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Joon-hwan Choi

Producer

Works as
Producer
Titles
55 on MovieCove
TMDB popularity, last 37 days to Oct 26Up 12% in 30 days

What are Joon-hwan Choi's films like?

Across their 55 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

What they feel like to watch

their average across 55 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 23 · Serious 11 · Dark 21

A split, not a type: Grounded 25 · Stylized 16 · Heightened 14

A split, not a type: Gentle 9 · Charged 21 · Intense 25

Steady 16 · Shifting 27 · Whiplash 12

A split, not a type: Straight-faced 24 · Some laughs 18 · Funny 13

Slow burn 15 · Even-paced 32 · Relentless 8

Casual 22 · Engaged 24 · Full focus 9

Easy watch 14 · Affecting 22 · Heavy 19

Resolved 41 · Open-ended 10 · Ambiguous 4

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
32
Melancholic
25
Warm
17
Joyful
10
Thrilling
11
Other
47

How their films end · 10 with a twist

  • Happy14
  • Bittersweet27
  • Tragic8
  • Ambiguous6

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Joon-hwan Choi's films?

As of October 24, 2026, 37 of their 55 MovieCove titles stream on a subscription or free service, most on Tubi (25).

Subscription and free streaming for Joon-hwan Choi's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

55 credits, 55 with a MovieCove page.

  • The Thieves(2012)

    Producer

    Midcredits score: 75th percentile of all films
  • Sunny(2011)

    Associate Producer

    Midcredits score: 97th percentile of all films
  • My Way(2011)

    Producer

    Midcredits score: 91st percentile of all films
  • Penny Pinchers(2011)

    Producer

    Midcredits score: 66th percentile of all films
  • Punch(2011)

    Producer

    Midcredits score: 83rd percentile of all films
  • Quick(2011)

    Producer

    Midcredits score: 36th percentile of all films
  • Sector 7(2011)

    Producer

    Midcredits score: 11th percentile of all films
  • Silenced(2011)

    Producer

    Midcredits score: 99th percentile of all films
  • Spellbound(2011)

    Producer

    Midcredits score: 77th percentile of all films
  • The Unjust(2010)

    Executive Producer

    Midcredits score: 67th percentile of all films
  • A Better Tomorrow(2010)

    Producer

    Midcredits score: 40th percentile of all films
  • Finding Mr. Destiny(2010)

    Producer

    Midcredits score: 63rd percentile of all films
  • Harmony(2010)

    Producer

    Midcredits score: 88th percentile of all films
  • Late Autumn(2010)

    Producer

    Midcredits score: 75th percentile of all films
  • Moss(2010)

    Producer

    Midcredits score: 70th percentile of all films
  • The Last Godfather(2010)

    Producer

    Midcredits score: 12th percentile of all films
  • The Man from Nowhere(2010)

    Producer

    Midcredits score: 97th percentile of all films
  • The Servant(2010)

    Producer

    Midcredits score: 49th percentile of all films
  • Mother(2009)

    Associate Producer

    Midcredits score: 98th percentile of all films
  • Thirst(2009)

    Producer

    Midcredits score: 86th percentile of all films
  • Castaway on the Moon(2009)

    Producer

    Midcredits score: 98th percentile of all films
  • Tidal Wave(2009)

    Producer

    Midcredits score: 34th percentile of all films
  • Midcredits score: 72nd percentile of all films
  • White Night(2009)

    Producer

    Midcredits score: 62nd percentile of all films
  • Midcredits score: 70th percentile of all films
  • Midcredits score: 87th percentile of all films
  • My Wife Got Married(2008)

    Producer

    Midcredits score: 38th percentile of all films
  • Open City(2008)

    Producer

    Midcredits score: 53rd percentile of all films
  • Public Enemy Returns(2008)

    Producer

    Midcredits score: 61st percentile of all films
  • Midcredits score: 89th percentile of all films
  • Dragon Wars: D-War(2007)

    Executive Producer

    Midcredits score: 3rd percentile of all films
  • Going by the Book(2007)

    Producer

    Midcredits score: 91st percentile of all films
  • Midcredits score: 60th percentile of all films
  • May 18(2007)

    Producer

    Midcredits score: 73rd percentile of all films
  • Miracle on 1st Street(2007)

    Producer

    Midcredits score: 62nd percentile of all films
  • Sex Is Zero 2(2007)

    Producer

    Midcredits score: 42nd percentile of all films
  • Voice of a Murderer(2007)

    Producer

    Midcredits score: 71st percentile of all films
  • The Host(2006)

    Co-Executive Producer

    Midcredits score: 86th percentile of all films
  • Forbidden Quest(2006)

    Producer

    Midcredits score: 50th percentile of all films
  • Midcredits score: 83rd percentile of all films
  • Like a Virgin(2006)

    Producer

    Midcredits score: 65th percentile of all films
  • Midcredits score: 16th percentile of all films
  • Midcredits score: 88th percentile of all films
  • The City of Violence(2006)

    Producer

    Midcredits score: 72nd percentile of all films
  • The Restless(2006)

    Producer

    Midcredits score: 50th percentile of all films
  • Rules of Dating(2005)

    Producer

    Midcredits score: 59th percentile of all films
  • Shadowless Sword(2005)

    Producer

    Midcredits score: 60th percentile of all films
  • You Are My Sunshine(2005)

    Producer

    Midcredits score: 73rd percentile of all films
  • A Moment to Remember(2004)

    Producer

    Midcredits score: 99th percentile of all films
  • How to Keep My Love(2004)

    Producer

    Midcredits score: 39th percentile of all films
  • Lovely Rivals(2004)

    Producer

    Midcredits score: 62nd percentile of all films
  • My Brother(2004)

    Producer

    Midcredits score: 80th percentile of all films
  • Midcredits score: 90th percentile of all films
  • The Hypnotized(2004)

    Producer

    Midcredits score: 43rd percentile of all films
  • Windstruck(2004)

    Producer

    Midcredits score: 84th percentile of all films

Career shape

A full career of 6 titles from 2006 to 2011.

By role

only this rolewith another role
Producing6 of 6: 6 only producing, 0 with another role · typical Midcredits score86th

By decade

2000s4 · crew2010s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Joon-hwan Choi's films land?

Their typical MovieCove film has a Midcredits score in the 70th percentile, the median of all 55; across their 55 films with reception data, the typical film sits in the 69th percentile for acclaim.

Acclaim · how much people like their films

69thpercentile
Typical film, the median of 55

Approval · how many liked their films

68thpercentile
Typical film, the median of 55

Reach · how many have seen their films

72ndpercentile
Typical film, the median of 55

Midcredits score across 55 titles, by percentile

  • 75th and up22
  • 50th to 74th21
  • 25th to 49th8
  • Below 25th4

Shape of the crowd

31 of their 55 titles are Crowd Pleasers.

  • Universally Loved9
  • Divisive1
  • Cult Classic1
  • Crowd Pleaser31
  • Mixed13

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Joon-hwan Choi's work okay for kids?

Across up to 14 MovieCove titles with content scores, violence & gore, sex & nudity, profanity and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore9 titles55–94 · median 90 · severeheavier than most filmsMedian of all films: 44
Sex & Nudity14 titles10–80 · median 45 · moderateheavier than most filmsMedian of all films: 32
Profanity8 titles38–74 · median 51 · moderateheavier than most filmsMedian of all films: 36
Alcohol & Drugs8 titles20–67 · median 36 · moderatenear the median of all filmsMedian of all films: 33
Frightening / Intense7 titles57–89 · median 66 · intenseheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Joon-hwan Choi work with?

People who share at least 2 of Joon-hwan Choi's MovieCove titles, grouped by what they did on them; Katharine Kim shares the most, 15.

Directors

Writers

Actors

Composers and editors

Producers