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What are Hanjin An's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

What they feel like to watch

their average across 6 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 5 · Stylized 1 · Heightened 0

Gentle 2 · Charged 3 · Intense 1

Steady 4 · Shifting 2 · Whiplash 0

Straight-faced 3 · Some laughs 3 · Funny 0

Slow burn 3 · Even-paced 3 · Relentless 0

Casual 3 · Engaged 3 · Full focus 0

Resolved 5 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Hopeful
3
Romantic
3
Bittersweet
2
Melancholic
2
Triumphant
2
Other
3

How their films end

  • Happy3
  • Bittersweet3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Hanjin An's films?

As of October 24, 2026, 4 of their 6 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Hanjin An's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

6 credits, 6 with a MovieCove page.

  • Leap(2020)

    Producer

    Midcredits score: 60th percentile of all films
  • My People, My Country(2019)

    Producer

    Midcredits score: 56th percentile of all films
  • Us and Them(2018)

    Producer

    Midcredits score: 92nd percentile of all films
  • I Belonged to You(2016)

    Producer

    Midcredits score: 35th percentile of all films
  • Love O2O(2016)

    Producer

    Midcredits score: 60th percentile of all films
  • Fleet of Time(2014)

    Producer

    Midcredits score: 29th percentile of all films

Career shape

Across their 6 MovieCove titles from 2014 to 2020.

By role

only this rolewith another role
Producing6 of 6: 6 only producing, 0 with another role · typical Midcredits score58th

By decade

2010s5 · crew2020s1 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Hanjin An's films land?

Their typical MovieCove film has a Midcredits score in the 58th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 58th percentile for acclaim.

Acclaim · how much people like their films

58thpercentile
Typical film, the median of 6

Approval · how many liked their films

56thpercentile
Typical film, the median of 6

Reach · how many have seen their films

72ndpercentile
Typical film, the median of 6

Midcredits score across 6 titles, by percentile

  • 75th and up1
  • 50th to 74th3
  • 25th to 49th2

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Hanjin An work with?

People who share at least 2 of Hanjin An's MovieCove titles, grouped by what they did on them; Yibai Zhang shares the most, 6.

Directors

Writers

Actors

Cinematographers and editors

Producers

Mixed roles