- Producer and actor
- 5 on MovieCove
What are Kim Piazza's films like?
Across their 5 MovieCove titles with a thematic analysis, their films lean Survival and Morality.
Themes
What they feel like to watch
A split, not a type: Ironic 2 · Wry 1 · Earnest 2
Light 2 · Serious 3 · Dark 0
Grounded 4 · Stylized 1 · Heightened 0
Gentle 0 · Charged 3 · Intense 2
Steady 2 · Shifting 2 · Whiplash 1
Straight-faced 1 · Some laughs 4 · Funny 0
Slow burn 2 · Even-paced 2 · Relentless 1
Casual 3 · Engaged 2 · Full focus 0
Easy watch 2 · Affecting 2 · Heavy 1
Resolved 4 · Open-ended 1 · Ambiguous 0
Moods and endings
- Happy1
- Bittersweet2
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Kim Piazza's films?
As of October 24, 2026, all 5 MovieCove titles stream on a subscription or free service, most on Tubi (4).
Subscription and free streaming for Kim Piazza's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
5 credits, 5 with a MovieCove page.

Frenzy Moon(2025)
Midcredits score: 8th percentile of all films
Widow's Point(2019)
Midcredits score: 3rd percentile of all films
Midcredits score: 26th percentile of all films (provisional, few ratings)
Johnny Gruesome(2018)
Midcredits score: 9th percentile of all films
Dry Bones(2013)
Midcredits score: 13th percentile of all films
Career shape
Across their 5 MovieCove titles from 2013 to 2025.
How do Kim Piazza's films land?
Their typical MovieCove film has a Midcredits score in the 9th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 9th percentile for acclaim.
- 25th to 49th1
- Below 25th4
Shape of the crowd
3 of their 5 titles are Mixed.
- Divisive2
- Mixed3
Reviewers score the acting 32/100 in their films, across 4 reviewed titles; fans 71, detractors 14. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Kim Piazza work with?
People who share at least 2 of Kim Piazza's MovieCove titles, grouped by what they did on them; Gregory Lamberson shares the most, 4.
Directors
- Gregory LambersonShared titles: Frenzy Moon (2025), Widow's Point (2019), Johnny Gruesome (2018), Dry Bones (2013)See all 4 shared titles with Gregory Lamberson

Actors
- John RennaShared titles: Widow's Point (2019), Dick Johnson & Tommygun vs. The Cannibal Cop: Based on a True Story (2018), Johnny Gruesome (2018), Dry Bones (2013)See all 4 shared titles with John Renna
- Tim O'HearnShared titles: Dick Johnson & Tommygun vs. The Cannibal Cop: Based on a True Story (2018), Johnny Gruesome (2018), Dry Bones (2013)See all 3 shared titles with Tim O'Hearn

- KateLynn E. NewberryShared titles: Frenzy Moon (2025), Widow's Point (2019)See all 2 shared titles with KateLynn E. Newberry

- Debbie RochonShared titles: Dick Johnson & Tommygun vs. The Cannibal Cop: Based on a True Story (2018), Dry Bones (2013)See all 2 shared titles with Debbie Rochon

Composers, cinematographers and editors
- Armand John PetriShared titles: Frenzy Moon (2025), Widow's Point (2019), Dick Johnson & Tommygun vs. The Cannibal Cop: Based on a True Story (2018), Johnny Gruesome (2018)See all 4 shared titles with Armand John Petri
- Joe RozlerShared titles: Widow's Point (2019), Johnny Gruesome (2018)See all 2 shared titles with Joe Rozler
- Matthew A. NardoneShared titles: Widow's Point (2019), Johnny Gruesome (2018)See all 2 shared titles with Matthew A. Nardone
- Philip Gerard GalloShared titles: Johnny Gruesome (2018), Dry Bones (2013)See all 2 shared titles with Philip Gerard Gallo
Producers
- Tamar LambersonShared titles: Frenzy Moon (2025), Widow's Point (2019), Johnny Gruesome (2018)See all 3 shared titles with Tamar Lamberson
- Daniel BakerShared titles: Frenzy Moon (2025), Dry Bones (2013)See all 2 shared titles with Daniel Baker
- Paul McGinnisShared titles: Frenzy Moon (2025), Dry Bones (2013)See all 2 shared titles with Paul McGinnis
- Erin Elizabeth HealdShared titles: Widow's Point (2019), Johnny Gruesome (2018)See all 2 shared titles with Erin Elizabeth Heald
Mixed roles
- Chris CosgraveShared titles: Frenzy Moon (2025), Dick Johnson & Tommygun vs. The Cannibal Cop: Based on a True Story (2018)See all 2 shared titles with Chris Cosgrave
- Alexander S. McBrydeShared titles: Dick Johnson & Tommygun vs. The Cannibal Cop: Based on a True Story (2018), Johnny Gruesome (2018)See all 2 shared titles with Alexander S. McBryde
- Sam QualianaShared titles: Dick Johnson & Tommygun vs. The Cannibal Cop: Based on a True Story (2018), Dry Bones (2013)See all 2 shared titles with Sam Qualiana
