Melanie Stokes

What are Melanie Stokes' films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Melanie Stokes' films?

As of October 24, 2026, all 4 MovieCove titles stream on a subscription or free service, most on Netflix (3).

• Netflix3 titles, browse their movies on this service
  • Ivy + Bean (2022) · producer
  • Ivy + Bean: The Ghost That Had to Go (2022) · producer
  • Kiss Me First (2018) · producer
• HBO Max1 title, browse their movies on this service
  • Hank Zipzer's Christmas Catastrophe (2016) · producer

Subscription and free streaming for Melanie Stokes' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 4 with a MovieCove page.

• 

  Ivy + Bean(2022)

  Producer

  Midcredits score: 54th percentile of all films54^th
• 

  Ivy + Bean: The Ghost That Had to Go(2022)

  Producer

  Midcredits score: 42nd percentile of all films42^nd
• 

  Kiss Me First(2018)

  Show Producer

  Midcredits score: 20th percentile of all shows20^th
• 

  Hank Zipzer's Christmas Catastrophe(2016)

  Producer

  Midcredits score: 63rd percentile of all films63^rd

Career shape

Across a limited sample of 4 MovieCove titles from 2016 to 2022.

Highest rated

Ivy + Bean (2022)

Midcredits 54^th

Most popular right now

Kiss Me First (2018)

Awards

Won a BAFTA Award in 2014, Best Interactive - Original.

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Melanie Stokes' films land?

Their typical MovieCove film has a Midcredits score in the 54^th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 53^rd percentile for acclaim.

Shape of the crowd

3 of their 4 titles are Cult Classics.

31

• Cult Classic3
• Mixed1

Most divisive · producer

Ivy + Bean: The Ghost That Had to Go (2022)

86^th percentile spread · 34% rated it 4 or lower

Most loved · producer

Hank Zipzer's Christmas Catastrophe (2016)

Midcredits 63^rd · 64% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Melanie Stokes work with?

People who share at least 2 of Melanie Stokes' MovieCove titles, grouped by what they did on them; Anne Brogan shares the most, 3.