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Orlee-Rose Strauss

Orlee-Rose Strauss

Producer · Toronto, Ontario, Canada

Orlee-Rose Strauss is an award winning filmmaker from Toronto, Canada. She is a Producer at Supermarché, the production company founded by directing duo Ariel Schulman and Henry Joost ("Catfish") in New York City. In 2016, the company debuted the highly anticipated indie "White Girl" at Sundance (directed by Elizabeth Wood), released the acclaimed thriller "Nerve," received two Clios for Branded Content campaigns, and released 14 short films and three commercials. In 2017 they will begin production on the Monkey Wrench Gang (adapted from the novel by Edward Abbey).

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Biography from IMDb.

From
Toronto, Ontario, Canada
Works as
Producer
Titles
4 on MovieCove · 12 credits in all
TMDB popularity, last 63 days to Oct 26Down 4% in 30 days

What are Orlee-Rose Strauss' films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

Themes

share of theme weight
Bonds
55%
Morality
25%
Power
11%
Self
9%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 0 · Stylized 3 · Heightened 0

A split, not a type: Gentle 0 · Charged 1 · Intense 2

Steady 1 · Shifting 2 · Whiplash 0

A split, not a type: Straight-faced 2 · Some laughs 0 · Funny 1

Slow burn 0 · Even-paced 2 · Relentless 1

A split, not a type: Casual 1 · Engaged 2 · Full focus 0

Resolved 3 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
2
Thrilling
3
Joyful
1
Hopeful
1
Warm
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Orlee-Rose Strauss' films?

As of October 24, 2026, all 4 MovieCove titles stream on a subscription or free service, most on Prime Video (2).

Subscription and free streaming for Orlee-Rose Strauss' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

12 credits, 4 with a MovieCove page.

  • Who Is Sabato De Sarno? A Gucci Story (not in the MovieCove catalog yet)(2024)

    Executive Producer

  • Secret Headquarters(2022)

    Producer

    Midcredits score: 25th percentile of all films
  • Project Power(2020)

    Executive Producer

    Midcredits score: 37th percentile of all films
  • White Girl(2016)

    Associate Producer

    Midcredits score: 32nd percentile of all films
  • Nerve(2016)

    Co-Producer

    Midcredits score: 65th percentile of all films
  • The Second Sound Barrier (not in the MovieCove catalog yet)(2016)

    Producer

  • 10 Crosby (not in the MovieCove catalog yet)(2016)

    Producer

  • A Different Tree (not in the MovieCove catalog yet)(2013)

    Editor · Script Supervisor

  • Genderfreak (not in the MovieCove catalog yet)(2012)

    Second Second Assistant Director

  • The Monkey Wrench Gang (not in the MovieCove catalog yet)

    Executive Producer

  • Undo (not in the MovieCove catalog yet)

    Executive Producer

  • Weezer: Security Threat (not in the MovieCove catalog yet)

    Executive Producer

Career shape

A full career of 11 titles, 8 of them dated from 2012 to 2024.

By role

only this rolewith another role
Producing9 of 11: 9 only producing, 0 with another roleEditing1 of 11: 0 only editing, 1 with another roleOther crew2 of 11: 1 only other crew, 1 with another role

By decade

2010s6 · crew2020s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Orlee-Rose Strauss' films land?

Their typical MovieCove film has a Midcredits score in the 35th percentile, the median of all 4; across a limited sample of 3 films with reception data, the typical film sits in the 36th percentile for acclaim.

Acclaim · how much people like their films

36thpercentile
Typical film, the median of 3

Approval · how many liked their films

29thpercentile
Typical film, the median of 3

Reach · how many have seen their films

92ndpercentile
Typical film, the median of 3

Midcredits score across 4 titles, by percentile

  • 50th to 74th1
  • 25th to 49th3

Shape of the crowd

None of their 4 titles divides audiences: 2 are Mixed.

  • Crowd Pleaser1
  • Broadly Agreed1
  • Mixed2

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Orlee-Rose Strauss' work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Violence & Gore3 titlesmedian 71 · intenseMedian of all films: 44
Sex & Nudity3 titlesmedian 17 · mildMedian of all films: 32
Profanity3 titlesmedian 51 · moderateMedian of all films: 36
Alcohol & Drugs3 titlesmedian 62 · intenseMedian of all films: 33
Frightening / Intense3 titlesmedian 55 · moderateMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Orlee-Rose Strauss work with?

People who share at least 2 of Orlee-Rose Strauss' MovieCove titles, grouped by what they did on them; Ariel Schulman shares the most, 3.

Directors

Cinematographers