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Jonathan Deckter

Jonathan Deckter

Producer · Born May 22, 1974 (52) · Media, Pennsylvania, USA

Jonathan Deckter joined Voltage Pictures in March 2015, as a partner and serves as President & COO. Deckter oversees Voltage's international and domestic sales, business and legal affairs, finance, third-party acquisitions, and strategic planning. In conjunction with CEO Nicolas Chartier, Deckter also manages all new Voltage business ventures. During his tenure at Voltage, Deckter has executive produced key titles for the company including I Feel Pretty starring Amy Schumer and Michelle Williams, which grossed nearly $100 million worldwide, Extremely Wicked, Shockingly Evil and Vile starting Zac Efron and Lily Collins, which premiered at the 2019 Sundance Film festival and subsequently sold to Netflix in a multi-territory deal, After starring Josephine Langford and Hero Fiennes-Tiffin and based on the worldwide best-seller from Anna Todd, and Eve starring Jessica Chastain, Colin Farrell, John Malkovich, Common and Geena Davis, which is currently in post-production. He also executive produced Wind River, from Taylor Sheridan in his directorial debut, starring Jeremy Renner and Elizabeth Olsen, which premiered to rave reviews at the 2017 Sundance Film Festival which took over $45 million in worldwide box office. Deckter was also responsible for the sale of the above titles in addition to other key successful titles for Voltage including All Eyez on Me from director Benny Bloom and starring Demetrius Shipp Jr., Danai Gurira and Kat Graham took $45 million in worldwide box office and the Toronto International Film Festival FIPRESCI Prize winner Skin from the Academy Award-winning director, Guy Nattiv, and starring Jamie Bell, Danielle Macdonald, and Vera Farmiga. The film was also an official selection in the Panorama section at the 2019 Berlin Film Festival and will be released in the US by A24. The short on which the film is based won the 2019 Academy Award for Best Live Action Short. Prior to joining Voltage, Jonathan Deckter spent five years at IM Global, where he served as President for three of those years. While there, he oversaw and ran the day-to-day operations for IM Global's international sales and distribution activities, which included over 250 films generating $5 billion dollars in worldwide box office; it's Pan-Asian rights vehicle APSARA; the company's strategic sales partnerships (Blumhouse International and Dolphin Films); and the company's interest in Mundial, a Latin American based sales company focusing on Spanish language content. During his tenure at IM Global the company held the number-one box-office share for independent sales companies for two years straight, 2014 and 2013. The company sold over 100 new features into the market place, 20 of which were either financed in-house or co-financed with budgets totaling $450 million. Deckter was also instrumental in acquiring the distribution rights to the Spyglass, Beacon and Intermedia catalogues - over 150 films in total. The Butler ($176m WW box-office), Walking with Dinosaurs ($135m WW box-office) and Insidious ($97m WW box-office) were among the films distributed by IM Global during Deckter's tenure. Deckter joined IM Global from Lakeshore Films, where he was Senior Vice President of International Sales for three years, with oversight for all foreign sales and management of a varied range of motion pictures that comprised Lakeshore's 500+ title library. Before joining Lakeshore, Deckter served as President of International Sales at Arclight Films, managing the worldwide sales, distribution and acquisitions of the company's theatrical films and creating new alliances with companies such as Joel Silver's Zinc Pictures. For five years prior to his tenure at Arclight, Deckter served as Vice President of Morgan Creek International. Deckter is a frequent speaker on industry panels as well as a guest lecturer at USC's Stark program and his alma mater the University of Arizona.

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Biography from IMDb.

Born
May 22, 1974 (52)
From
Media, Pennsylvania, USA
Works as
Producer
Titles
58 on MovieCove · 59 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 155 days to Oct 26Down 25% in 30 days

What are Jonathan Deckter's films like?

Across their 46 MovieCove titles with a thematic analysis, their films lean Survival and Bonds.

Genres

Drama14 titlesTypical Midcredits score: 29th percentile
: browse their Drama movies
Action12 titlesTypical Midcredits score: 19th percentile
: browse their Action movies
Comedy4 titlesTypical Midcredits score: 34th percentile, at or above their average across these genres
: browse their Comedy movies
Crime4 titlesTypical Midcredits score: 44th percentile, at or above their average across these genres
: browse their Crime movies
Horror4 titlesTypical Midcredits score: 17th percentile
: browse their Horror movies
Biography3 titlesTypical Midcredits score: 41st percentile, at or above their average across these genres
: browse their Biography movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Survival
31%
Bonds
26%
Morality
17%
Self
16%
Society
6%
Ideas
3%
Power
2%
Survival18 titles, browse their movies with this themeFamily bonds13 titles, browse their movies with this themeRomantic love9 titles, browse their movies with this themeRedemption6 titles, browse their movies with this themeMortality4 titles, browse their movies with this themeSelf-worth4 titles, browse their movies with this themeIdentity5 titles, browse their movies with this themeTrauma5 titles, browse their movies with this theme

What they feel like to watch

their average across 45 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 9 · Serious 9 · Dark 27

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 27 · Stylized 15 · Heightened 3

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 5 · Charged 13 · Intense 27

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 10 · Shifting 29 · Whiplash 6

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 37 · Some laughs 6 · Funny 2

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 13 · Even-paced 23 · Relentless 9

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 15 · Engaged 23 · Full focus 7

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 8 · Affecting 17 · Heavy 20

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 32 · Open-ended 10 · Ambiguous 3

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
36
Dread
17
Melancholic
16
Thrilling
12
Romantic
6
Other
32

How their films linger

Unsettling18 titles, browse their movies with this aftertasteBittersweet15 titles, browse their movies with this aftertasteHopeful12 titles, browse their movies with this aftertasteInfuriating8 titles, browse their movies with this aftertasteThought-provoking8 titles, browse their movies with this aftertasteCathartic8 titles, browse their movies with this aftertaste

How their films end · 8 with a twist

  • Happy7
  • Bittersweet25
  • Tragic4
  • Ambiguous10

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jonathan Deckter's films?

As of October 24, 2026, 48 of their 58 MovieCove titles stream on a subscription or free service, most on Prime Video (25).

Also on these channels

Subscription and free streaming for Jonathan Deckter's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

59 credits, 58 with a MovieCove page.

  • The Roughneck(2025)

    Executive Producer

    Midcredits score: 20th percentile of all films

  • Under Fire(2025)

    Producer

    Midcredits score: 16th percentile of all films

  • Aftermath(2024)

    Producer

    Midcredits score: 21st percentile of all films

  • Prey(2024)

    Executive Producer

    Midcredits score: 14th percentile of all films

  • The Hunted(2024)

    Executive Producer

    Midcredits score: 25th percentile of all films

  • Beautiful Wedding(2024)

    Producer

    Midcredits score: 6th percentile of all films

  • Beyond After(2024)

    Producer

    Midcredits score: 37th percentile of all films

  • See You on Venus(2023)

    Executive Producer

    Midcredits score: 49th percentile of all films

  • Beautiful Disaster(2023)

    Producer

    Midcredits score: 27th percentile of all films

  • After Everything(2023)

    Producer

    Midcredits score: 22nd percentile of all films

  • Play Dead(2022)

    Executive Producer

    Midcredits score: 21st percentile of all films

  • Game of Love(2022)

    Producer

    Midcredits score: 19th percentile of all films

  • Terror on the Prairie(2022)

    Executive Producer

    Midcredits score: 40th percentile of all films

  • First Love(2022)

    Executive Producer

    Midcredits score: 11th percentile of all films

  • After Ever Happy(2022)

    Producer

    Midcredits score: 23rd percentile of all films

  • Last Seen Alive(2022)

    Producer

    Midcredits score: 25th percentile of all films

  • Stowaway(2022)

    Producer

    Midcredits score: 3rd percentile of all films

  • Habit(2021)

    Executive Producer

    Midcredits score: 1st percentile of all films

  • Crime Story(2021)

    Executive Producer

    Midcredits score: 14th percentile of all films

  • Lansky(2021)

    Executive Producer

    Midcredits score: 54th percentile of all films

  • The Seventh Day(2021)

    Executive Producer

    Midcredits score: 7th percentile of all films

  • Safer at Home(2021)

    Executive Producer

    Midcredits score: 27th percentile of all films

  • Body Brokers(2021)

    Executive Producer

    Midcredits score: 52nd percentile of all films

  • Fear of Rain(2021)

    Executive Producer

    Midcredits score: 46th percentile of all films

  • The Marksman(2021)

    Executive Producer

    Midcredits score: 32nd percentile of all films

  • Redemption Day(2021)

    Executive Producer

    Midcredits score: 51st percentile of all films

  • After We Fell(2021)

    Producer

    Midcredits score: 25th percentile of all films

  • Ted Bundy: American Boogeyman(2021)

    Producer

    Midcredits score: 6th percentile of all films

  • Time Is Up(2021)

    Producer

    Midcredits score: 10th percentile of all films

  • After We Collided(2020)

    Executive Producer

    Midcredits score: 29th percentile of all films

  • Ava(2020)

    Executive Producer

    Midcredits score: 19th percentile of all films

  • Disturbing the Peace(2020)

    Executive Producer

    Midcredits score: 1st percentile of all films

  • The 2nd(2020)

    Producer

    Midcredits score: 17th percentile of all films

  • The Call(2020)

    Producer

    Midcredits score: 13th percentile of all films

  • Extremely Wicked, Shockingly Evil and Vile(2019)

    Executive Producer

    Midcredits score: 69th percentile of all films

  • After(2019)

    Executive Producer

    Midcredits score: 29th percentile of all films

  • The Haunting of Sharon Tate(2019)

    Executive Producer

    Midcredits score: 1st percentile of all films

  • The Birdcatcher(2019)

    Executive Producer

    Midcredits score: 50th percentile of all films

  • VFW(2019)

    Producer

    Midcredits score: 43rd percentile of all films

  • Then Came You(2018)

    Executive Producer

    Midcredits score: 77th percentile of all films

  • Welcome Home(2018)

    Executive Producer

    Midcredits score: 13th percentile of all films

  • Elizabeth Harvest(2018)

    Executive Producer

    Midcredits score: 35th percentile of all films

  • The Titan(2018)

    Executive Producer

    Midcredits score: 7th percentile of all films

  • Beast of Burden(2018)

    Executive Producer

    Midcredits score: 3rd percentile of all films

  • Status Update(2018)

    Executive Producer

    Midcredits score: 40th percentile of all films

  • Age of the Living Dead(2018)

    Show Producer

    Midcredits score: 5th percentile of all shows

  • Wind River(2017)

    Executive Producer

    Midcredits score: 97th percentile of all films

  • Revolt(2017)

    Executive Producer

    Midcredits score: 18th percentile of all films

  • Once Upon a Time in Venice(2017)

    Executive Producer

    Midcredits score: 16th percentile of all films

  • Colossal(2016)

    Executive Producer

    Midcredits score: 50th percentile of all films

  • The Secret Scripture(2016)

    Executive Producer

    Midcredits score: 71st percentile of all films

  • The Midnight Man(2016)

    Executive Producer

    Midcredits score: 11th percentile of all films

  • A Family Man(2016)

    Executive Producer

    Midcredits score: 57th percentile of all films

  • The Journey Is the Destination(2016)

    Executive Producer

    Midcredits score: 63rd percentile of all films

  • Walt Before Mickey(2015)

    Executive Producer

    Midcredits score: 41st percentile of all films

  • Sinister(2012)

    Thanks

    Midcredits score: 75th percentile of all films

  • Offender(2012)

    Producer

    Midcredits score: 60th percentile of all films

  • Botched (not in the MovieCove catalog yet)(2007)

    Executive Producer

  • Body Armour(2007)

    Executive Producer

    Midcredits score: 4th percentile of all films

Career shape

A full career of 45 titles from 2007 to 2025.

Biggest box office

After (2019)

$69M worldwide

Highest rated

Wind River (2017)

Midcredits 97th

Most popular right now

The Marksman (2021)

By role

only this rolewith another role
Producing44 of 45: 44 only producing, 0 with another role · typical Midcredits score27thOther crew1 of 45: 1 only other crew, 0 with another role

By decade

2000s2 · crew2010s20 · crew2020s23 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Jonathan Deckter's films land?

Their typical MovieCove film has a Midcredits score in the 25th percentile, the median of all 57; across their 45 films with reception data, the typical film sits in the 21st percentile for acclaim.

Acclaim · how much people like their films

21stpercentile
Typical film, the median of 45

Approval · how many liked their films

29thpercentile
Typical film, the median of 45

Reach · how many have seen their films

90thpercentile
Typical film, the median of 45

Midcredits score across 58 titles, by percentile

  • 75th and up3
  • 50th to 74th10
  • 25th to 49th16
  • Below 25th29

Shape of the crowd

24 of their 58 titles are Mixed.

  • Universally Loved1
  • Universally Panned4
  • Loved with Detractors1
  • Divisive3
  • Cult Classic9
  • Crowd Pleaser6
  • Broadly Agreed10
  • Mixed24

Most divisive · producer

Game of Love (2022)

98th percentile spread · 51% rated it 4 or lower

Most loved · producer

Wind River (2017)

Midcredits 97th · 89% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Jonathan Deckter's work okay for kids?

Across up to 37 MovieCove titles with content scores, violence & gore, profanity, alcohol & drugs and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore29 titles29–91 · median 60 · moderateheavier than most filmsMedian of all films: 44
Sex & Nudity37 titles11–63 · median 30 · mildnear the median of all filmsMedian of all films: 32
Profanity32 titles35–78 · median 55 · moderateheavier than most filmsMedian of all films: 36
Alcohol & Drugs24 titles33–59 · median 50 · moderateheavier than most filmsMedian of all films: 33
Frightening / Intense24 titles19–86 · median 49 · moderateheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Jonathan Deckter work with?

People who share at least 2 of Jonathan Deckter's MovieCove titles, grouped by what they did on them; Nicolas Chartier shares the most, 38.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers