Nathasha Kermani is an Iranian-American screenwriter and film director. She has directed Imitation Girl and Lucky. She graduated from the New York University Tisch School of the Arts. Wikipedia
Biography from TMDB.
- Director, writer and composer, also actor
- 7 on MovieCove · 9 credits in all
What are Natasha Kermani's films like?
Across their 8 MovieCove titles with a thematic analysis, their films lean Self and Society.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 6
A split, not a type: Light 2 · Serious 1 · Dark 4
A split, not a type: Grounded 4 · Stylized 2 · Heightened 1
A split, not a type: Gentle 2 · Charged 2 · Intense 3
Steady 4 · Shifting 2 · Whiplash 1
Straight-faced 6 · Some laughs 1 · Funny 0
Slow burn 5 · Even-paced 2 · Relentless 0
Casual 1 · Engaged 5 · Full focus 1
A split, not a type: Easy watch 1 · Affecting 2 · Heavy 4
Resolved 2 · Open-ended 3 · Ambiguous 2
Moods and endings
- Bittersweet2
- Tragic1
- Ambiguous5
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Natasha Kermani's films?
As of October 24, 2026, all 7 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Natasha Kermani's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
9 credits, 7 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

The Dreadful(2026)
Midcredits score: 3rd percentile of all films
Abraham's Boys(2025)
Midcredits score: 5th percentile of all films
V/H/S/85(2023)
Midcredits score: 29th percentile of all films
Midcredits score: 55th percentile of all shows
Lucky(2020)
Midcredits score: 15th percentile of all films
Imitation Girl(2017)
Midcredits score: 20th percentile of all films
Shattered(2017)
Midcredits score: 33rd percentile of all filmsBereavement (not in the MovieCove catalog yet)(2014)

Imitation Girls (not in the MovieCove catalog yet)(2014)
Career shape
A full career of 9 titles from 2014 to 2026.

Biggest box office
Abraham's Boys (2025)

Highest rated
1000 Women in Horror (2025)

Most popular right now
The Dreadful (2026)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Natasha Kermani's films land?
Their typical MovieCove film has a Midcredits score in the 18th percentile, the median of all 6; across their 7 films with reception data, the typical film sits in the 22nd percentile for acclaim.
- 50th to 74th1
- 25th to 49th2
- Below 25th4
Shape of the crowd
5 of their 7 titles are Mixed.
- Universally Panned1
- Cult Classic1
- Mixed5
Reviewers score the atmosphere 57/100 and the pacing 30/100 in their films, across 7 reviewed titles. The element that speaks to their work as a director.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Natasha Kermani's work okay for kids?
Across a limited sample of up to 3 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Natasha Kermani work with?
People who share at least 2 of Natasha Kermani's MovieCove titles, grouped by what they did on them; Julia Swain shares the most, 5.
Actors
- Jonathan HowardShared titles: The Dreadful (2026), Abraham's Boys (2025)See all 2 shared titles with Jonathan Howard

- Brea GrantShared titles: 1000 Women in Horror (2025), Lucky (2020)See all 2 shared titles with Brea Grant

- Larry CedarShared titles: Abraham's Boys (2025), Lucky (2020)See all 2 shared titles with Larry Cedar

Composers, cinematographers and editors
- Julia SwainShared titles: The Dreadful (2026), Abraham's Boys (2025), V/H/S/85 (2023), The Booze, Bets and Sex That Built America (2022), Lucky (2020)See all 5 shared titles with Julia Swain

- Gabriel de UriosteShared titles: Abraham's Boys (2025), V/H/S/85 (2023), Imitation Girl (2017)See all 3 shared titles with Gabriel de Urioste

- Jeremy ZuckermanShared titles: V/H/S/85 (2023), Lucky (2020)See all 2 shared titles with Jeremy Zuckerman

Producers
- James Howard HerronShared titles: Abraham's Boys (2025), Lucky (2020), Imitation Girl (2017)See all 3 shared titles with James Howard Herron

- Tim WuShared titles: Abraham's Boys (2025), Lucky (2020), Imitation Girl (2017)See all 3 shared titles with Tim Wu

- James HarrisShared titles: Abraham's Boys (2025), V/H/S/85 (2023)See all 2 shared titles with James Harris

- Peter AzenShared titles: Abraham's Boys (2025), Imitation Girl (2017)See all 2 shared titles with Peter Azen
Mixed roles
- Gigi Saul GuerreroShared titles: 1000 Women in Horror (2025), V/H/S/85 (2023)See all 2 shared titles with Gigi Saul Guerrero



