Hong Won-chan

What are Hong Won-chan's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Morality and Power.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Hong Won-chan's films?

As of October 24, 2026, all 7 MovieCove titles stream on a subscription or free service, most on Tubi (5).

• Tubi5 titles, browse their movies on this service
  • The Yellow Sea (2010) · writer · free
  • Confession of Murder (2012) · writer · free
  • Deliver Us from Evil (2020) · director, writer · free
  • The Scam (2009) · writer · free
  • Office (2015) · director, writer · free
• Prime Video3 titles, browse their movies on this service
  • 12.12: The Day (2023) · writer
  • Deliver Us from Evil (2020) · director, writer
  • The Scam (2009) · writer
• The Roku Channel2 titles, browse their movies on this service
  • Deliver Us from Evil (2020) · director, writer · free
  • The Scam (2009) · writer · free
• AMC+1 title, browse their movies on this service
  • The Chaser (2008) · writer
• Peacock1 title, browse their movies on this service
  • Deliver Us from Evil (2020) · director, writer
• Pluto TV1 title, browse their movies on this service
  • Deliver Us from Evil (2020) · director, writer · free

Subscription and free streaming for Hong Won-chan's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

9 credits, 7 with a MovieCove page.

• 

  12.12: The Day(2023)

  Writer

  Midcredits score: 95th percentile of all films95^th
• 

  Deliver Us from Evil(2020)

  Director · Writer

  Midcredits score: 74th percentile of all films74^th
• 

  Office(2015)

  Director · Adaptation

  Midcredits score: 39th percentile of all films39^th
• 

  Confession of Murder(2012)

  Adaptation

  Midcredits score: 82nd percentile of all films82^nd
• 

  The Yellow Sea(2010)

  Adaptation

  Midcredits score: 91st percentile of all films91^st
• 

  The Scam(2009)

  Adaptation

  Midcredits score: 55th percentile of all films55^th
• 

  The Chaser(2008)

  Adaptation

  Midcredits score: 97th percentile of all films97^th
• Born Guilty (not in the MovieCove catalog yet)

  Show 1 episode · Director
• Ray (not in the MovieCove catalog yet)

  Show 1 episode · Creator

Career shape

A full career of 9 titles, 7 of them dated from 2008 to 2023.

Biggest box office

12.12: The Day (2023)

$97M worldwide

Highest rated

The Chaser (2008)

Midcredits 97^th

Awards

Nominated for a Cannes award in 2015.

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Hong Won-chan's films land?

Their typical MovieCove film has a Midcredits score in the 82^nd percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 79^th percentile for acclaim.

Shape of the crowd

None of their 7 titles divides audiences: 4 are Crowd Pleasers.

241

• Universally Loved2
• Crowd Pleaser4
• Broadly Agreed1

Most loved · writer

The Chaser (2008)

Midcredits 97^th · 88% liked

Reviewers score the dialogue 55/100 and the plot and story 53/100 in their films, across 6 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Hong Won-chan's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Hong Won-chan work with?

People who share at least 2 of Hong Won-chan's MovieCove titles, grouped by what they did on them; Sun-Min Kim shares the most, 3.