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Alicia Gold

Producer

Works as
Producer
Titles
3 on MovieCove
TMDB popularity, last 63 days to Oct 26Down 21% in 30 days

What are Alicia Gold's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Bonds and Society.

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Light 3 · Serious 0 · Dark 0

Grounded 0 · Stylized 3 · Heightened 0

Gentle 2 · Charged 1 · Intense 0

Steady 2 · Shifting 1 · Whiplash 0

Straight-faced 0 · Some laughs 1 · Funny 2

Slow burn 1 · Even-paced 2 · Relentless 0

Casual 2 · Engaged 1 · Full focus 0

Resolved 3 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Joyful
3
Hopeful
1
Tense
1
Thrilling
1
Warm
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Alicia Gold's films?

As of October 24, 2026, all 3 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Alicia Gold's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

3 credits, 3 with a MovieCove page.

Career shape

A full career of 3 titles from 2015 to 2023.

By role

only this rolewith another role
Producing3 of 3: 3 only producing, 0 with another role

By decade

2010s2 · crew2020s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Alicia Gold's films land?

Their typical MovieCove film has a Midcredits score in the 57th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 64th percentile for acclaim.

Acclaim · how much people like their films

64thpercentile
Typical film, the median of 3

Approval · how many liked their films

49thpercentile
Typical film, the median of 3

Reach · how many have seen their films

96thpercentile
Typical film, the median of 3

Midcredits score across 3 titles, by percentile

  • 75th and up1
  • 50th to 74th1
  • 25th to 49th1

Shape of the crowd

None of their 3 titles divides audiences: 2 are Crowd Pleasers.

  • Crowd Pleaser2
  • Broadly Agreed1

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Alicia Gold's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Violence & Gore3 titlesmedian 32 · mildMedian of all films: 44
Sex & Nudity3 titlesmedian 21 · mildMedian of all films: 32
Profanity3 titlesmedian 17 · mildMedian of all films: 36
Alcohol & Drugs3 titlesmedian 11 · minimalMedian of all films: 33
Frightening / Intense3 titlesmedian 27 · mildMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Alicia Gold work with?

People who share at least 2 of Alicia Gold's MovieCove titles, grouped by what they did on them; Mark Burton shares the most, 3.

Writers

Composers, cinematographers and editors

Producers