
E.J. Bonilla
Actor, also cinematographer · Born September 8, 1988 (38) · New York City, New York, USA
E.J. Bonilla is an actor and director, known for Four (2012), Gemini Man (2019) and The Long Road Home (2017).
Biography from TMDB.
- September 8, 1988 (38)
- New York City, New York, USA
- Actor, also cinematographer
- 29 on MovieCove · 34 credits in all
What are E.J. Bonilla's films like?
Across their 9 MovieCove titles with a thematic analysis, their films lean Self and Bonds.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 7
A split, not a type: Light 2 · Serious 2 · Dark 3
Grounded 6 · Stylized 1 · Heightened 0
Gentle 1 · Charged 4 · Intense 2
Steady 3 · Shifting 3 · Whiplash 1
Straight-faced 4 · Some laughs 3 · Funny 0
Slow burn 3 · Even-paced 4 · Relentless 0
Casual 2 · Engaged 4 · Full focus 1
Easy watch 0 · Affecting 5 · Heavy 2
A split, not a type: Resolved 4 · Open-ended 1 · Ambiguous 2
Roles they play
Usually the Hero: 4 of 7 analyzed roles.
Show the 7 rolesHide the roles
- Heroas Lalo in Don't Let Me Drown (2009)
- Heroas Armando in Musical Chairs (2011)
- Shapeshifteras Dexter in Four (2012)
- Heroas Jack in The House That Jack Built (2013)
- Shadowas Jack in The House That Jack Built (2013)
- Heroas Lt. Shane Aguero in The Long Road Home (2017)
- Allyas Danny Martinez in In Our Blood (2024)
Moods and endings
- Happy2
- Bittersweet3
- Tragic1
- Ambiguous3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch E.J. Bonilla's films?
As of October 24, 2026, 26 of their 29 MovieCove titles stream on a subscription or free service, most on Prime Video (8).
Subscription and free streaming for E.J. Bonilla's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
34 credits, 29 with a MovieCove page; 2 appearances as themselves are hidden until asked for.
Midcredits score: 49th percentile of all films
In Our Blood(2024)
Midcredits score: 26th percentile of all films
The Exorcist: Believer(2023)
Midcredits score: 12th percentile of all films
The Old Man(2022)
Midcredits score: 71st percentile of all shows
Gemini Man(2019)
Midcredits score: 27th percentile of all films
The Kitchen(2019)
Midcredits score: 25th percentile of all films
Roswell, New Mexico(2019)
Midcredits score: 41st percentile of all shows
The Long Road Home(2017)
Midcredits score: 61st percentile of all shows
Insecure(2016)
Midcredits score: 87th percentile of all shows
Bull(2016)
Midcredits score: 59th percentile of all shows
Colony(2016)
Midcredits score: 65th percentile of all shows
Midcredits score: 42nd percentile of all films
Younger(2015)
Midcredits score: 77th percentile of all shows
Madam Secretary(2014)
Midcredits score: 80th percentile of all shows
Chicago P.D.(2014)
Midcredits score: 89th percentile of all shows
Four(2012)
Midcredits score: 40th percentile of all films
Mamitas (not in the MovieCove catalog yet)(2012)

Musical Chairs(2011)
Midcredits score: 46th percentile of all films
Revenge(2011)
Midcredits score: 84th percentile of all shows
Unforgettable(2011)
Midcredits score: 49th percentile of all shows
Man in the Mirror (not in the MovieCove catalog yet)(2011)

Yelling to the Sky(2011)
Midcredits score: 42nd percentile of all films
The Mortician(2011)
Midcredits score: 19th percentile of all films
Shameless(2011)
Midcredits score: 97th percentile of all shows
Blue Bloods(2010)
Midcredits score: 80th percentile of all shows
The Big C(2010)
Midcredits score: 88th percentile of all shows
Bored to Death(2009)
Midcredits score: 82nd percentile of all shows
Don't Let Me Drown(2009)
Midcredits score: 68th percentile of all films
The Ron Clark Story(2006)
Midcredits score: 96th percentile of all films
Cold Case (not in the MovieCove catalog yet)(2003)
Midcredits score: 75th percentile of all shows
Law & Order(1990)
Midcredits score: 79th percentile of all shows
Guiding Light (not in the MovieCove catalog yet)(1952)
Barbershop (not in the MovieCove catalog yet)
Career shape
Star power in the 89th percentile of 239,109 people with a billed film role, over a full career of 34 titles, 33 of them dated from 1952 to 2025; peak year 2018.
Film career
Peak 2018 · steadily prominent in film for years. Top draw in 1 MovieCove title. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 2011Screen debut· The Mortician
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do E.J. Bonilla's films land?
Their typical MovieCove film has a Midcredits score in the 41st percentile, the median of all 12; across their 7 films with reception data, the typical film sits in the 36th percentile for acclaim.
- 75th and up12
- 50th to 74th5
- 25th to 49th10
- Below 25th2
Shape of the crowd
13 of their 29 titles are Crowd Pleasers.
- Universally Loved4
- Divisive2
- Cult Classic4
- Crowd Pleaser13
- Broadly Agreed1
- Mixed5
Reviewers score the acting 72/100 in their films, across 5 reviewed titles; fans 78, detractors 53. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.


