
- Editor
- 16 on MovieCove
What are Tom Jarvis' films like?
Across their 16 MovieCove titles with a thematic analysis, their films lean Society and Bonds.
Themes
What they feel like to watch
Ironic 1 · Wry 1 · Earnest 5
Light 7 · Serious 0 · Dark 0
A split, not a type: Grounded 4 · Stylized 1 · Heightened 2
Gentle 5 · Charged 2 · Intense 0
Steady 6 · Shifting 1 · Whiplash 0
Straight-faced 1 · Some laughs 4 · Funny 2
Slow burn 7 · Even-paced 0 · Relentless 0
Casual 6 · Engaged 1 · Full focus 0
Easy watch 7 · Affecting 0 · Heavy 0
Resolved 7 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy7
- Bittersweet1
- Ambiguous7
- Cyclical1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Tom Jarvis' films?
As of October 24, 2026, 14 of their 16 MovieCove titles stream on a subscription or free service, most on Netflix (6).
- discovery+
Subscription and free streaming for Tom Jarvis' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
16 credits, 16 with a MovieCove page.

Let's Marry Harry(2026)
Midcredits score: 1st percentile of all shows
Got to Get Out(2025)
Midcredits score: 24th percentile of all shows
One Shot with Ed Sheeran(2025)
Midcredits score: 95th percentile of all films
Pop the Balloon Live(2025)
Midcredits score: 1st percentile of all shows
Midcredits score: 1st percentile of all shows
Midcredits score: 74th percentile of all films
Midcredits score: 34th percentile of all films
Midcredits score: 11th percentile of all shows
Meet Me in Paris(2023)
Midcredits score: 23rd percentile of all films
My Kind of Country(2023)
Midcredits score: 12th percentile of all shows
Midcredits score: 96th percentile of all films
Midcredits score: 86th percentile of all films (provisional, few ratings)
Little Women: NY(2015)
Midcredits score: 9th percentile of all shows
Our Little Family(2015)
Midcredits score: 14th percentile of all shows
Gypsy Sisters(2013)
Midcredits score: 5th percentile of all shows
Mid Life Christmas(2009)
Midcredits score: 48th percentile of all films
Career shape
Across their 16 MovieCove titles from 2009 to 2026.
Awards
2 major nominations and no wins, 2018–2019.
- Primetime Emmy, nominated · Outstanding Picture Editing for Variety Programming
- Primetime Emmy, nominated · Outstanding Picture Editing for Variety Programming
Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.
How do Tom Jarvis' films land?
Their typical MovieCove film has a Midcredits score in the 74th percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 86th percentile for acclaim.
- 75th and up3
- 50th to 74th1
- 25th to 49th2
- Below 25th10
Shape of the crowd
6 of their 16 titles are Divisive.
- Universally Loved2
- Universally Panned1
- Divisive6
- Cult Classic1
- Mixed6
Reviewers score the pacing 45/100 in their films, across 4 reviewed titles; fans 60, detractors 30. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Tom Jarvis work with?
People who share at least 2 of Tom Jarvis' MovieCove titles, grouped by what they did on them; Saj Patel shares the most, 3.
Directors
- Sam WrenchShared titles: A Nonsense Christmas with Sabrina Carpenter (2024), My Kind of Country (2023)See all 2 shared titles with Sam Wrench

Editors
- Dan ZimmermanShared titles: Let's Marry Harry (2026), Sneaky Links: Dating After Dark (2025)See all 2 shared titles with Dan Zimmerman

- Dan ZimmermanShared titles: Let's Marry Harry (2026), Sneaky Links: Dating After Dark (2025)See all 2 shared titles with Dan Zimmerman
- Gasper ChiaramonteShared titles: Let's Marry Harry (2026), Got to Get Out (2025)See all 2 shared titles with Gasper Chiaramonte
- Guino AndersonShared titles: Let's Marry Harry (2026), Got to Get Out (2025)See all 2 shared titles with Guino Anderson
Producers
- Saj PatelShared titles: One Shot with Ed Sheeran (2025), A Nonsense Christmas with Sabrina Carpenter (2024), Elton John Live: Farewell from Dodger Stadium (2022)See all 3 shared titles with Saj Patel
- Cody HoeppnerShared titles: Let's Marry Harry (2026), Sneaky Links: Dating After Dark (2025)See all 2 shared titles with Cody Hoeppner
- David FriedmanShared titles: Let's Marry Harry (2026), Sneaky Links: Dating After Dark (2025)See all 2 shared titles with David Friedman

- Olivia BoninShared titles: Let's Marry Harry (2026), Sneaky Links: Dating After Dark (2025)See all 2 shared titles with Olivia Bonin
