
Katie McNeill is a producer at T-Street.
Biography from TMDB.
- Producer
- 10 on MovieCove · 11 credits in all
What are Katie McNeill's films like?
Across their 8 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 8
A split, not a type: Light 4 · Serious 2 · Dark 2
Grounded 7 · Stylized 1 · Heightened 0
Gentle 3 · Charged 4 · Intense 1
Steady 6 · Shifting 2 · Whiplash 0
Straight-faced 3 · Some laughs 4 · Funny 1
Slow burn 6 · Even-paced 2 · Relentless 0
Casual 6 · Engaged 2 · Full focus 0
Easy watch 3 · Affecting 3 · Heavy 2
Resolved 6 · Open-ended 2 · Ambiguous 0
Moods and endings
- Happy2
- Bittersweet5
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Katie McNeill's films?
As of October 24, 2026, 6 of their 10 MovieCove titles stream on a subscription or free service, most on Tubi (2).
Subscription and free streaming for Katie McNeill's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
11 credits, 10 with a MovieCove page.
Midcredits score: 85th percentile of all films
Mothers of Chibok (not in the MovieCove catalog yet)(2024)

Madu(2024)
Midcredits score: 48th percentile of all films
Wildflower(2022)
Midcredits score: 77th percentile of all films
Holler(2020)
Midcredits score: 53rd percentile of all films
The After Party(2018)
Midcredits score: 37th percentile of all films
The Zookeeper's Wife(2017)
Midcredits score: 83rd percentile of all films
Mississippi Grind(2015)
Midcredits score: 58th percentile of all films
Midcredits score: 90th percentile of all films
Levitated Mass(2013)
Midcredits score: 78th percentile of all films
30 for 30(2009)
Midcredits score: 96th percentile of all shows
Career shape
A full career of 9 titles from 2009 to 2026.

Biggest box office
The Zookeeper's Wife (2017)

Highest rated
The Zookeeper's Wife (2017)

Most popular right now
The Only Living Pickpocket in New York (2026)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
Awards
Nominated for an Independent Spirit Award in 2022, Best First Feature.
Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.
How do Katie McNeill's films land?
Their typical MovieCove film has a Midcredits score in the 77th percentile, the median of all 9; across their 8 films with reception data, the typical film sits in the 69th percentile for acclaim.
- 75th and up6
- 50th to 74th2
- 25th to 49th2
Shape of the crowd
5 of their 10 titles are Crowd Pleasers.
- Universally Loved1
- Divisive1
- Crowd Pleaser5
- Mixed3
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Katie McNeill's work okay for kids?
Across a limited sample of up to 4 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Katie McNeill work with?
People who share at least 2 of Katie McNeill's MovieCove titles, grouped by what they did on them; Jamie Patricof shares the most, 7.
Cinematographers
- Andrij ParekhShared titles: The Zookeeper's Wife (2017), Mississippi Grind (2015)See all 2 shared titles with Andrij Parekh

Producers
- Jamie PatricofShared titles: Madu (2024), Wildflower (2022), Holler (2020), The After Party (2018), The Zookeeper's Wife (2017), Mississippi Grind (2015), Levitated Mass (2013)See all 7 shared titles with Jamie Patricof

- Jeremy Kipp WalkerShared titles: The After Party (2018), Mississippi Grind (2015)See all 2 shared titles with Jeremy Kipp Walker

- Lynette Howell TaylorShared titles: Mississippi Grind (2015), Levitated Mass (2013)See all 2 shared titles with Lynette Howell Taylor
