Daniel Monks is an actor & filmmaker. He was awarded Best Actor in a Play at the 2020 The Stage Debut Awards, as well as being nominated for Best West End Debut Performer. He was nominated for Best Lead Actor in a Film at the 2018 Australian Academy of Cinema & Television Arts (AACTA) Awards, Best Lead Actor at the 2024 Australian Film Critics Association (AFCA) Awards, Best Supporting Actor at the 2023 Australian Film Critics Association (AFCA) Awards, and Best Male Actor in a Play at the 2018 Helpmann Awards & the 2018 Green Room Awards. He was a finalist for the 2017 Heath Ledger Scholarship and was nominated for Best Actor at the 2016 WA Screen Awards. In 2015, he won the Arts & Fashion Award at the NSW/ACT Young Achiever Awards, and he was awarded the Young Filmmaker of the Year at the 2014 WA Screen Awards. He won the Best Theatre Actor award at the 2019 Monsta Awards, was nominated for Best Supporting Actor at the 2022 Monsta Awards, and was nominated for Best Actor in a Play at the 2019 BAL Awards. He was named one of the Casting Guild of Australia's Rising Stars for 2020, and a Future Shaper by Time Out Sydney in 2021. In 2026, he starred as Ser Manfred Dondarrion in the HBO Game of Thrones prequel series "A Knight of the Seven Kingdoms", and starred in the BBC series "Waiting for the Out". In 2025, he played Brian Irvine in the Peacock series "All Her Fault", alongside Sarah Snook & Dakota Fanning, and played Orsino in the Royal Shakespeare Company's production of "Twelfth Night" at the Barbican in London. In 2024, he played Nax in the Netflix series "Kaos", created by Charlie Covell, starring Jeff Goldblum, Janet McTeer and David Thewlis. He also played Trofimov on stage opposite Nina Hoss and Adeel Akhtar in Benedict Andrews' Donmar Warehouse production of "The Cherry Orchard", which had a 2025 transfer to NYC's St Ann's Warehouse. In 2023, he starred in the Peter Farrelly comedy movie "Ricky Stanicky", alongside Zac Efron, John Cena & William H Macy, and the television series "Dead Hot", alongside Vivian Oparah & Dame Penelope Wilton. In 2022, he played Konstantin on stage opposite Emilia Clarke & Indira Varma in Jamie Lloyd's West End production of "The Seagull". In 2021, he played the lead in Timothy Despina Marshall's feature film "In The Room Where He Waits", and starred in Larry Kramer's "The Normal Heart" at the National Theatre, which was nominated for Best Play Revival at the 2022 Olivier Awards. In 2020, he starred opposite Aisha Dee & Yerin Ha in the feature film "Sissy", which premiered at SXSW 2022 and was nominated for Best Film at the 2022 Australian Academy of Cinema & Television Arts (AACTA) Awards. In 2019, he played the lead in "Teenage Dick" by Mike Lew at the Donmar Warehouse in London, directed by Michael Longhurst as part of his debut season as Artistic Director. He also starred in Sydney Theatre Company's production of "Lord of the Flies" alongside Mia Wasikowska & Eliza Scanlen, directed by Kip Williams. In 2019, he also guest starred in Sister Pictures & BBC One's "The Split" and BBC One's "Silent Witness". In 2017, he starred in the title role in Malthouse Theatre's production of "The Real and Imagined History of the Elephant Man", directed by Matthew Lutton and written by Tom Wright. He also played the lead in the World Premiere of "Are We Awake?" at the Old Fitz Theatre, directed by Sean Hawkins and written by Charles O'Grady, which he reprised at the Kings Cross Theatre for Sydney Mardi Gras 2018. His previous stage work includes Felix Turner in Australian Marriage Equality's Staged Reading of "The Normal Heart" at the Darlinghurst Theatre in 2017, the title role in "Orpheus" with Lies, Lies & Propaganda and Suspicious Woman Productions in 2016, and The Kings Collective's "The Wonderful World of Dissocia" in 2015. In 2016, he completed his first feature film "Pulse", which he wrote & edited, was the lead actor & one of the key producers. The film had its International Premiere at the Busan International Film Festival 2017, where it won the Flash Forward Busan Bank award - the first Australian film to ever do so. It also screened at the Sydney Film Festival 2017 as part of their Screenability program, was the Centrepiece film for the Melbourne Queer Film Festival 2017, and screened at the BFI Flare London LGBT Film Festival 2018. It was selected as one of the "12 Best Queer Films of 2017" by SBS, and won the Best Australian Independent Film Peer Award at the Gold Coast Film Festival 2018. His short films have screened around the world at more than 50 film festivals, including three at Palm Springs International ShortFest. His shorts have received such awards as the Jury Prize at the San Francisco International Short Film Festival and the Celluloid Casserole award for Best Short Film at the Melbourne Queer Film Festival. He was accepted into Screen NSW's inaugural Screenability internship program as a screenwriter, and co-wrote the short film "Bodies" with filmmaker Laura Nagy, which was funded by Screen NSW's Generator: Emerging Filmmaker's Fund. He was also granted Create NSW Screenability Short Film funding for his short film "Broken", which Daniel wrote, produced & acted in, and screened at the Sydney Film Festival 2018. He is a graduate of the Australian Film, Television & Radio School (AFTRS), & PAC Screen Workshops where he received the award for Consistent Excellence. He has trained as an actor with Elizabeth Kemp, Jeneffa Soldatic, Larry Moss, Benjamin Mathews & Lynette Sheldon, amongst others. He played the title role in The Farm & co3's production of "Frank Enstein" in 2017, directed by Gavin Webber & Grayson Millwood, which premiered at Gold Coast's Bleach Festival 2017, and toured to Perth's State Theatre Centre WA. He also starred as one of the core lead cast-members on the children's television program "Go Happy Feet!", produced by Sandbox productions. He was a recipient of an Amplify your Art grant through Accessible Arts in 2014, which enabled him to be mentored in dance by Philip Channells & Dance Integrated Australia. He is a performing artist with Murmuration Dance Theatre, and in 2015 began development on the "Bowerbirds" dance duet film with Dan Daw, directed & choreographed by Sarah-Vyne Vassallo. In 2016, he was invited by Accessible Arts to speak about his work & career at the Arts Activated conference. In 2016, he became an Ambassador for the Starlight Children's Foundation, and in 2018 he was named the Ambassador for the "Evolution to Inclusion" Float at the 40th Sydney Mardi Gras Parade, for People with Disabilities Australia, Northcott, Cerebral Palsy Alliance & the National Disability Insurance Agency.
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Biography from IMDb.
- Actor, producer and writer, also editor
- 9 on MovieCove · 16 credits in all
What are Daniel Monks' films like?
Across their 5 MovieCove titles with a thematic analysis, their films lean Survival and Self.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 3
A split, not a type: Light 1 · Serious 1 · Dark 2
Grounded 2 · Stylized 2 · Heightened 0
A split, not a type: Gentle 1 · Charged 1 · Intense 2
Steady 1 · Shifting 2 · Whiplash 1
A split, not a type: Straight-faced 2 · Some laughs 1 · Funny 1
Slow burn 2 · Even-paced 2 · Relentless 0
A split, not a type: Casual 1 · Engaged 1 · Full focus 2
A split, not a type: Easy watch 1 · Affecting 0 · Heavy 3
Resolved 1 · Open-ended 2 · Ambiguous 1
Roles they play
Usually the Hero: 2 of 3 analyzed roles.
- Heroas Olly in Pulse (2017)
- Shapeshifteras Olly in Pulse (2017)
- Heroas Toby 'Tobin' Wade in In the Room Where He Waits (2024)
Moods and endings
- Happy1
- Bittersweet1
- Ambiguous3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Daniel Monks' films?
As of October 24, 2026, all 9 MovieCove titles stream on a subscription or free service, most on Tubi (3).
- BritBox
Subscription and free streaming for Daniel Monks' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
16 credits, 9 with a MovieCove page.
Midcredits score: 97th percentile of all shows
Waiting for the Out (not in the MovieCove catalog yet)(2026)

All Her Fault(2025)
Midcredits score: 78th percentile of all shows
Kaos(2024)
Midcredits score: 71st percentile of all shows
Midcredits score: 9th percentile of all films
Ricky Stanicky(2024)
Midcredits score: 49th percentile of all films
Dead Hot (not in the MovieCove catalog yet)(2024)

Sissy(2022)
Midcredits score: 45th percentile of all films
Broken (not in the MovieCove catalog yet)(2018)

The Split(2018)
Midcredits score: 84th percentile of all shows
Pulse(2017)
Midcredits score: 18th percentile of all films
Marrow (not in the MovieCove catalog yet)(2016)

Charlotte (not in the MovieCove catalog yet)(2011)

Wild Imaginings (not in the MovieCove catalog yet)(2011)

Silent Witness(1996)
Midcredits score: 87th percentile of all showsMarley, Someone (not in the MovieCove catalog yet)
Career shape
Star power in the 74th percentile of 239,109 people with a billed film role, over a full career of 16 titles, 15 of them dated from 1996 to 2026.
Film career
- 2022Screen debut· Sissy
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Daniel Monks' films land?
Their typical MovieCove film has a Midcredits score in the 32nd percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 30th percentile for acclaim.
- 75th and up4
- 50th to 74th1
- 25th to 49th2
- Below 25th2
Shape of the crowd
5 of their 9 titles are Crowd Pleasers.
- Universally Loved1
- Divisive1
- Crowd Pleaser5
- Broadly Agreed1
- Mixed1
Reviewers score the acting 75/100 in their films, across 3 reviewed titles; fans 84, detractors 50. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Daniel Monks' work okay for kids?
Across a limited sample of up to 3 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.



