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Katrin Pors

Producer · Born August 11, 1983 (43) · Denmark

Katrin Pors was born on 11 August 1983 in Denmark. She is a producer and production manager, known for Thelma (2017), Miss Viborg (2022) and Birds of Passage (2018).

Biography from IMDb.

Born
August 11, 1983 (43)
From
Denmark
Works as
Producer
Titles
35 on MovieCove
Links
IMDb (opens in a new tab)

Known for

What are Katrin Pors' films like?

Across their 35 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Genres

Drama23 titlesTypical Midcredits score: 68th percentile
: browse their Drama movies
Crime4 titlesTypical Midcredits score: 72nd percentile
: browse their Crime movies
Comedy3 titlesTypical Midcredits score: 75th percentile, at or above their average across these genres
: browse their Comedy movies
Documentary2 titlesTypical Midcredits score: 77th percentile, at or above their average across these genres
: browse their Documentary movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Self
27%
Bonds
23%
Morality
15%
Survival
12%
Power
11%
Society
10%
Ideas
2%
Family bonds12 titles, browse their movies with this themeIdentity9 titles, browse their movies with this themeComing of age5 titles, browse their movies with this themeMarriage4 titles, browse their movies with this themeJustice4 titles, browse their movies with this themeCorruption3 titles, browse their movies with this themeSelf-worth3 titles, browse their movies with this themeTrauma4 titles, browse their movies with this theme

What they feel like to watch

their average across 35 films
ToneFeelDemandtheir average · filled zone: the category
Dark: How heavy the subject matter and outlook get. Browse their dark movies.
Tone · Weight
lightdark

Light 3 · Serious 6 · Dark 26

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 19 · Stylized 11 · Heightened 5

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 2 · Charged 12 · Intense 21

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 12 · Shifting 18 · Whiplash 5

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 30 · Some laughs 5 · Funny 0

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 22 · Even-paced 13 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 3 · Engaged 19 · Full focus 13

Heavy: How much it costs you emotionally; whether you need recovery time. Browse their heavy movies.
Demand · Emotional cost
easyheavy

Easy watch 1 · Affecting 8 · Heavy 26

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

Resolved 5 · Open-ended 15 · Ambiguous 15

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
27
Melancholic
23
Contemplative
17
Dread
13
Bittersweet
8
Other
11

How their films linger

Thought-provoking20 titles, browse their movies with this aftertasteHaunting15 titles, browse their movies with this aftertasteUnsettling13 titles, browse their movies with this aftertasteBittersweet11 titles, browse their movies with this aftertasteHopeful5 titles, browse their movies with this aftertasteWistful5 titles, browse their movies with this aftertaste

How their films end · 4 with a twist

  • Bittersweet15
  • Tragic2
  • Ambiguous18

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Katrin Pors' films?

As of October 24, 2026, 26 of their 35 MovieCove titles stream on a subscription or free service, most on Tubi (12).

Also on these channels

Subscription and free streaming for Katrin Pors' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

35 credits, 35 with a MovieCove page.

  • De forbandede år - Fredens pris(2026)

    Producer

    Midcredits score: 56th percentile of all films

  • Fjord(2026)

    Producer

    Midcredits score: 93rd percentile of all films

  • Lust(2026)

    Producer

    Midcredits score: 48th percentile of all films

  • Beginnings(2025)

    Producer

    Midcredits score: 70th percentile of all films

  • Our Land(2025)

    Producer

    Midcredits score: 89th percentile of all films

  • Palestine 36(2025)

    Producer

    Midcredits score: 91st percentile of all films

  • The Love That Remains(2025)

    Producer

    Midcredits score: 75th percentile of all films

  • Weightless(2025)

    Producer

    Midcredits score: 64th percentile of all films

  • Can't Feel Nothing(2024)

    Producer

    Midcredits score: 65th percentile of all films

  • Kill the Jockey(2024)

    Producer

    Midcredits score: 64th percentile of all films

  • Lost in the Night(2023)

    Producer

    Midcredits score: 42nd percentile of all films

  • Mother Couch(2023)

    Producer

    Midcredits score: 26th percentile of all films

  • The Settlers(2023)

    Producer

    Midcredits score: 80th percentile of all films

  • Godland(2022)

    Producer

    Midcredits score: 85th percentile of all films

  • The Blue Caftan(2022)

    Producer

    Midcredits score: 94th percentile of all films

  • A Chiara(2021)

    Producer

    Midcredits score: 74th percentile of all films

  • Costa Brava, Lebanon(2021)

    Producer

    Midcredits score: 68th percentile of all films

  • Human Factors(2021)

    Producer

    Midcredits score: 24th percentile of all films

  • Mitra(2021)

    Producer

    Midcredits score: 67th percentile of all films

  • The Innocents(2021)

    Producer

    Midcredits score: 81st percentile of all films

  • The Worst Person in the World(2021)

    Producer

    Midcredits score: 97th percentile of all films

  • Wildland(2020)

    Producer

    Midcredits score: 33rd percentile of all films

  • A White, White Day(2019)

    Producer

    Midcredits score: 65th percentile of all films

  • Divine Love(2019)

    Producer

    Midcredits score: 46th percentile of all films

  • Exit Plan(2019)

    Producer

    Midcredits score: 17th percentile of all films

  • Monos(2019)

    Producer

    Midcredits score: 77th percentile of all films

  • Birds of Passage(2018)

    Producer

    Midcredits score: 94th percentile of all films

  • Our Time(2018)

    Producer

    Midcredits score: 74th percentile of all films

  • Petra(2018)

    Producer

    Midcredits score: 73rd percentile of all films

  • Thelma(2017)

    Producer

    Midcredits score: 81st percentile of all films

  • What Will People Say(2017)

    Producer

    Midcredits score: 91st percentile of all films

  • Godless(2016)

    Producer

    Midcredits score: 54th percentile of all films

  • The Untamed(2016)

    Producer

    Midcredits score: 51st percentile of all films

  • Slimane(2013)

    Producer

    Midcredits score: 64th percentile of all films (provisional, few ratings)

  • The Apostle(2012)

    Producer

    Midcredits score: 77th percentile of all films

Career shape

Across their 35 MovieCove titles from 2012 to 2026.

Biggest box office

The Worst Person in the World (2021)

$13M worldwide

Highest rated

The Worst Person in the World (2021)

Midcredits 97th

Most popular right now

Fjord (2026)

By role

only this rolewith another role
Producing35 of 35: 35 only producing, 0 with another role · typical Midcredits score70th

By decade

2010s13 · crew2020s22 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Katrin Pors' films land?

Their typical MovieCove film has a Midcredits score in the 70th percentile, the median of all 35; across their 35 films with reception data, the typical film sits in the 70th percentile for acclaim.

Acclaim · how much people like their films

70thpercentile
Typical film, the median of 35

Approval · how many liked their films

68thpercentile
Typical film, the median of 35

Reach · how many have seen their films

78thpercentile
Typical film, the median of 35

Midcredits score across 35 titles, by percentile

  • 75th and up14
  • 50th to 74th14
  • 25th to 49th5
  • Below 25th2

Shape of the crowd

18 of their 35 titles are Crowd Pleasers.

  • Universally Loved3
  • Cult Classic2
  • Crowd Pleaser18
  • Broadly Agreed1
  • Mixed11

Most divisive · producer

Lust (2026)

89th percentile spread · 34% rated it 4 or lower

Most loved · producer

The Worst Person in the World (2021)

Midcredits 97th · 84% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Katrin Pors' work okay for kids?

Across up to 17 MovieCove titles with content scores, violence & gore, sex & nudity and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore8 titles36–72 · median 57 · moderateheavier than most filmsMedian of all films: 44
Sex & Nudity17 titles23–74 · median 53 · moderateheavier than most filmsMedian of all films: 32
Profanity9 titles26–60 · median 40 · moderatenear the median of all filmsMedian of all films: 36
Alcohol & Drugs9 titles26–68 · median 39 · moderatenear the median of all filmsMedian of all films: 33
Frightening / Intense8 titles38–85 · median 62 · intenseheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Katrin Pors work with?

People who share at least 2 of Katrin Pors' MovieCove titles, grouped by what they did on them; Mikkel Jersin shares the most, 30.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers

Mixed roles