Joshua Raymond Lee started his career in film as the editorial PA on Catherine Hardwicke's vampire-romance hit, Twilight. He has worked for over fifteen years in post-production on numerous studio and independent productions including Danny Boyle's Steve Jobs, Aaron Sorkin's directorial debut, Molly's Game, the David Simon series We Own This City, and most recently Steve Zaillian's series, Ripley. In 2019 he was a fellow at the Sundance Institute's Editing Residency. He is currently based in New York City.
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Biography from TMDB.
- New York City, New York
- Editor, also producer
- 17 on MovieCove · 19 credits in all
What are Joshua Raymond Lee's films like?
Across their 8 MovieCove titles with a thematic analysis, their films lean Bonds and Survival.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 8
Light 0 · Serious 1 · Dark 7
A split, not a type: Grounded 5 · Stylized 2 · Heightened 1
Gentle 0 · Charged 4 · Intense 4
Steady 2 · Shifting 4 · Whiplash 2
Straight-faced 6 · Some laughs 2 · Funny 0
A split, not a type: Slow burn 4 · Even-paced 3 · Relentless 1
Casual 0 · Engaged 6 · Full focus 2
Easy watch 0 · Affecting 2 · Heavy 6
Resolved 3 · Open-ended 3 · Ambiguous 2
Moods and endings
- Bittersweet3
- Tragic2
- Ambiguous3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Joshua Raymond Lee's films?
As of October 24, 2026, 15 of their 17 MovieCove titles stream on a subscription or free service, most on Tubi (5).
Subscription and free streaming for Joshua Raymond Lee's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
19 credits, 17 with a MovieCove page.

Thinestra(2025)
Midcredits score: 12th percentile of all films
The Drama(2026)
Midcredits score: 81st percentile of all films
Ripley(2024)
Midcredits score: 93rd percentile of all shows
We Own This City(2022)
Midcredits score: 78th percentile of all shows
Monsterland(2020)
Midcredits score: 11th percentile of all shows
The Violent Heart(2020)
Midcredits score: 48th percentile of all films
Sanzaru(2020)
Midcredits score: 11th percentile of all films
After Class(2019)
Midcredits score: 40th percentile of all films
Them That Follow(2019)
Midcredits score: 25th percentile of all films
Welcome the Stranger(2018)
Midcredits score: 15th percentile of all films
Molly's Game(2017)
Midcredits score: 92nd percentile of all films
King Cobra(2016)
Midcredits score: 27th percentile of all films
Steve Jobs(2015)
Midcredits score: 84th percentile of all films
The Final Girls(2015)
Midcredits score: 64th percentile of all films
The Amazing Spider-Man 2(2014)
Midcredits score: 67th percentile of all films
The Black Tulip (not in the MovieCove catalog yet)(2013)

Red Riding Hood(2011)
Midcredits score: 24th percentile of all films
Twilight(2008)
Midcredits score: 37th percentile of all films
Enemies (not in the MovieCove catalog yet)
Career shape
A full career of 18 titles, 17 of them dated from 2008 to 2026.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
Awards
Nominated for a Primetime Emmy in 2024, Outstanding Picture Editing for a Limited or Anthology Series or Movie.
Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.
How do Joshua Raymond Lee's films land?
Their typical MovieCove film has a Midcredits score in the 39th percentile, the median of all 14; across their 8 films with reception data, the typical film sits in the 31st percentile for acclaim.
- 75th and up5
- 50th to 74th2
- 25th to 49th5
- Below 25th5
Shape of the crowd
8 of their 17 titles are Mixed.
- Universally Panned1
- Cult Classic1
- Crowd Pleaser7
- Mixed8
Reviewers score the pacing 38/100 in their films, across 8 reviewed titles; fans 56, detractors 20. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Joshua Raymond Lee's work okay for kids?
Across a limited sample of up to 4 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Joshua Raymond Lee work with?
People who share at least 2 of Joshua Raymond Lee's MovieCove titles, grouped by what they did on them; Luke Taylor shares the most, 3.
Directors
- Justin KellyShared titles: Welcome the Stranger (2018), King Cobra (2016)See all 2 shared titles with Justin Kelly

Actors
- Rosemary HowardShared titles: Welcome the Stranger (2018), King Cobra (2016)See all 2 shared titles with Rosemary Howard

Composers
- Tim KvasnoskyShared titles: Welcome the Stranger (2018), King Cobra (2016)See all 2 shared titles with Tim Kvasnosky
Producers
- Luke TaylorShared titles: After Class (2019), Welcome the Stranger (2018), King Cobra (2016)See all 3 shared titles with Luke Taylor

- Matthew HeldermanShared titles: After Class (2019), Welcome the Stranger (2018), King Cobra (2016)See all 3 shared titles with Matthew Helderman

- Nathan HertzShared titles: Thinestra (2025), Sanzaru (2020)See all 2 shared titles with Nathan Hertz

- Jed RootShared titles: After Class (2019), Welcome the Stranger (2018)See all 2 shared titles with Jed Root


