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E.J. Enriquez

E.J. Enriquez

Cinematographer · El Paso, Texas, USA

E.J. Enriquez was born in El Paso, Texas, USA. E.J. is a cinematographer and editor, known for God Save Texas (2024), Leguizamo Does America (2023) and The Panama Papers (2018).

Biography from IMDb.

From
El Paso, Texas, USA
Works as
Cinematographer
Titles
8 on MovieCove
Links
IMDb (opens in a new tab)

Known for

What are E.J. Enriquez's films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Morality and Self.

Themes

share of theme weight
Morality
26%
Self
18%
Society
15%
Bonds
14%
Survival
10%
Ideas
10%
Power
6%
Justice4 titles, browse their movies with this themeCommunity2 titles, browse their movies with this themeFamily bonds2 titles, browse their movies with this themeTruth2 titles, browse their movies with this themeIdentity2 titles, browse their movies with this theme

What they feel like to watch

their average across 6 films
ToneFeelDemandtheir average · filled zone: the category
Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 6 · Stylized 0 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 2 · Charged 3 · Intense 1

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 4 · Shifting 2 · Whiplash 0

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 6 · Some laughs 0 · Funny 0

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 4 · Even-paced 2 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

A split, not a type: Casual 3 · Engaged 2 · Full focus 1

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 4 · Open-ended 2 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Contemplative
6
Tense
3
Melancholic
4
Hopeful
3
Bittersweet
2
Other
2

How their films linger

Hopeful3 titles, browse their movies with this aftertasteThought-provoking3 titles, browse their movies with this aftertasteRousing3 titles, browse their movies with this aftertasteInfuriating3 titles, browse their movies with this aftertasteBittersweet2 titles, browse their movies with this aftertasteUnsettling2 titles, browse their movies with this aftertaste

How their films end

  • Bittersweet4
  • Ambiguous4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch E.J. Enriquez's films?

As of October 24, 2026, 7 of their 8 MovieCove titles stream on a subscription or free service, most on HBO Max (3).

Also on these channels

Subscription and free streaming for E.J. Enriquez's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

8 credits, 8 with a MovieCove page.

  • God Save Texas(2024)

    Show Cinematographer

    Midcredits score: 21st percentile of all shows

  • Web of Death(2023)

    Show Cinematographer

    Midcredits score: 51st percentile of all shows

  • Reality Winner(2021)

    Cinematographer

    Midcredits score: 66th percentile of all films

  • Showbiz Kids(2020)

    Cinematographer

    Midcredits score: 80th percentile of all films

  • Ernie & Joe: Crisis Cops(2019)

    Cinematographer

    Midcredits score: 93rd percentile of all films

  • The Panama Papers(2018)

    Cinematographer

    Midcredits score: 81st percentile of all films

  • The Russian Five(2018)

    Cinematographer

    Midcredits score: 98th percentile of all films

  • Down by the River(2012)

    Cinematographer

    Midcredits score: 59th percentile of all films (provisional, few ratings)

Career shape

Across their 8 MovieCove titles from 2012 to 2024.

Biggest box office

The Russian Five (2018)

$485K worldwide

Highest rated

The Russian Five (2018)

Midcredits 98th

Most popular right now

Showbiz Kids (2020)

By role

only this rolewith another role
Cinematography8 of 8: 8 only cinematography, 0 with another role · typical Midcredits score73rd

By decade

2010s4 · crew2020s4 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do E.J. Enriquez's films land?

Their typical MovieCove film has a Midcredits score in the 81st percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 78th percentile for acclaim.

Acclaim · how much people like their films

78thpercentile
Typical film, the median of 6

Approval · how many liked their films

80thpercentile
Typical film, the median of 6

Reach · how many have seen their films

41stpercentile
Typical film, the median of 6

Midcredits score across 8 titles, by percentile

  • 75th and up4
  • 50th to 74th3
  • Below 25th1

Shape of the crowd

3 of their 8 titles are Crowd Pleasers.

  • Universally Loved1
  • Divisive1
  • Cult Classic1
  • Crowd Pleaser3
  • Broadly Agreed1
  • Mixed1

Most divisive · cinematographer

Down by the River (2012)

95th percentile spread · 34% rated it 4 or lower

Most loved · cinematographer

The Russian Five (2018)

Midcredits 98th · 90% liked

Reviewers score the cinematography 50/100 in their films, across 4 reviewed titles; fans 55, detractors 30. The element that speaks to their work as a cinematographer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does E.J. Enriquez work with?

People who share at least 2 of E.J. Enriquez's MovieCove titles, grouped by what they did on them; Alex Winter shares the most, 2.

Directors

Editors

Producers