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Stephanie Pon

Producer

Works as
Producer
Titles
9 on MovieCove

What are Stephanie Pon's films like?

Across their 9 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 9 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 3 · Serious 2 · Dark 4

A split, not a type: Grounded 5 · Stylized 3 · Heightened 1

A split, not a type: Gentle 4 · Charged 2 · Intense 3

A split, not a type: Steady 4 · Shifting 3 · Whiplash 2

Straight-faced 3 · Some laughs 5 · Funny 1

A split, not a type: Slow burn 4 · Even-paced 3 · Relentless 2

Casual 4 · Engaged 4 · Full focus 1

A split, not a type: Easy watch 4 · Affecting 3 · Heavy 2

A split, not a type: Resolved 5 · Open-ended 2 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
5
Absurd
5
Melancholic
4
Hopeful
3
Warm
2
Other
5

How their films end · 3 with a twist

  • Happy4
  • Bittersweet2
  • Tragic2
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Stephanie Pon's films?

As of October 24, 2026, 8 of their 9 MovieCove titles stream on a subscription or free service, most on Tubi (5).

Subscription and free streaming for Stephanie Pon's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

9 credits, 9 with a MovieCove page.

  • Kajillionaire(2020)

    Producer

    Midcredits score: 59th percentile of all films
  • Braven(2018)

    Producer

    Midcredits score: 47th percentile of all films
  • Terminal(2018)

    Producer

    Midcredits score: 21st percentile of all films
  • Three Christs(2017)

    Producer

    Midcredits score: 54th percentile of all films
  • The Trust(2016)

    Producer

    Midcredits score: 22nd percentile of all films
  • Are You Joking?(2014)

    Producer

    Midcredits score: 21st percentile of all films
  • Jackie & Ryan(2014)

    Producer

    Midcredits score: 40th percentile of all films
  • Murder of a Cat(2014)

    Producer

    Midcredits score: 19th percentile of all films
  • Parts Per Billion(2014)

    Producer

    Midcredits score: 8th percentile of all films

Career shape

Across their 9 MovieCove titles from 2014 to 2020.

By role

only this rolewith another role
Producing9 of 9: 9 only producing, 0 with another role · typical Midcredits score22nd

By decade

2010s8 · crew2020s1 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Stephanie Pon's films land?

Their typical MovieCove film has a Midcredits score in the 22nd percentile, the median of all 9; across their 9 films with reception data, the typical film sits in the 32nd percentile for acclaim.

Acclaim · how much people like their films

32ndpercentile
Typical film, the median of 9

Approval · how many liked their films

33rdpercentile
Typical film, the median of 9

Reach · how many have seen their films

87thpercentile
Typical film, the median of 9

Midcredits score across 9 titles, by percentile

  • 50th to 74th2
  • 25th to 49th2
  • Below 25th5

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Stephanie Pon's work okay for kids?

Across up to 5 MovieCove titles with content scores, 1 of the 5 categories sits near the median of all films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore3 titlesmedian 76 · intenseMedian of all films: 44
Sex & Nudity5 titles21–46 · median 31 · mildnear the median of all filmsMedian of all films: 32
Profanity4 titlesmedian 80 · severeMedian of all films: 36
Alcohol & Drugs4 titlesmedian 39 · moderateMedian of all films: 33
Frightening / Intense3 titlesmedian 56 · moderateMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Stephanie Pon work with?

People who share at least 2 of Stephanie Pon's MovieCove titles, grouped by what they did on them; Arianne Fraser shares the most, 7.

Editors

Producers