Maggie Jay Mellor

What are Maggie Jay Mellor's films like?

Across their 12 MovieCove titles with a thematic analysis, their films lean Self and Society.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Maggie Jay Mellor's films?

As of October 24, 2026, all 12 MovieCove titles stream on a subscription or free service.

• Apple TV2 titles, browse their movies on this service
  • Messi Meets America (2023) · producer
  • Dear... (2020) · producer
• Hulu2 titles, browse their movies on this service
  • Captive Audience (2022) · producer
  • Call Her Alex (2025) · producer
• Fandor1 title, browse their movies on this service
  • Marfa Girl 2 (2018) · editor
• MGM+1 title, browse their movies on this service
  • The Wonderland Massacre & the Secret History of Hollywood (2024) · producer
• MUBI1 title, browse their movies on this service
  • Charli XCX: Alone Together (2021) · producer
• Netflix1 title, browse their movies on this service
  • Hitler and the Nazis: Evil on Trial (2024) · producer
• Paramount+1 title, browse their movies on this service
  • Wu-Tang Clan: Of Mics and Men (2019) · producer
• Prime Video1 title, browse their movies on this service
  • The Last Race (2018) · producer

Subscription and free streaming for Maggie Jay Mellor's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

12 credits, 12 with a MovieCove page.

• 

  Call Her Alex(2025)

  Show Producer

  Midcredits score: 20th percentile of all shows20^th
• 

  Hitler and the Nazis: Evil on Trial(2024)

  Show Producer

  Midcredits score: 82nd percentile of all shows82^nd
• 

  The Wonderland Massacre & the Secret History of Hollywood(2024)

  Show Producer

  Midcredits score: 52nd percentile of all shows52^nd
• 

  Messi Meets America(2023)

  Show Producer

  Midcredits score: 50th percentile of all shows50^th
• 

  Captive Audience(2022)

  Show Producer

  Midcredits score: 40th percentile of all shows40^th
• 

  Harry & Meghan(2022)

  Show Producer

  Midcredits score: 5th percentile of all shows5^th
• 

  Charli XCX: Alone Together(2021)

  Producer

  Midcredits score: 64th percentile of all films64^th
• 

  Man vs. History(2021)

  Show Producer

  Midcredits score: 63rd percentile of all shows (provisional, few ratings)~63^rd
• 

  Dear...(2020)

  Show Producer

  Midcredits score: 25th percentile of all shows25^th
• 

  Wu-Tang Clan: Of Mics and Men(2019)

  Show Producer

  Midcredits score: 90th percentile of all shows90^th
• 

  Marfa Girl 2(2018)

  Editor

  Midcredits score: 10th percentile of all films10^th
• 

  The Last Race(2018)

  Producer

  Midcredits score: 51st percentile of all films51^st

Career shape

Across their 12 MovieCove titles from 2018 to 2025.

Biggest box office

The Last Race (2018)

$12K worldwide

Highest rated

Wu-Tang Clan: Of Mics and Men (2019)

Midcredits 90^th

Most popular right now

Hitler and the Nazis: Evil on Trial (2024)

How do Maggie Jay Mellor's films land?

Their typical MovieCove film has a Midcredits score in the 51^st percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 54^th percentile for acclaim.

Shape of the crowd

6 of their 12 titles are Mixed.

226

• Divisive1
• Cult Classic2
• Crowd Pleaser2
• Broadly Agreed1
• Mixed6

Most divisive · producer

Harry & Meghan (2022)

98^th percentile spread · 53% rated it 4 or lower

Most loved · producer

Wu-Tang Clan: Of Mics and Men (2019)

Midcredits 90^th · 89% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Maggie Jay Mellor work with?

People who share at least 2 of Maggie Jay Mellor's MovieCove titles, grouped by what they did on them; Eugen Bräunig shares the most, 5.