Richard Graham
- Editor
- 11 on MovieCove · 19 credits in all
What are Richard Graham's films like?
Across their 10 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
A split, not a type: Light 0 · Serious 2 · Dark 1
Grounded 3 · Stylized 0 · Heightened 0
A split, not a type: Gentle 0 · Charged 2 · Intense 1
Steady 1 · Shifting 1 · Whiplash 1
A split, not a type: Straight-faced 2 · Some laughs 1 · Funny 0
Slow burn 0 · Even-paced 3 · Relentless 0
Casual 1 · Engaged 2 · Full focus 0
Easy watch 1 · Affecting 1 · Heavy 1
Resolved 3 · Open-ended 0 · Ambiguous 0
Moods and endings
- Bittersweet6
- Ambiguous4
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Richard Graham's films?
As of October 24, 2026, 10 of their 11 MovieCove titles stream on a subscription or free service, most on Netflix (5).
Subscription and free streaming for Richard Graham's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
19 credits, 11 with a MovieCove page.
Black Doves(2024)
Midcredits score: 61st percentile of all shows
The Capture(2019)
Midcredits score: 90th percentile of all shows
Kiss Me First(2018)
Midcredits score: 20th percentile of all shows
Requiem(2018)
Midcredits score: 21st percentile of all shows
The Innocents(2018)
Midcredits score: 20th percentile of all shows
The Long Song(2018)
Midcredits score: 60th percentile of all shows
Midcredits score: 53rd percentile of all shows
The Crown(2016)
Midcredits score: 98th percentile of all shows
American Hero(2015)
Midcredits score: 18th percentile of all films
Elephant Days (not in the MovieCove catalog yet)(2015)
Monsters: Dark Continent(2014)
Midcredits score: 5th percentile of all films
Big Girl (not in the MovieCove catalog yet)(2013)
Up There (not in the MovieCove catalog yet)(2012)
Boys on Film 8: Cruel Britannia (not in the MovieCove catalog yet)(2012)
Legacy (not in the MovieCove catalog yet)(2010)
I Don't Care (not in the MovieCove catalog yet)(2010)
Huge(2010)
Midcredits score: 10th percentile of all films
Le Donk & Scor-zay-zee (not in the MovieCove catalog yet)(2009)
Somers Town (not in the MovieCove catalog yet)(2008)
Career shape
A full career of 15 titles from 2008 to 2024.
Film career
- 2009Screen debut· Le Donk & Scor-zay-zee
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Richard Graham's films land?
Their typical MovieCove film has a Midcredits score in the 10th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 15th percentile for acclaim.
- 75th and up2
- 50th to 74th3
- Below 25th6
Shape of the crowd
6 of their 11 titles are Mixed.
- Universally Loved1
- Universally Panned1
- Crowd Pleaser3
- Mixed6
Reviewers score the pacing 25/100 in their films, across 3 reviewed titles; fans 35, detractors 17. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Richard Graham's work okay for kids?
Across up to 7 MovieCove titles with content scores, 1 of the 5 categories sits near the median of all films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Richard Graham work with?
People who share at least 2 of Richard Graham's MovieCove titles, grouped by what they did on them; Mahalia Belo shares the most, 2.
Directors
- Mahalia BeloShared titles: Requiem (2018), The Long Song (2018)See all 2 shared titles with Mahalia Belo
- Tom GreenShared titles: Kiss Me First (2018), Monsters: Dark Continent (2014)See all 2 shared titles with Tom Green
Actors
- Johnny HarrisShared titles: Monsters: Dark Continent (2014), Huge (2010)See all 2 shared titles with Johnny Harris
Cinematographers and editors
- Matthew TabernShared titles: The Capture (2019), Kiss Me First (2018)See all 2 shared titles with Matthew Tabern
- Carmela IandoliShared titles: Kiss Me First (2018), Requiem (2018)See all 2 shared titles with Carmela Iandoli
- Chloë ThomsonShared titles: Requiem (2018), The Long Song (2018)See all 2 shared titles with Chloë Thomson
Producers
- Ben IrvingShared titles: The Capture (2019), The Long Song (2018)See all 2 shared titles with Ben Irving
- David HeymanShared titles: The Capture (2019), The Long Song (2018)See all 2 shared titles with David Heyman
- Rosie AlisonShared titles: The Capture (2019), The Long Song (2018)See all 2 shared titles with Rosie Alison
- Tom CoanShared titles: The Capture (2019), The Long Song (2018)See all 2 shared titles with Tom Coan
Mixed roles
- Nick LoveShared titles: American Hero (2015), Monsters: Dark Continent (2014)See all 2 shared titles with Nick Love
