Kay Wilson Stallings

Producer

Kay Wilson Stallings is an American television executive and producer. She worked at Nickelodeon as a network executive from 1999 until March 2015, when she left the company due to a wave of senior employee layoffs. In August 2015, Stallings was hired by Sesame Workshop. In 2020, she was promoted to Sesame Workshop's head of creative development. In her role as Nickelodeon's senior vice president (SVP) of production and development, Stallings oversaw the development of all original series for Nickelodeon Preschool and the Nick Jr. Channel. Stallings developed more than 20 shows during her tenure, including Wonder Pets, The Fresh Beat Band, Shimmer and Shine, Sunny Day, Blaze and the Monster Machines, and Nickelodeon's revival of Winx Club. She was also the executive-in-charge of Winx Club and The Backyardigans

What are Kay Wilson Stallings' films like?

Across their 13 MovieCove titles with a thematic analysis, their films lean Society and Bonds.

Genres

Animation3 titles68^th

Family2 titles55^th

Short2 titles52^nd

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight

Society

37%

Bonds

33%

Self

27%

Ideas

4%

Community10 Friendship5 Family bonds4 Purpose3 Self-worth2 Hope2

What they feel like to watch

their average across 7 films

ToneFeelDemandtheir average · filled zone: the category

Earnest

Tone · Sincerity

ironicearnest

Ironic 0 · Wry 0 · Earnest 7

Light

Tone · Weight

lightdark

Light 7 · Serious 0 · Dark 0

Stylized

Tone · Style

naturalisticheightened

A split, not a type: Grounded 4 · Stylized 2 · Heightened 1

Gentle

Feel · Intensity

gentleintense

Gentle 7 · Charged 0 · Intense 0

Steady

Feel · Swings

steadyswings

Steady 7 · Shifting 0 · Whiplash 0

Some laughs

Feel · Humor

noneconstant

Straight-faced 0 · Some laughs 7 · Funny 0

Slow burn

Demand · Pace

slowrelentless

Slow burn 7 · Even-paced 0 · Relentless 0

Casual

Demand · Attention

casualfull focus

Casual 7 · Engaged 0 · Full focus 0

Easy watch

Demand · Emotional cost

easyheavy

Easy watch 7 · Affecting 0 · Heavy 0

Resolved

Demand · Resolution

resolvedambiguous

Resolved 7 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Joyful

13

Warm

11

Hopeful

6

Triumphant

1

Contemplative

1

How their films linger

Feel-good13 Hopeful8 Cozy3 Fun2

How their films end

Happy12
Cyclical1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Kay Wilson Stallings' films?

As of October 24, 2026, 15 of their 17 MovieCove titles stream on a subscription or free service, most on Netflix (6).

Also on these channels

Kidstream3 titles, show their 3 titles on Kidstream
PBS KIDS1 title, show their title on PBS KIDS
Sensical1 title, show their title on Sensical

Subscription and free streaming for Kay Wilson Stallings' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

22 credits, 17 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

Storm on Sesame Street(2026)
Producer
Midcredits score: 55th percentile of all films
Elmo and Mark Rober's Merry Giftmas(2025)
Producer
Midcredits score: 24th percentile of all films
Charlotte's Web(2025)
Show 3 episodes · Executive Producer
Midcredits score: 38th percentile of all shows
Cookie Monster's Bake Sale: Block Party(2025)
Producer
Cookie Monster's Bake Sale: Back to School (not in the MovieCove catalog yet)(2024)
Executive Producer
Leading (not in the MovieCove catalog yet)(2024)
Executive Producer
Oscar's Handmade Halloween (not in the MovieCove catalog yet)(2023)
Executive Producer
Sesame Street: The Nutcracker(2022)
Executive Producer
Midcredits score: 44th percentile of all films
Furry Friends Forever: Elmo Gets a Puppy(2021)
Executive Producer
Midcredits score: 68th percentile of all films (provisional, few ratings)
Sesame Street: See Us Coming Together(2021)
Producer
Midcredits score: 80th percentile of all films (provisional, few ratings)
The Not Too Late Show with Elmo(2020)
Show 16 episodes · Executive Producer
Midcredits score: 48th percentile of all shows
Helpsters Help You(2020)
Show Producer
Midcredits score: 10th percentile of all shows (provisional, few ratings)
The Monster at the End of This Story(2020)
Producer
Midcredits score: 71st percentile of all films
Helpsters(2019)
Show 13 episodes · Executive Producer
Midcredits score: 25th percentile of all shows
Esme & Roy(2018)
Show 103 episodes · Executive Producer
Midcredits score: 33rd percentile of all shows
Winx Club - The Fate of Bloom (not in the MovieCove catalog yet)(2011)
Executive In Charge Of Production
LazyTown’s New Superhero (not in the MovieCove catalog yet)(2005)
Executive Producer
The Backyardigans(2004)
Show 79 episodes · Executive In Charge Of Production
Midcredits score: 64th percentile of all shows
The Berenstain Bears(2003)
Show Producer
Midcredits score: 60th percentile of all shows
LazyTown(2002)
Show Producer
Midcredits score: 27th percentile of all shows
Bob the Builder(1997)
Show Producer
Midcredits score: 8th percentile of all shows
Sesame Street(1969)
Show 13 episodes · Executive Producer
Midcredits score: 60th percentile of all shows

Career shape

A full career of 14 titles from 1969 to 2025.

Highest rated

LazyTown (2002)

Midcredits 27^th

By role

only this rolewith another role

Producing12 of 14 · 41^stOther crew2 of 14

By decade

1960s1 · crew2000s2 · crew2010s3 · crew2020s8 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Kay Wilson Stallings' films land?

Their typical MovieCove film has a Midcredits score in the 62^nd percentile, the median of the 6 of 7 with a score; across their 7 films with reception data, the typical film sits in the 66^th percentile for acclaim.

Acclaim · how much people like their films

66^thpercentile

Typical film, the median of 7

Approval · how many liked their films

52^ndpercentile

Typical film, the median of 7

Reach · how many have seen their films

38^thpercentile

Typical film, the median of 7

Midcredits score across 16 titles, by percentile

75^th and up1
50^th to 74^th6
25^th to 49^th6
Below 25^th3

Shape of the crowd

6 of their 16 titles are Mixed.

Universally Panned1
Divisive2
Cult Classic4
Crowd Pleaser3
Mixed6

Most divisive · producer

Sesame Street: See Us Coming Together (2021)

99^th percentile spread · 40% rated it 4 or lower

Most loved · producer

The Monster at the End of This Story (2020)

Midcredits 71^st · 63% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.