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Stieg Larsson

Stieg Larsson

Writer, also actor · Died November 9, 2004, aged 50 · Skelleftehamn, Sweden

Karl Stig-Erland "Stieg" Larsson (August 15, 1954 – November 9, 2004) was a Swedish journalist and writer. He is best known for writing the Millennium trilogy of crime novels, which were published posthumously and adapted as motion pictures. Description above from the Wikipedia Stieg Larsson licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Biography from TMDB.

Born
August 15, 1954
Died
November 9, 2004 (aged 50)
From
Skelleftehamn, Sweden
Works as
Writer, also actor
Titles
6 on MovieCove · 7 credits in all

What are Stieg Larsson's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Morality and Survival.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Morality
39%
Survival
22%
Society
15%
Power
14%
Bonds
11%

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 1 · Dark 4

Grounded 4 · Stylized 1 · Heightened 0

Gentle 0 · Charged 2 · Intense 3

Steady 1 · Shifting 4 · Whiplash 0

Straight-faced 5 · Some laughs 0 · Funny 0

Slow burn 1 · Even-paced 3 · Relentless 1

Casual 0 · Engaged 2 · Full focus 3

Easy watch 0 · Affecting 0 · Heavy 5

Resolved 3 · Open-ended 2 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
5
Dread
3
Cold
2
Cathartic
2
Contemplative
2
Other
2

How their films end · 1 with a twist

  • Bittersweet4
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Stieg Larsson's films?

As of October 24, 2026, all 6 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Stieg Larsson's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

7 credits, 6 with a MovieCove page; 2 appearances as themselves are hidden until asked for.

Career shape

A full career of 7 titles, 6 of them dated from 2009 to 2018.

By role

only this rolewith another role
Writing7 of 7: 6 only writing, 1 with another role · typical Midcredits score91stOther crew1 of 7: 0 only other crew, 1 with another role

By decade

2000s3 · crew2010s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Stieg Larsson's films land?

Their typical MovieCove film has a Midcredits score in the 87th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 81st percentile for acclaim.

Acclaim · how much people like their films

81stpercentile
Typical film, the median of 5

Approval · how many liked their films

86thpercentile
Typical film, the median of 5

Reach · how many have seen their films

96thpercentile
Typical film, the median of 5

Midcredits score across 6 titles, by percentile

  • 75th and up5
  • 25th to 49th1

Shape of the crowd

None of their 6 titles divides audiences: 3 are Universally Loved.

  • Universally Loved3
  • Crowd Pleaser2
  • Broadly Agreed1

Reviewers score the dialogue 55/100 and the plot and story 58/100 in their films, across 4 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Stieg Larsson's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Their medianMedian of all films
Violence & Gore4 titlesmedian 88 · severeMedian of all films: 44
Sex & Nudity4 titlesmedian 62 · intenseMedian of all films: 32
Profanity4 titlesmedian 68 · intenseMedian of all films: 36
Alcohol & Drugs4 titlesmedian 47 · moderateMedian of all films: 33
Frightening / Intense4 titlesmedian 79 · intenseMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Stieg Larsson work with?

People who share at least 2 of Stieg Larsson's MovieCove titles, grouped by what they did on them; Anni Faurbye Fernandez shares the most, 4.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers