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Anna Drubich

Anna Drubich

Composer · Born June 27, 1984 (42) · Moscow, USSR [now Russia]

Anna Solovieva Drubich was born in Moscow. From an early age Anna was exposed to music and began piano lessons at the age of 8. Anna earned her Bachelor and Master's degrees at the Munich School for the Performing Arts (2002-2008) under the tutelage of Professor Franz Massinger. Anna has been very busy as a solo and chamber music performer giving concerts in Russia, Ukraine, France, Germany, Italy, Switzerland and Spain, among others. She is a recipient of several awards and prizes, including First Prize at the Moscow Beethoven Competition and the Mozart Prize at the Bremen International Piano Competition. Ms. Drubich is also a beneficiary of the Spivakov Foundation and Krainev Foundation scholarships. In addition to her piano endeavors, Anna has been writing music, focusing on film composition. Her first project, in cooperation with Andrei Golovin, was the score to the film O Liubvi [About Love] (Mosfilm, Russia, 2002), which went on to receive the Best Music Award at the Russian National Film Festival Kinotavr. After this success Anna decided to pursue her studies in Film Composition at the Munich School for the Performing Arts, under the guidance of Prof. Enjott Schneider and is expected to graduate in July 2011. Concurrently with her studies, Anna participated in several film projects, including the Lange Nacht der Musik for which she wrote several pieces. In 2009 Anna was awarded the Special Prize at the Soundtrack Cologne Competition for her composition for the animated feature The Factory. Most recently, Anna completed the score to three major feature films: Anna Karenina, 2ASSA2, and Odnoklassniki [Classmates] (Mosfilm, Russia). All three films had their premieres in 2010. Anna's work as composer has led her to being nominated and shortlisted for the Russian Film Academy Award NIKA. She is also the winner of the prestigious Triumph Award in Russia. At the present time Anna is working on several major projects in Russia, USA and Germany. Her diverse body of work can be heard on television, at the cinema and in the theatre and includes animated features, documentaries and plays. In addition to her music for the visual arts, Anna has been intensively involved in writing music for the concert hall. Several works, from sonatas for solo instruments to chamber music to orchestra pieces, were debuted by famous musicians - many of them friends and colleagues of Miss Drubich. These pieces have always enjoyed a warm and enthusiastic reception from the audience and positive response from the critics. In the summer of 2010 Anna was chosen as one of 5 composers worldwide to spend a month in Aspen, Colorado, USA, studying and composing with major Hollywood composers Jeff Rona, David Newman and Jack Smalley. Anna's music has been performed and recorded by the American Academy of Conducting at Aspen Orchestra. From August 2011 to May 2012 Ms. Drubich was studying at the University of Southern California as part of the prestigious Scoring for Motion Pictures and Television program. Since than she worked on many short films, animations and video game projects. Her animation film "Yadda Yadda Yada" won 3rd Prize at the USC Science Animation Contest. Her recent animation short film "Semaforo" ("Stoplight") is selected at the top animation festivals of the world: ANNECY 2013 (France), "Chilemonos" in Chile and Student Academy Awards in USA.

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Biography from IMDb.

Born
June 27, 1984 (42)
From
Moscow, USSR [now Russia]
Works as
Composer
Titles
23 on MovieCove · 60 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 155 days to Oct 26Down 35% in 30 days

What are Anna Drubich's films like?

Across their 19 MovieCove titles with a thematic analysis, their films lean Society and Bonds.

Genres

Documentary6 titlesTypical Midcredits score: 94th percentile, at or above their average across these genres
: browse their Documentary movies
Comedy4 titlesTypical Midcredits score: 19th percentile
: browse their Comedy movies
Horror3 titlesTypical Midcredits score: 71st percentile, at or above their average across these genres
: browse their Horror movies
Drama2 titlesTypical Midcredits score: 17th percentile
: browse their Drama movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Society
20%
Bonds
17%
Morality
17%
Survival
16%
Self
11%
Ideas
11%
Power
8%
Community6 titles, browse their movies with this themeFamily bonds4 titles, browse their movies with this themeSurvival5 titles, browse their movies with this themeJustice3 titles, browse their movies with this themeIdentity3 titles, browse their movies with this themeTrauma2 titles, browse their movies with this themeHope3 titles, browse their movies with this themeDeception2 titles, browse their movies with this theme

What they feel like to watch

their average across 17 films
ToneFeelDemandtheir average · filled zone: the category
Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 10 · Stylized 6 · Heightened 1

Intense: How hard the emotional peaks hit while you watch. Browse their intense movies.
Feel · Intensity
gentleintense

Gentle 0 · Charged 7 · Intense 10

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 3 · Shifting 11 · Whiplash 3

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 13 · Some laughs 1 · Funny 3

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 3 · Even-paced 12 · Relentless 2

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 2 · Engaged 12 · Full focus 3

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 3 · Affecting 4 · Heavy 10

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

Resolved 8 · Open-ended 8 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
14
Dread
7
Melancholic
6
Hopeful
6
Contemplative
4
Other
13

How their films linger

Hopeful7 titles, browse their movies with this aftertasteThought-provoking6 titles, browse their movies with this aftertasteUnsettling5 titles, browse their movies with this aftertasteBittersweet4 titles, browse their movies with this aftertasteCathartic3 titles, browse their movies with this aftertasteRousing3 titles, browse their movies with this aftertaste

How their films end · 6 with a twist

  • Happy4
  • Bittersweet10
  • Ambiguous5

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Anna Drubich's films?

As of October 24, 2026, 17 of their 23 MovieCove titles stream on a subscription or free service, most on Tubi (7).

Also on these channels

Subscription and free streaming for Anna Drubich's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

60 credits, 23 with a MovieCove page.

  • Stealing Magic(2026)

    Composer

    Midcredits score: 99th percentile of all films (provisional, few ratings)

  • Corporate Retreat(2026)

    Composer

    Midcredits score: 10th percentile of all films

  • Allegedly with Ellison Barber (not in the MovieCove catalog yet)(2026)

    Show 18 episodes · Composer

  • Forbidden Fruits(2026)

    Composer

    Midcredits score: 26th percentile of all films

  • Eurotrash(2026)

    Composer

    Midcredits score: 16th percentile of all films (provisional, few ratings)

  • Brick(2025)

    Composer

    Midcredits score: 17th percentile of all films

  • Connected(2025)

    Composer

    Midcredits score: 68th percentile of all films (provisional, few ratings)

  • America Unfiltered: Portraits and Voices of a Nation(2025)

    Composer

    Midcredits score: 93rd percentile of all films (provisional, few ratings)

  • Time Cut(2024)

    Composer

    Midcredits score: 12th percentile of all films

  • Sting(2024)

    Composer

    Midcredits score: 24th percentile of all films

  • Desert Road (not in the MovieCove catalog yet)(2024)

    Composer

  • The Master and Margarita(2024)

    Composer

    Midcredits score: 83rd percentile of all films

  • Empire V (not in the MovieCove catalog yet)(2023)

    Composer

  • To End All War: Oppenheimer & the Atomic Bomb(2023)

    Composer

    Midcredits score: 94th percentile of all films

  • The Space Race(2023)

    Composer

    Midcredits score: 72nd percentile of all films

  • Stand by Me (not in the MovieCove catalog yet)(2022)

    Composer

  • Summer Ends Soon (not in the MovieCove catalog yet)(2022)

    Composer

  • In Two (not in the MovieCove catalog yet)(2022)

    Show 9 episodes · Composer

  • Barbarian(2022)

    Composer

    Midcredits score: 79th percentile of all films

  • Jane(2022)

    Composer

    Midcredits score: 15th percentile of all films

  • Navalny(2022)

    Composer

    Midcredits score: 97th percentile of all films

  • Fear Street: Part Three - 1666(2021)

    Composer

    Midcredits score: 71st percentile of all films

  • Werewolves Within(2021)

    Composer

    Midcredits score: 44th percentile of all films

  • Bomb (not in the MovieCove catalog yet)(2020)

    Show 16 episodes · Composer

  • Hypnosis (not in the MovieCove catalog yet)(2020)

    Composer

  • Shtetlers (not in the MovieCove catalog yet)(2020)

    Composer

  • Murder to Mercy: The Cyntoia Brown Story(2020)

    Music Producer

    Midcredits score: 58th percentile of all films

  • And Who Does Not Like Handel, He Will Get a Pendel (not in the MovieCove catalog yet)(2020)

    Composer

  • Ducky-Ducky-Ducky (not in the MovieCove catalog yet)(2020)

    Composer

  • Odessa (not in the MovieCove catalog yet)(2019)

    Composer

  • Scary Stories to Tell in the Dark(2019)

    Composer

    Midcredits score: 48th percentile of all films

  • To Paris! (not in the MovieCove catalog yet)(2019)

    Composer

  • The Factory(2018)

    Composer

    Midcredits score: 69th percentile of all films

  • Beautiful (not in the MovieCove catalog yet)(2018)

    Composer

  • Get Married or Die(2018)

    Composer

    Midcredits score: 14th percentile of all films (provisional, few ratings)

  • The Red Bracelets (not in the MovieCove catalog yet)(2017)

    Show 12 episodes · Composer

  • Russian Jews. Part Three. After 1948. (not in the MovieCove catalog yet)(2017)

    Composer

  • Waiting for a miracle (not in the MovieCove catalog yet)(2017)

    Composer

  • The Optimists(2017)

    Show 13 episodes · Composer

    Midcredits score: 31st percentile of all shows

  • Russian Jews. Part Two. 1918-1948. (not in the MovieCove catalog yet)(2017)

    Composer

  • The Bolshoi (not in the MovieCove catalog yet)(2016)

    Composer

  • Sneakers (not in the MovieCove catalog yet)(2016)

    Composer

  • Russian Jews. Part One. Before Revolution. (not in the MovieCove catalog yet)(2016)

    Composer

  • Secrets of the City N (not in the MovieCove catalog yet)(2015)

    Show 8 episodes · Composer

  • Mashkiny strashilki(2014)

    Show 26 episodes · Composer

    Midcredits score: 9th percentile of all shows

  • 1864 (not in the MovieCove catalog yet)(2014)

    Show 8 episodes · Composer

  • Star (not in the MovieCove catalog yet)(2014)

    Composer

  • Voices (not in the MovieCove catalog yet)(2014)

    Composer

  • Stoplight (not in the MovieCove catalog yet)(2013)

    Composer

  • The collector's Gift (not in the MovieCove catalog yet)(2013)

    Composer

  • Classmates (not in the MovieCove catalog yet)(2010)

    Composer

  • Anna Karenina (not in the MovieCove catalog yet)(2009)

    Composer

  • 2-Assa-2 (not in the MovieCove catalog yet)(2008)

    Composer · as Anya

  • About Love (not in the MovieCove catalog yet)(2004)

    Composer

  • Three Sisters (not in the MovieCove catalog yet)(1994)

    as young Masha

  • House Under the Starry Skies (not in the MovieCove catalog yet)(1991)

    as Katrin · as Катрин

  • A Black Rose Is an Emblem of Sorrow, a Red Rose an Emblem of Love (not in the MovieCove catalog yet)(1990)

    as эпизод

  • Spoiler (not in the MovieCove catalog yet)

    Show 10 episodes · Composer

  • The Override (not in the MovieCove catalog yet)

    Composer

  • When The Snow Falls (not in the MovieCove catalog yet)

    Composer

Career shape

A full career of 55 titles, 52 of them dated from 1990 to 2026.

Biggest box office

Scary Stories to Tell in the Dark (2019)

$105M worldwide

Highest rated

Navalny (2022)

Midcredits 97th

Most popular right now

Scary Stories to Tell in the Dark (2019)

By role

only this rolewith another role
Acting4 of 55: 3 only acting, 1 with another roleMusic52 of 55: 51 only music, 1 with another role · typical Midcredits score46th

By decade

1990s3 · acting2000s3 · 1 acting · 3 crew2010s21 · crew2020s25 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Anna Drubich's films land?

Their typical MovieCove film has a Midcredits score in the 58th percentile, the median of all 21; across their 17 films with reception data, the typical film sits in the 51st percentile for acclaim.

Acclaim · how much people like their films

51stpercentile
Typical film, the median of 17

Approval · how many liked their films

45thpercentile
Typical film, the median of 17

Reach · how many have seen their films

81stpercentile
Typical film, the median of 17

Midcredits score across 23 titles, by percentile

  • 75th and up6
  • 50th to 74th5
  • 25th to 49th4
  • Below 25th8

Shape of the crowd

10 of their 23 titles are Mixed.

  • Divisive1
  • Cult Classic1
  • Crowd Pleaser6
  • Broadly Agreed5
  • Mixed10

Most divisive · composer

The Space Race (2023)

93rd percentile spread · 28% rated it 4 or lower

Most loved · composer

Navalny (2022)

Midcredits 97th · 86% liked

Reviewers score the sound and music 63/100 in their films, across 8 reviewed titles; fans 73, detractors 52. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Anna Drubich's work okay for kids?

Across up to 8 MovieCove titles with content scores, violence & gore, profanity and frightening / intense run heavier than most films and sex & nudity lighter.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore7 titles55–89 · median 71 · intenseheavier than most filmsMedian of all films: 44
Sex & Nudity8 titles11–49 · median 19 · mildlighter than most filmsMedian of all films: 32
Profanity8 titles40–69 · median 54 · moderateheavier than most filmsMedian of all films: 36
Alcohol & Drugs7 titles24–44 · median 35 · moderatenear the median of all filmsMedian of all films: 33
Frightening / Intense7 titles48–89 · median 78 · intenseheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Anna Drubich work with?

People who share at least 2 of Anna Drubich's MovieCove titles, grouped by what they did on them; Jongnic Bontemps shares the most, 2.

Composers

Producers