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Andrea B. Scott

Editor, producer and writer

Works as
Editor, producer and writer
Titles
4 on MovieCove

What are Andrea B. Scott's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Power and Self.

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

Light 1 · Serious 1 · Dark 2

Grounded 4 · Stylized 0 · Heightened 0

Gentle 1 · Charged 2 · Intense 1

Steady 3 · Shifting 1 · Whiplash 0

Straight-faced 3 · Some laughs 1 · Funny 0

Slow burn 3 · Even-paced 1 · Relentless 0

Casual 1 · Engaged 3 · Full focus 0

A split, not a type: Easy watch 1 · Affecting 1 · Heavy 2

Resolved 3 · Open-ended 1 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Contemplative
4
Melancholic
2
Tense
2
Joyful
1
Hopeful
1
Other
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Andrea B. Scott's films?

As of October 24, 2026, all 4 MovieCove titles stream on a subscription or free service, most on Tubi (2).

Subscription and free streaming for Andrea B. Scott's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 4 with a MovieCove page.

  • XY Chelsea(2019)

    Editor · Writer

    Midcredits score: 37th percentile of all films
  • Fresh Dressed(2015)

    Editor

    Midcredits score: 67th percentile of all films
  • Hot Girls Wanted(2015)

    Editor

    Midcredits score: 43rd percentile of all films
  • A Place at the Table(2012)

    Editor · Producer

    Midcredits score: 73rd percentile of all films

Career shape

Across a limited sample of 4 MovieCove titles from 2012 to 2019.

By role

only this rolewith another role
Writing1 of 4: 0 only writing, 1 with another roleProducing1 of 4: 0 only producing, 1 with another roleEditing4 of 4: 2 only editing, 2 with another role

Counts over their MovieCove titles; a title counts in every role they held on it.

How do Andrea B. Scott's films land?

Their typical MovieCove film has a Midcredits score in the 55th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 62nd percentile for acclaim.

Acclaim · how much people like their films

62ndpercentile
Typical film, the median of 4

Approval · how many liked their films

49thpercentile
Typical film, the median of 4

Reach · how many have seen their films

57thpercentile
Typical film, the median of 4

Midcredits score across 4 titles, by percentile

  • 50th to 74th2
  • 25th to 49th2

Reviewers score the pacing 48/100 in their films, across 4 reviewed titles; fans 56, detractors 35. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Andrea B. Scott work with?

People who share at least 2 of Andrea B. Scott's MovieCove titles; Tyler Strickland shares the most, 2.