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Autumn Dea

Autumn Dea

Editor

Autumn Dea is a film, television, and commercial editor based in Los Angeles, CA. Originally hailing from the Philadelphia PA area, Dea is a graduate of Virginia Commonwealth University's School of the Arts. Dea's unique editorial background has allowed her to work with a variety of high-profile artists and actors including; Beyonce, Lizzo and Ewan McGregor. Her recent work on Netflix's documentary series, 'Dancing for the Devil: The 7M TikTok Cult', directed by Derek Doneen, helped catapult the show to success with the series debuting at #1 in over 10 countries. Her recent feature film 'Bleeding Love' (Vertical), directed by Emma Westenberg and starring Ewan McGregor and Clara McGregor, world premiered at SXSW 2023. The film quickly garnered industry praise and was chosen as one of the must-see films of the festival by Deadline's SXSW 2023 Hot List. Previously, her feature film 'Shithouse' (IFC) directed by Cooper Raiff, won the Grand Jury Award for Best Narrative Feature at SXSW 2020 and was named Vanity Fair's 10 Best Movies of 2020. In addition to her narrative work, Dea also has a passion for documentary editing. Her documentary work includes feature films; 'Love, Lizzo' (HBO Max) directed by Doug Pray, 'Trap Jazz' (Hulu, Disney+) directed by Sadé Clacken Joseph and "The Death of my Two Fathers" (PBS) directed by Sol Guy. Dea is represented by the Gersh Agency (film/TV) and by Whitehouse Post (commercial).

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Biography from IMDb.

Works as
Editor
Titles
8 on MovieCove

What are Autumn Dea's films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

What they feel like to watch

their average across 7 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 6 · Stylized 1 · Heightened 0

Gentle 2 · Charged 4 · Intense 1

A split, not a type: Steady 3 · Shifting 4 · Whiplash 0

Straight-faced 3 · Some laughs 3 · Funny 1

Slow burn 4 · Even-paced 3 · Relentless 0

Casual 5 · Engaged 2 · Full focus 0

Resolved 6 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Hopeful
6
Melancholic
5
Tense
3
Dread
2
Contemplative
3
Other
3

How their films end

  • Happy1
  • Bittersweet5
  • Ambiguous1
  • Other1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Autumn Dea's films?

As of October 24, 2026, all 8 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Autumn Dea's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

8 credits, 8 with a MovieCove page.

  • The Threesome(2025)

    Editor

    Midcredits score: 53rd percentile of all films
  • Midcredits score: 14th percentile of all shows
  • I Love You Forever(2024)

    Editor

    Midcredits score: 35th percentile of all films
  • Bleeding Love(2023)

    Editor

    Midcredits score: 33rd percentile of all films
  • Trap Jazz(2023)

    Editor

    Midcredits score: 48th percentile of all films
  • Love, Lizzo(2022)

    Editor

    Midcredits score: 62nd percentile of all films
  • Pink Opaque(2020)

    Editor

    Midcredits score: 40th percentile of all films
  • Shithouse(2020)

    Editor

    Midcredits score: 81st percentile of all films

Career shape

Across their 8 MovieCove titles from 2020 to 2025.

By role

only this rolewith another role
Editing8 of 8: 8 only editing, 0 with another role · typical Midcredits score44th

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Autumn Dea's films land?

Their typical MovieCove film has a Midcredits score in the 48th percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 57th percentile for acclaim.

Acclaim · how much people like their films

57thpercentile
Typical film, the median of 7

Approval · how many liked their films

39thpercentile
Typical film, the median of 7

Reach · how many have seen their films

77thpercentile
Typical film, the median of 7

Midcredits score across 8 titles, by percentile

  • 75th and up1
  • 50th to 74th2
  • 25th to 49th4
  • Below 25th1

Shape of the crowd

3 of their 8 titles are Mixed.

  • Divisive2
  • Cult Classic1
  • Crowd Pleaser1
  • Broadly Agreed1
  • Mixed3

Reviewers score the pacing 33/100 in their films, across 5 reviewed titles; fans 49, detractors 21. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.