · Redemption 3% · Forgiveness under 1% · Sacrifice 2% · Betrayal 3% (this title) · Deception 6%
  • Survival 9%: Survival 12% · War 1% · Violence 2% · Mortality 2% · Grief 4% · Trauma 5% · Mental illness under 1% · Addiction under 1% · Illness and disability under 1%
  • Society 10%: Community 25% · Isolation 3% · Prejudice 2% · Displacement 1% · Faith 1% · Tradition vs change 3% · Fame 5% · Legacy 3%
  • Ideas 5%: Fate 1% · Free will under 1% · Truth 6% · Hope 4% · Nature 3% · Art 2% · Technology 1%

Bonds

Family bondsRomantic love · 10% of showsBetrayal · 3% of shows
Interrogates its theme: Questions its theme without settling the answer.Intimate stakes: Consequences reach a person or a household.Ensemble lead
How it treats its themeThe story follows three women whose lives are entwined by family secrets and romantic entanglements across decades.
StanceThe series examines love and family bonds under the strain of societal change and personal secrets, without moralizing.

The world

Mid 20th centuryIn transitDomesticRealistic
Orchestral classicalSupportive music · original score · Vladimir Cosma
SettingFrom 1913 to 1956 across Europe and possibly America, among the upper classes.
MusicCosma's score underscores the emotional sweep of the decades-spanning story.

Cast and crew

Who is in Till We Meet Again?

Cast

Michael York
as Paul de Lancel
Courteney Cox
as Marie-Frederique 'Freddy' de Lancel
Mia Sara
as Delphine de Lancel
Lucy Gutteridge
as Eve de Lancel
Hugh Grant
as Bruno de Lancel
Charles Shaughnessy
as Armand Sadowski
Maxwell Caulfield
as Alain Marais
John Vickery
as Anthony Alistair Wilmot 'Tony' Longbridge
Barry Bostwick
as Terrence 'Mac' McGuire
Bruce Boxleitner
as Jock Hampton

Crew

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