Kate is an Oscar Qualified Producer, a director and actress who lives in Los Angeles. Born in the UK, Kate moved to Sydney in 2007 to study acting at the prestigious Acting school NIDA. While there she performed live for the Pope on his World Youth Day tour, in a production of The Stations of The Cross. She perfected her on set skills in numerous commercials, student films, music videos, feature films and TV series. While at an audition for a small independent commercial, the producer asked her if she would like to direct it, she had never directed before but her on set experience had given her enough exposure to what a director does and how they communicate to cast and crew. She rose to the challenge and got the directing bug! This led her to Los Angeles to study directing at the renowned UCLA in 2009. While in Los Angeles she continued her acting studies at the Ivana Chubbuck Studio and TVI. During her studies she got involved in several features and short films, behind and in front of the camera. After graduating from UCLA in 2011, the thesis film she directed, Cell/Phone played at the Cannes Film Festival. Later in 2011 she was selected by Women in Film (WIF LA) to direct one of the digital PSA's about the dangers of using a cell phone while driving. This was submitted for an Emmy and eventually won a Telly Award. Her feature Film, Altered Perception, got a USA Theatrical release and put her in the running for a DGA First-Time Theatrical Feature Film award nomination. Several of her short films have screened at the Cannes Film Festival, short film corner and some picked up distribution. She teaches directing at UCLA and also runs her own diversity directing program, helping emerging, under represented filmmakers produce and direct their short films. She also serves on the Board of WICT (Women in Cable TV) and is the events chair for Southern California. She resides in Los Angeles but can work in the UK as she is a British passport holder.
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Biography from IMDb.
- Producer and actor
- 7 on MovieCove
What are Kate Rees Davies' films like?
Across their 7 MovieCove titles with a thematic analysis, their films lean Survival and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 2 · Earnest 4
A split, not a type: Light 2 · Serious 2 · Dark 3
A split, not a type: Grounded 4 · Stylized 2 · Heightened 1
Gentle 0 · Charged 4 · Intense 3
Steady 0 · Shifting 5 · Whiplash 2
Straight-faced 4 · Some laughs 3 · Funny 0
Slow burn 3 · Even-paced 4 · Relentless 0
A split, not a type: Casual 4 · Engaged 1 · Full focus 2
Easy watch 1 · Affecting 5 · Heavy 1
Resolved 3 · Open-ended 3 · Ambiguous 1
Moods and endings
- Bittersweet1
- Tragic1
- Ambiguous5
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Kate Rees Davies' films?
As of October 24, 2026, all 7 MovieCove titles stream on a subscription or free service, most on Tubi (7).
Subscription and free streaming for Kate Rees Davies' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
7 credits, 7 with a MovieCove page.
Los Angeles Overnight(2018)
Midcredits score: 44th percentile of all films
Valentine DayZ(2018)
Midcredits score: 1st percentile of all films
Cabaret of the Dead(2017)
Midcredits score: 38th percentile of all films
Psychophonia(2016)
Midcredits score: 17th percentile of all films
The Fiancé(2016)
Midcredits score: 1st percentile of all films
The Girl(2016)
Midcredits score: 1st percentile of all films
The Night Visitor(2013)
Midcredits score: 6th percentile of all films
Career shape
Across their 7 MovieCove titles from 2013 to 2018.
How do Kate Rees Davies' films land?
Their typical MovieCove film has a Midcredits score in the 6th percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 1st percentile for acclaim.
- 25th to 49th2
- Below 25th5
Shape of the crowd
5 of their 7 titles are Mixed.
- Universally Panned1
- Loved with Detractors1
- Mixed5
Reviewers score the acting 35/100 in their films, across 5 reviewed titles; fans 70, detractors 15. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Kate Rees Davies work with?
People who share at least 2 of Kate Rees Davies' MovieCove titles, grouped by what they did on them; Jennifer Blanc-Biehn shares the most, 4.
Directors
- Jennifer Blanc-BiehnShared titles: Cabaret of the Dead (2017), Psychophonia (2016), The Girl (2016), The Night Visitor (2013)See all 4 shared titles with Jennifer Blanc-Biehn
- Mark Allen MichaelsShared titles: Valentine DayZ (2018), The Fiancé (2016)See all 2 shared titles with Mark Allen Michaels
Writers
- Lony RuhmannShared titles: Cabaret of the Dead (2017), Psychophonia (2016), The Girl (2016), The Night Visitor (2013)See all 4 shared titles with Lony Ruhmann
- Bradley MarcusShared titles: The Girl (2016), The Night Visitor (2013)See all 2 shared titles with Bradley Marcus
- Kevin MarcusShared titles: The Girl (2016), The Night Visitor (2013)See all 2 shared titles with Kevin Marcus
Actors
- Carrie KeaganShared titles: Valentine DayZ (2018), Cabaret of the Dead (2017), The Fiancé (2016)See all 3 shared titles with Carrie Keagan
- Michael BiehnShared titles: Cabaret of the Dead (2017), Psychophonia (2016), The Girl (2016), The Night Visitor (2013)See all 4 shared titles with Michael Biehn
- Curt LambertShared titles: Valentine DayZ (2018), The Fiancé (2016)See all 2 shared titles with Curt Lambert
- Dallas ValdezShared titles: Valentine DayZ (2018), The Fiancé (2016)See all 2 shared titles with Dallas Valdez
Composers, cinematographers and editors
- Stefan ColsonShared titles: Los Angeles Overnight (2018), Valentine DayZ (2018), The Fiancé (2016)See all 3 shared titles with Stefan Colson
- Steve RomanoShared titles: Cabaret of the Dead (2017), The Girl (2016), The Night Visitor (2013)See all 3 shared titles with Steve Romano
- Vance CrofootShared titles: Psychophonia (2016), The Girl (2016), The Night Visitor (2013)See all 3 shared titles with Vance Crofoot
- Randy ChanceShared titles: The Girl (2016), The Night Visitor (2013)See all 2 shared titles with Randy Chance
Producers
- Staci Layne WilsonShared titles: Valentine DayZ (2018), Cabaret of the Dead (2017), The Fiancé (2016)See all 3 shared titles with Staci Layne Wilson
- Tony DeBenedettoShared titles: Cabaret of the Dead (2017), Psychophonia (2016)See all 2 shared titles with Tony DeBenedetto
- Brianne DavisShared titles: Psychophonia (2016), The Night Visitor (2013)See all 2 shared titles with Brianne Davis
- Mark BurnhamShared titles: The Girl (2016), The Night Visitor (2013)See all 2 shared titles with Mark Burnham
Mixed roles
- Tony SnegoffShared titles: The Fiancé (2016), The Girl (2016)See all 2 shared titles with Tony Snegoff
