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Michele Anthony

Michele Anthony

Producer

Michele Anthony is Executive Vice President of Universal Music Group, where her responsibilities include helping manage UMG's U.S. labels and overseeing Universal Music Canada, the global catalog division Universal Music Enterprises, as well as the company's global brand partnerships. She is also responsible for the U.S. Commercial Services Division, where she works with UMG's U.S. labels to maximize commercial and strategic opportunities to establish new revenue streams, form alliances with third parties and create a variety of special projects. Anthony additionally oversees development of UMG's film, television and theatrical projects alongside Universal Music Publishing Group Chairman and CEO Jody Gerson. Anthony has an unparalleled depth of experience working with labels and artists. She previously founded 7H Entertainment, a consulting and management firm whose clients included Pearl Jam, Prince, Black Sabbath & Ozzy Osbourne, Björk and Soundgarden, among others. Before 7H Entertainment, Anthony served as President and Chief Operating Officer of Sony Music Label Group U.S., where she oversaw day-to-day management and operations of the company's labels. Prior to Sony Music, Anthony was a partner in the entertainment practice at law firm Manatt, Phelps, Rothenberg & Phillips, where her roster of clients included Guns N' Roses, Alice In Chains, Rick Rubin, Sub Pop Records and The Pixies. Anthony represents UMG on the boards of several organizations, including The Recording Industry Association of America (RIAA), She Is The Music, Mass Appeal, a New York-based media & content company focused on urban culture, and she serves on the boards of the Rock & Roll Hall of Fame and Global Citizen, where she helped found the annual Global Citizen Festival in New York. Throughout her career, Anthony has been recognized for her professional achievements and leadership in causes that advance the rights of women, protect the environment, support education and seek to eliminate global poverty. In 2014, Billboard magazine named Anthony the top female executive in the publication's annual Women in Music issue, and her industry leadership is regularly recognized by Billboard and Variety, among other publications. The UJA-Federation of New York named Anthony its 2017 Music Visionary of the Year for her exceptional professional accomplishments and commitment to philanthropy, becoming the first woman to receive this award as a solo honoree.

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Biography from IMDb.

Works as
Producer
Titles
8 on MovieCove · 12 credits in all
TMDB popularity, last 155 days to Oct 26Down 19% in 30 days

What are Michele Anthony's films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Society and Self.

What they feel like to watch

their average across 8 films
ToneFeelDemandtheir average · filled zone: the category

Light 6 · Serious 2 · Dark 0

Grounded 6 · Stylized 2 · Heightened 0

Gentle 7 · Charged 1 · Intense 0

Steady 8 · Shifting 0 · Whiplash 0

Straight-faced 4 · Some laughs 4 · Funny 0

Slow burn 7 · Even-paced 1 · Relentless 0

Casual 5 · Engaged 3 · Full focus 0

Resolved 6 · Open-ended 2 · Ambiguous 0

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Michele Anthony's films?

As of October 24, 2026, 7 of their 8 MovieCove titles stream on a subscription or free service, most on Apple TV (3).

Subscription and free streaming for Michele Anthony's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

12 credits, 8 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • High in the Clouds (not in the MovieCove catalog yet)(2027)

    Producer

  • The Greatest (not in the MovieCove catalog yet)(2026)

    Show 8 episodes · Executive Producer

  • Man on the Run: Paul McCartney and Morgan Neville in Conversation (not in the MovieCove catalog yet)(2026)

    Producer

  • Man on the Run(2025)

    Producer

    Midcredits score: 96th percentile of all films
  • Love to Love You, Donna Summer(2023)

    Executive Producer

    Midcredits score: 67th percentile of all films
  • Louis Armstrong's Black & Blues(2022)

    Executive Producer

    Midcredits score: 89th percentile of all films
  • The Velvet Underground(2021)

    Executive Producer

    Midcredits score: 92nd percentile of all films
  • Shawn Mendes: In Wonder(2020)

    Executive Producer

    Midcredits score: 79th percentile of all films
  • Beastie Boys Story(2020)

    Executive Producer

    Midcredits score: 96th percentile of all films
  • Midcredits score: 99th percentile of all films
  • Pearl Jam Twenty(2011)

    Producer

    Midcredits score: 98th percentile of all films
  • Untitled Ozzy & Sharon Osbourne Biopic (not in the MovieCove catalog yet)

    Producer

Career shape

A full career of 11 titles, 8 of them dated from 2017 to 2026.

By role

only this rolewith another role
Producing11 of 11: 11 only producing, 0 with another role · typical Midcredits score92nd

By decade

2010s1 · crew2020s7 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Michele Anthony's films land?

Their typical MovieCove film has a Midcredits score in the 94th percentile, the median of all 8; across their 8 films with reception data, the typical film sits in the 93rd percentile for acclaim.

Acclaim · how much people like their films

93rdpercentile
Typical film, the median of 8

Approval · how many liked their films

91stpercentile
Typical film, the median of 8

Reach · how many have seen their films

78thpercentile
Typical film, the median of 8

Midcredits score across 8 titles, by percentile

  • 75th and up7
  • 50th to 74th1

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Michele Anthony work with?

People who share at least 2 of Michele Anthony's MovieCove titles, grouped by what they did on them; David Blackman shares the most, 5.

Cinematographers

Producers