- Director, producer and writer
- 3 on MovieCove · 4 credits in all
What are Kurt Martin's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Ideas and Bonds.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 1 · Serious 1 · Dark 1
Grounded 1 · Stylized 2 · Heightened 0
Gentle 0 · Charged 2 · Intense 1
A split, not a type: Steady 2 · Shifting 1 · Whiplash 0
A split, not a type: Straight-faced 1 · Some laughs 2 · Funny 0
Slow burn 2 · Even-paced 1 · Relentless 0
Casual 1 · Engaged 1 · Full focus 1
Easy watch 0 · Affecting 2 · Heavy 1
Resolved 1 · Open-ended 1 · Ambiguous 1
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Kurt Martin's films?
As of October 24, 2026, 1 of their 3 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Kurt Martin's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
4 credits, 3 with a MovieCove page.
A Talent for Murder(2026)
Midcredits score: 72nd percentile of all films
The Room Below(2026)
Midcredits score: 22nd percentile of all films
Mask of the Evil Apparition (not in the MovieCove catalog yet)(2021)
Moon Rock for Monday(2020)
Midcredits score: 78th percentile of all films
Career shape
A full career of 4 titles from 2021 to 2026.
How do Kurt Martin's films land?
Their typical MovieCove film has a Midcredits score in the 72nd percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 61st percentile for acclaim.
- 75th and up1
- 50th to 74th1
- Below 25th1
Shape of the crowd
1 of their 3 titles is Universally Loved.
- Universally Loved1
- Crowd Pleaser1
- Mixed1
Reviewers score the atmosphere 70/100 and the pacing 48/100 in their films, across 3 reviewed titles. The element that speaks to their work as a director.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Kurt Martin work with?
People who share at least 2 of Kurt Martin's MovieCove titles, grouped by what they did on them; Jim Robison shares the most, 3.
Cinematographers
- Glenn HannsShared titles: The Room Below (2026), Moon Rock for Monday (2020)See all 2 shared titles with Glenn Hanns
Producers
- Jim RobisonShared titles: A Talent for Murder (2026), The Room Below (2026), Moon Rock for Monday (2020)See all 3 shared titles with Jim Robison
- Bryce MenziesShared titles: The Room Below (2026), Moon Rock for Monday (2020)See all 2 shared titles with Bryce Menzies
- Chris ChardShared titles: A Talent for Murder (2026), The Room Below (2026)See all 2 shared titles with Chris Chard
- Clement DunnShared titles: The Room Below (2026), Moon Rock for Monday (2020)See all 2 shared titles with Clement Dunn