Freya Parks

Actor · United Kingdom

Freya Parks was born in London. Her first professional role was Etty Darwin in Jon Amiel's Creation (2009). Her subsequent film roles included Helen Burns in Cary Fukunaga's Jane Eyre (2011), Tom Hooper's Les Miserables (2012) and Tasha Robson, the lead role in Bliss! (2016) which is available on Amazon, Sky Store and iTunes. Parks can be seen in the upcoming Here We Go (2022-) on BBC One, formerly known as Pandemonium, and as Hester in The School for Good and Evil (2022) which is out on Netflix later this year.

What are Freya Parks' films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Survival.

Themes

share of theme weight

Bonds

38%

Survival

24%

Self

18%

Ideas

14%

Society

6%

Survival2 Friendship2 Coming of age2

What they feel like to watch

their average across 3 films

ToneFeelDemandtheir average · filled zone: the category

Earnest

Tone · Sincerity

ironicearnest

Ironic 0 · Wry 0 · Earnest 3

Serious

Tone · Weight

lightdark

A split, not a type: Light 1 · Serious 0 · Dark 2

Stylized

Tone · Style

naturalisticheightened

Grounded 1 · Stylized 1 · Heightened 1

Charged

Feel · Intensity

gentleintense

A split, not a type: Gentle 0 · Charged 1 · Intense 2

Shifting

Feel · Swings

steadyswings

Steady 1 · Shifting 1 · Whiplash 1

Straight-faced

Feel · Humor

noneconstant

A split, not a type: Straight-faced 1 · Some laughs 2 · Funny 0

Even-paced

Demand · Pace

slowrelentless

Slow burn 1 · Even-paced 2 · Relentless 0

Engaged

Demand · Attention

casualfull focus

Casual 0 · Engaged 3 · Full focus 0

Affecting

Demand · Emotional cost

easyheavy

Easy watch 1 · Affecting 1 · Heavy 1

Resolved

Demand · Resolution

resolvedambiguous

Resolved 2 · Open-ended 1 · Ambiguous 0

Roles they play

1 analyzed role

Allyas Amy Jessop in Here We Go (2020)

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense

2

Thrilling

2

Melancholic

2

Dread

1

Hopeful

1

Other

3

How their films linger

Feel-good2 Hopeful2 Bittersweet2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Freya Parks' films?

As of October 24, 2026, 8 of their 9 MovieCove titles stream on a subscription or free service, most on Prime Video (4).

Subscription and free streaming for Freya Parks' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

13 credits, 9 with a MovieCove page.

Here We Go: Our New Year’s Fireworks Fantasaganza (not in the MovieCove catalog yet)(2025)
as Amy Jessop
This Town (not in the MovieCove catalog yet)(2024)
Show 6 episodes · as Fiona
Here We Go: Mum's Classic Family Christmas (not in the MovieCove catalog yet)(2023)
as Amy Jessop
The School for Good and Evil(2022)
as Hester
Midcredits score: 44th percentile of all films
Here We Go(2020)
Show 19 episodes · as Amy Jessop
Midcredits score: 71st percentile of all shows
Love Gets a Room(2021)
as Niusia
Midcredits score: 83rd percentile of all films
Grace(2021)
Show 1 episode · as Logan Somerville
Midcredits score: 63rd percentile of all shows
School's Out Forever(2021)
as Claire Baker
Midcredits score: 30th percentile of all films
Bliss! (not in the MovieCove catalog yet)(2016)
as Tasha Robson
Les Misérables(2012)
as Café Barmaid
Midcredits score: 90th percentile of all films
Vera(2011)
Show 1 episode · as Stella Marsh
Midcredits score: 92nd percentile of all shows
Jane Eyre(2011)
as Helen Burns
Midcredits score: 90th percentile of all films
Creation(2009)
as Etty Darwin
Midcredits score: 65th percentile of all films

Career shape

Star power in the 81^st percentile of 239,109 people with a billed film role, over a full career of 13 titles from 2009 to 2025; peak year 2022.

Biggest box office

Love Gets a Room (2021)

$359K worldwide

Highest rated

Love Gets a Room (2021)

Midcredits 83^rd

Film career

20092025

Peak 2022 · steadily prominent in film for years. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.

2009Screen debut· Creation

By role

only this rolewith another role

Acting13 of 13 · 71^st

By decade

2000s1 · acting2010s4 · acting2020s8 · acting

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Freya Parks' films land?

Their typical MovieCove film has a Midcredits score in the 74^th percentile, the median of all 6; across a limited sample of 3 films with reception data, the typical film sits in the 44^th percentile for acclaim.

Acclaim · how much people like their films

44^thpercentile

Typical film, the median of 3

Approval · how many liked their films

44^thpercentile

Typical film, the median of 3

Reach · how many have seen their films

68^thpercentile

Typical film, the median of 3

Midcredits score across 9 titles, by percentile

75^th and up4
50^th to 74^th3
25^th to 49^th2

Shape of the crowd

None of their 9 titles divides audiences: 5 are Crowd Pleasers.

Universally Loved2
Crowd Pleaser5
Mixed2

Most loved · actor

Les Misérables (2012)

Midcredits 90^th · 80% liked

Reviewers score the acting 73/100 in their films, across 3 reviewed titles; fans 82, detractors 53. The element that speaks to their work as an actor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.