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What are Fenella Ross' films like?

Across their 34 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

What they feel like to watch

their average across 34 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 10 · Serious 11 · Dark 13

Grounded 28 · Stylized 5 · Heightened 1

A split, not a type: Gentle 9 · Charged 12 · Intense 13

Steady 13 · Shifting 17 · Whiplash 4

Straight-faced 19 · Some laughs 12 · Funny 3

A split, not a type: Slow burn 18 · Even-paced 16 · Relentless 0

Casual 15 · Engaged 16 · Full focus 3

A split, not a type: Easy watch 12 · Affecting 9 · Heavy 13

Resolved 22 · Open-ended 8 · Ambiguous 4

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
18
Hopeful
14
Melancholic
16
Dread
9
Bittersweet
7
Other
35

How their films end · 7 with a twist

  • Happy6
  • Bittersweet22
  • Tragic2
  • Ambiguous4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Fenella Ross' films?

As of October 24, 2026, 29 of their 34 MovieCove titles stream on a subscription or free service, most on Tubi (16).

Subscription and free streaming for Fenella Ross' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

34 credits, 34 with a MovieCove page.

  • Seven Snipers(2026)

    Producer

    Midcredits score: 10th percentile of all films
  • The Last Bus(2021)

    Producer

    Midcredits score: 67th percentile of all films
  • The Power(2021)

    Producer

    Midcredits score: 26th percentile of all films
  • Amulet(2020)

    Producer

    Midcredits score: 14th percentile of all films
  • An Impossible Project(2020)

    Producer

    Midcredits score: 83rd percentile of all films
  • Audrey(2020)

    Producer

    Midcredits score: 85th percentile of all films
  • June Again(2020)

    Producer

    Midcredits score: 85th percentile of all films
  • Kindred(2020)

    Producer

    Midcredits score: 24th percentile of all films
  • Animals(2019)

    Producer

    Midcredits score: 44th percentile of all films
  • Bombairiya(2019)

    Producer

    Midcredits score: 25th percentile of all films
  • Fisherman's Friends(2019)

    Producer

    Midcredits score: 78th percentile of all films
  • I See You(2019)

    Producer

    Midcredits score: 74th percentile of all films
  • Ordinary Love(2019)

    Producer

    Midcredits score: 70th percentile of all films
  • Standing Up for Sunny(2019)

    Producer

    Midcredits score: 60th percentile of all films
  • The Corrupted(2019)

    Producer

    Midcredits score: 32nd percentile of all films
  • Affairs of State(2018)

    Producer

    Midcredits score: 11th percentile of all films
  • Cargo(2017)

    Producer

    Midcredits score: 55th percentile of all films
  • OtherLife(2017)

    Producer

    Midcredits score: 55th percentile of all films
  • Outlaws(2017)

    Producer

    Midcredits score: 18th percentile of all films
  • Detour(2016)

    Producer

    Midcredits score: 46th percentile of all films
  • London Town(2016)

    Producer

    Midcredits score: 54th percentile of all films
  • War on Everyone(2016)

    Producer

    Midcredits score: 37th percentile of all films
  • Ashby(2015)

    Producer

    Midcredits score: 55th percentile of all films
  • Backtrack(2015)

    Producer

    Midcredits score: 35th percentile of all films
  • Freeheld(2015)

    Producer

    Midcredits score: 69th percentile of all films
  • Midcredits score: 82nd percentile of all films
  • Desert Dancer(2014)

    Producer

    Midcredits score: 55th percentile of all films
  • Midcredits score: 72nd percentile of all films
  • Sunshine Superman(2014)

    Producer

    Midcredits score: 78th percentile of all films
  • The Little Death(2014)

    Producer

    Midcredits score: 76th percentile of all films
  • Midcredits score: 65th percentile of all films
  • Spike Island(2012)

    Producer

    Midcredits score: 62nd percentile of all films
  • Wasteland(2012)

    Producer

    Midcredits score: 62nd percentile of all films
  • Trishna(2011)

    Producer

    Midcredits score: 46th percentile of all films

Career shape

Across their 34 MovieCove titles from 2011 to 2026.

By role

only this rolewith another role
Producing34 of 34: 34 only producing, 0 with another role · typical Midcredits score55th

By decade

2010s26 · crew2020s8 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Fenella Ross' films land?

Their typical MovieCove film has a Midcredits score in the 55th percentile, the median of all 34; across their 34 films with reception data, the typical film sits in the 55th percentile for acclaim.

Acclaim · how much people like their films

55thpercentile
Typical film, the median of 34

Approval · how many liked their films

57thpercentile
Typical film, the median of 34

Reach · how many have seen their films

79thpercentile
Typical film, the median of 34

Midcredits score across 34 titles, by percentile

  • 75th and up7
  • 50th to 74th14
  • 25th to 49th8
  • Below 25th5

Shape of the crowd

19 of their 34 titles are Crowd Pleasers.

  • Universally Panned1
  • Cult Classic1
  • Crowd Pleaser19
  • Broadly Agreed3
  • Mixed10

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Fenella Ross' work okay for kids?

Across up to 20 MovieCove titles with content scores, sex & nudity, profanity and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore10 titles8–66 · median 48 · moderatenear the median of all filmsMedian of all films: 44
Sex & Nudity20 titles15–65 · median 43 · moderateheavier than most filmsMedian of all films: 32
Profanity13 titles52–80 · median 60 · intenseheavier than most filmsMedian of all films: 36
Alcohol & Drugs9 titles24–51 · median 32 · mildnear the median of all filmsMedian of all films: 33
Frightening / Intense10 titles32–67 · median 51 · moderateheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Fenella Ross work with?

People who share at least 2 of Fenella Ross' MovieCove titles, grouped by what they did on them; Compton Ross shares the most, 34.

Writers

Actors

Composers, cinematographers and editors

Producers