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Keith Redmon

Keith Redmon

Producer

Works as
Producer
Titles
9 on MovieCove · 10 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Down 30% in 30 days

What are Keith Redmon's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Themes

share of theme weight
Self
35%
Bonds
25%
Survival
19%
Morality
14%
Power
7%
Identity3 titles, browse their movies with this themeFamily bonds3 titles, browse their movies with this themeSurvival2 titles, browse their movies with this themeSelf-worth2 titles, browse their movies with this themePurpose2 titles, browse their movies with this theme

What they feel like to watch

their average across 7 films
ToneFeelDemandtheir average · filled zone: the category
Dark: How heavy the subject matter and outlook get. Browse their dark movies.
Tone · Weight
lightdark

Light 0 · Serious 0 · Dark 7

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 4 · Stylized 3 · Heightened 0

Intense: How hard the emotional peaks hit while you watch. Browse their intense movies.
Feel · Intensity
gentleintense

Gentle 0 · Charged 3 · Intense 4

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 1 · Shifting 3 · Whiplash 3

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 6 · Some laughs 1 · Funny 0

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

A split, not a type: Slow burn 4 · Even-paced 3 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 0 · Engaged 4 · Full focus 3

Heavy: How much it costs you emotionally; whether you need recovery time. Browse their heavy movies.
Demand · Emotional cost
easyheavy

Easy watch 0 · Affecting 0 · Heavy 7

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

Resolved 0 · Open-ended 6 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
6
Melancholic
5
Dread
4
Bittersweet
3
Contemplative
3
Other
1

How their films linger

Haunting4 titles, browse their movies with this aftertasteBittersweet3 titles, browse their movies with this aftertasteThought-provoking3 titles, browse their movies with this aftertasteDevastating2 titles, browse their movies with this aftertaste

How their films end · 2 with a twist

  • Bittersweet3
  • Ambiguous4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Keith Redmon's films?

As of October 24, 2026, 8 of their 9 MovieCove titles stream on a subscription or free service, most on Tubi (4).

Also on these channels

Subscription and free streaming for Keith Redmon's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

10 credits, 9 with a MovieCove page.

  • The Marsh King's Daughter(2023)

    Producer

    Midcredits score: 40th percentile of all films

  • The Midnight Sky(2020)

    Producer

    Midcredits score: 25th percentile of all films

  • Wild Bill(2019)

    Show 6 episodes · Executive Producer

    Midcredits score: 46th percentile of all shows

  • Triple 9(2016)

    Producer

    Midcredits score: 47th percentile of all films

  • The Revenant(2015)

    Producer

    Midcredits score: 97th percentile of all films

  • Scenic Route(2013)

    Executive Producer

    Midcredits score: 57th percentile of all films

  • The Last Elvis(2012)

    Executive Producer

    Midcredits score: 78th percentile of all films

  • The Beaver(2011)

    Producer

    Midcredits score: 64th percentile of all films

  • Rendition(2007)

    Producer

    Midcredits score: 66th percentile of all films

  • Blood Meridian (not in the MovieCove catalog yet)

    Producer

Career shape

A full career of 10 titles, 9 of them dated from 2007 to 2023.

Biggest box office

The Revenant (2015)

$534M worldwide

Highest rated

The Revenant (2015)

Midcredits 97th

By role

only this rolewith another role
Producing10 of 10: 10 only producing, 0 with another role · typical Midcredits score57th

By decade

2000s1 · crew2010s6 · crew2020s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Keith Redmon's films land?

Their typical MovieCove film has a Midcredits score in the 61st percentile, the median of all 8; across their 7 films with reception data, the typical film sits in the 59th percentile for acclaim.

Acclaim · how much people like their films

59thpercentile
Typical film, the median of 7

Approval · how many liked their films

66thpercentile
Typical film, the median of 7

Reach · how many have seen their films

94thpercentile
Typical film, the median of 7

Midcredits score across 9 titles, by percentile

  • 75th and up2
  • 50th to 74th3
  • 25th to 49th4

Shape of the crowd

None of their 9 titles divides audiences: 4 are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser4
  • Broadly Agreed3
  • Mixed1

Most loved · producer

The Revenant (2015)

Midcredits 97th · 88% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Keith Redmon's work okay for kids?

Across up to 6 MovieCove titles with content scores, 3 of the 5 categories sit near the median of all films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore4 titlesmedian 65 · intenseMedian of all films: 44
Sex & Nudity6 titles6–46 · median 30 · mildnear the median of all filmsMedian of all films: 32
Profanity5 titles32–63 · median 43 · moderatenear the median of all filmsMedian of all films: 36
Alcohol & Drugs5 titles21–49 · median 33 · mildnear the median of all filmsMedian of all films: 33
Frightening / Intense4 titlesmedian 59 · moderateMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Keith Redmon work with?

People who share at least 2 of Keith Redmon's MovieCove titles, grouped by what they did on them; Steve Golin shares the most, 4.

Writers

Producers

Mixed roles