Ailish Bracken
- Producer
- 10 on MovieCove · 17 credits in all
What are Ailish Bracken's films like?
Across their 8 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 5
A split, not a type: Light 3 · Serious 0 · Dark 2
Grounded 2 · Stylized 3 · Heightened 0
Gentle 0 · Charged 3 · Intense 2
Steady 2 · Shifting 3 · Whiplash 0
A split, not a type: Straight-faced 2 · Some laughs 1 · Funny 2
A split, not a type: Slow burn 2 · Even-paced 3 · Relentless 0
A split, not a type: Casual 3 · Engaged 2 · Full focus 0
A split, not a type: Easy watch 2 · Affecting 1 · Heavy 2
Resolved 3 · Open-ended 1 · Ambiguous 1
Moods and endings
- Happy2
- Bittersweet2
- Tragic1
- Ambiguous3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Ailish Bracken's films?
As of October 24, 2026, 7 of their 10 MovieCove titles stream on a subscription or free service, most on Prime Video (4).
Subscription and free streaming for Ailish Bracken's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
17 credits, 10 with a MovieCove page.
Four Mothers(2024)
Midcredits score: 73rd percentile of all films
The Boy That Never Was(2024)
Midcredits score: 18th percentile of all shows
The Pope's Exorcist(2023)
Midcredits score: 45th percentile of all films
The Gone(2023)
Midcredits score: 53rd percentile of all shows
Holding(2022)
Midcredits score: 35th percentile of all shows
Wolf(2021)
Midcredits score: 53rd percentile of all films
Extra Ordinary(2019)
Midcredits score: 60th percentile of all films
Inner Child (not in the MovieCove catalog yet)(2018)
Dublin Oldschool (not in the MovieCove catalog yet)(2018)
Muse(2017)
Midcredits score: 24th percentile of all films
A Mother Brings Her Son to Be Shot (not in the MovieCove catalog yet)(2017)
Bellwether (not in the MovieCove catalog yet)(2017)
The Lodgers(2017)
Midcredits score: 15th percentile of all films
The Queen of Ireland(2015)
Midcredits score: 86th percentile of all films
I Can't See You Anymore (not in the MovieCove catalog yet)(2012)
The End of the Reel (not in the MovieCove catalog yet)(2011)
Visitation (not in the MovieCove catalog yet)
Career shape
A full career of 10 titles, 9 of them dated from 2011 to 2023.
Biggest box office
The Lodgers (2017)
Highest rated
Four Mothers (2024)
Most popular right now
The Gone (2023)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.
How do Ailish Bracken's films land?
Their typical MovieCove film has a Midcredits score in the 53rd percentile, the median of all 7; across their 5 films with reception data, the typical film sits in the 59th percentile for acclaim.
- 75th and up1
- 50th to 74th4
- 25th to 49th2
- Below 25th3
Shape of the crowd
6 of their 10 titles are Mixed.
- Crowd Pleaser3
- Broadly Agreed1
- Mixed6
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Ailish Bracken's work okay for kids?
Across a limited sample of up to 3 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Ailish Bracken work with?
People who share at least 2 of Ailish Bracken's MovieCove titles, grouped by what they did on them; Katie Holly shares the most, 3.
Directors
- Hannah QuinnShared titles: The Boy That Never Was (2024), The Gone (2023)See all 2 shared titles with Hannah Quinn
Actors
- Rory O'NeillShared titles: Four Mothers (2024), The Queen of Ireland (2015)See all 2 shared titles with Rory O'Neill
- Carolyn BrackenShared titles: The Gone (2023), The Lodgers (2017)See all 2 shared titles with Carolyn Bracken
- Helen BehanShared titles: Holding (2022), Wolf (2021)See all 2 shared titles with Helen Behan
- Siobhán McSweeneyShared titles: Holding (2022), Extra Ordinary (2019)See all 2 shared titles with Siobhán McSweeney
Cinematographers and editors
- Darragh MoranShared titles: The Boy That Never Was (2024), The Gone (2023)See all 2 shared titles with Darragh Moran
- Tim FlemingShared titles: The Boy That Never Was (2024), The Gone (2023)See all 2 shared titles with Tim Fleming
Producers
- Katie HollyShared titles: The Gone (2023), Extra Ordinary (2019), The Queen of Ireland (2015)See all 3 shared titles with Katie Holly
- David CreanShared titles: The Boy That Never Was (2024), The Gone (2023)See all 2 shared titles with David Crean
- Dermot HoranShared titles: The Boy That Never Was (2024), The Gone (2023)See all 2 shared titles with Dermot Horan
- Martina NilandShared titles: Four Mothers (2024), Holding (2022)See all 2 shared titles with Martina Niland
