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Tae-joon Park

Producer · Born August 5, 1972 (54)

Born
August 5, 1972 (54)
Works as
Producer
Titles
6 on MovieCove · 9 credits in all
TMDB popularity, last 37 days to Oct 26Down 25% in 30 days

What are Tae-joon Park's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

Light 1 · Serious 0 · Dark 3

Grounded 1 · Stylized 2 · Heightened 1

Gentle 0 · Charged 1 · Intense 3

Steady 0 · Shifting 3 · Whiplash 1

Straight-faced 2 · Some laughs 2 · Funny 0

A split, not a type: Slow burn 1 · Even-paced 1 · Relentless 2

Casual 0 · Engaged 3 · Full focus 1

Easy watch 0 · Affecting 2 · Heavy 2

Resolved 2 · Open-ended 2 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
3
Thrilling
2
Romantic
1
Bittersweet
1
Dread
1
Other
2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Tae-joon Park's films?

As of October 24, 2026, 5 of their 6 MovieCove titles stream on a subscription or free service, most on Tubi (3).

Subscription and free streaming for Tae-joon Park's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

9 credits, 6 with a MovieCove page.

  • Nothing in Its Place (not in the MovieCove catalog yet)(2024)

    Associate Producer

  • Bringing Tibet Home(2013)

    Producer

    Midcredits score: 91st percentile of all films (provisional, few ratings)
  • The Beauty Inside(2015)

    Producer

    Midcredits score: 91st percentile of all films
  • The Target(2014)

    Producer

    Midcredits score: 53rd percentile of all films
  • Snowpiercer(2013)

    Co-Producer

    Midcredits score: 85th percentile of all films
  • Mother(2009)

    Producer

    Midcredits score: 98th percentile of all films
  • Smile Babo (not in the MovieCove catalog yet)(2008)

    Producer

  • Voice of a Murderer(2007)

    Line Producer

    Midcredits score: 71st percentile of all films
  • Mr. Socrates (not in the MovieCove catalog yet)(2005)

    Line Producer

Career shape

A full career of 9 titles from 2005 to 2024.

By role

only this rolewith another role
Producing9 of 9: 9 only producing, 0 with another role · typical Midcredits score88th

By decade

2000s4 · crew2010s4 · crew2020s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Tae-joon Park's films land?

Their typical MovieCove film has a Midcredits score in the 88th percentile, the median of all 6; across a limited sample of 4 films with reception data, the typical film sits in the 87th percentile for acclaim.

Acclaim · how much people like their films

87thpercentile
Typical film, the median of 4

Approval · how many liked their films

86thpercentile
Typical film, the median of 4

Reach · how many have seen their films

94thpercentile
Typical film, the median of 4

Midcredits score across 6 titles, by percentile

  • 75th and up4
  • 50th to 74th2

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Tae-joon Park's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity3 titlesmedian 19 · mildMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Tae-joon Park work with?

People who share at least 2 of Tae-joon Park's MovieCove titles, grouped by what they did on them; Bong Joon Ho shares the most, 2.

Directors

Actors

Cinematographers

Producers