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Michael H. Weber

Michael H. Weber

Writer and producer · Born January 13, 1978 (48) · Great Neck, New York, USA

Oscar nominee · Primetime Emmy nominee · 4 other major award bodies

Michael H. Weber (born January 13, 1978) is an American screenwriter and producer. He and his writing partner, Scott Neustadter, are best known for writing the screenplay for the romantic comedy film 500 Days of Summer. The film is based on two real relationships Neustadter had. They also wrote the screenplays for the film adaptations of the novels The Spectacular Now, The Fault in Our Stars, and Paper Towns. For writing The Disaster Artist, Neustadter and Weber were nominated for an Academy Award for Best Adapted Screenplay. They also created the sitcom Friends with Benefits, which lasted one season. Description above from the Wikipedia article Michael H. Weber, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Biography from TMDB.

Born
January 13, 1978 (48)
From
Great Neck, New York, USA
Works as
Writer and producer
Titles
13 on MovieCove · 17 credits in all
TMDB popularity, last 155 days to Oct 26Up 44% in 30 days

What are Michael H. Weber's films like?

Across their 10 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 9 films
ToneFeelDemandtheir average · filled zone: the category

Light 6 · Serious 1 · Dark 2

A split, not a type: Grounded 6 · Stylized 2 · Heightened 1

Gentle 3 · Charged 6 · Intense 0

A split, not a type: Steady 4 · Shifting 3 · Whiplash 2

Straight-faced 1 · Some laughs 5 · Funny 3

A split, not a type: Slow burn 6 · Even-paced 3 · Relentless 0

Casual 8 · Engaged 1 · Full focus 0

Resolved 7 · Open-ended 2 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Melancholic
7
Romantic
6
Bittersweet
5
Hopeful
5
Absurd
3
Other
8

How their films end · 1 with a twist

  • Happy2
  • Bittersweet8

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Michael H. Weber's films?

As of October 24, 2026, 9 of their 13 MovieCove titles stream on a subscription or free service, most on Disney+ (3).

Subscription and free streaming for Michael H. Weber's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

17 credits, 13 with a MovieCove page.

  • Dynamic Duo (not in the MovieCove catalog yet)(2028)

    Writer

  • The Catch (not in the MovieCove catalog yet)(2027)

    Producer

  • Daisy Jones & The Six(2023)

    Show 10 episodes · Creator · Executive Producer · Teleplay

    Midcredits score: 93rd percentile of all shows
  • Rosaline(2022)

    Executive Producer · Screenplay

    Midcredits score: 68th percentile of all films
  • Dil Bechara(2020)

    Writer

    Midcredits score: 98th percentile of all films
  • Let It Snow(2019)

    Screenplay

    Midcredits score: 35th percentile of all films
  • Our Souls at Night(2017)

    Writer

    Midcredits score: 78th percentile of all films
  • The Disaster Artist(2017)

    Executive Producer · Screenplay

    Midcredits score: 90th percentile of all films
  • Me Before You(2016)

    Screenplay

    Midcredits score: 91st percentile of all films
  • Paper Towns(2015)

    Producer · Screenplay

    Midcredits score: 45th percentile of all films
  • The Fault in Our Stars(2014)

    Screenplay

    Midcredits score: 91st percentile of all films
  • The Spectacular Now(2013)

    Executive Producer · Screenplay

    Midcredits score: 80th percentile of all films
  • Friends with Benefits(2011)

    Show 12 episodes · Creator · Executive Producer · Writer

    Midcredits score: 30th percentile of all shows
  • 500 Days of Summer(2009)

    Writer

    Midcredits score: 94th percentile of all films
  • The Pink Panther 2(2009)

    Screenplay · Story

    Midcredits score: 29th percentile of all films
  • A Chris Farley Story (not in the MovieCove catalog yet)

    Writer

  • Nothing to See Here (not in the MovieCove catalog yet)

    Producer

Career shape

A full career of 16 titles, 12 of them dated from 2009 to 2023.

By role

only this rolewith another role
Writing14 of 16: 9 only writing, 5 with another role · typical Midcredits score79thProducing7 of 16: 2 only producing, 5 with another role · typical Midcredits score80thOther crew2 of 16: 0 only other crew, 2 with another role

16 titles, 5 with more than one role — writing and producing overlap on 5 of them.

By decade

2000s2 · crew2010s8 · crew2020s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

Awards

1 major award from 10 major nominations, 2010–2024.

WinNomination
  1. 2024
    • Writers Guild Award, nominated · Limited Series
    • Producers Guild Award, nominated · Outstanding Producer of Limited or Anthology Series Television
  2. 2023
    • Primetime Emmy, nominated · Outstanding Limited or Anthology Series
  3. 2018
    • Oscar, nominated · Best Adapted Screenplay
    • +2 other major bodies · 2 nominations
      • Writers Guild Award, nominated · Adapted Screenplay
      • Critics Choice Award, nominated · Best Adapted Screenplay
  4. 2014
    • Independent Spirit Award, nominated · Best Screenplay
  5. 2010
    • Writers Guild Award, nominated · Best Original Screenplay
    • Critics Choice Award, nominated · Best Screenplay, Original
    • Independent Spirit Award, won · Best Screenplay

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Michael H. Weber's films land?

Their typical MovieCove film has a Midcredits score in the 80th percentile, the median of all 11; across their 9 films with reception data, the typical film sits in the 78th percentile for acclaim.

Acclaim · how much people like their films

78thpercentile
Typical film, the median of 9

Approval · how many liked their films

80thpercentile
Typical film, the median of 9

Reach · how many have seen their films

96thpercentile
Typical film, the median of 9

Midcredits score across 13 titles, by percentile

  • 75th and up8
  • 50th to 74th1
  • 25th to 49th4

Shape of the crowd

None of their 13 titles divides audiences: 5 are Universally Loved.

  • Universally Loved5
  • Crowd Pleaser4
  • Broadly Agreed2
  • Mixed2

Reviewers score the dialogue 56/100 and the plot and story 50/100 in their films, across 9 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Michael H. Weber's work okay for kids?

Across up to 9 MovieCove titles with content scores, sex & nudity and profanity run heavier than most films and violence & gore and frightening / intense lighter.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore9 titles14–35 · median 24 · mildlighter than most filmsMedian of all films: 44
Sex & Nudity9 titles18–59 · median 46 · moderateheavier than most filmsMedian of all films: 32
Profanity8 titles28–80 · median 56 · moderateheavier than most filmsMedian of all films: 36
Alcohol & Drugs8 titles24–78 · median 36 · moderatenear the median of all filmsMedian of all films: 33
Frightening / Intense8 titles9–38 · median 17 · mildlighter than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Michael H. Weber work with?

People who share at least 2 of Michael H. Weber's MovieCove titles, grouped by what they did on them; Scott Neustadter shares the most, 10.

Directors

Writers

Actors

Composers

Producers