- Director, producer and writer
- 4 on MovieCove
What are Rhyan LaMarr's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
Light 1 · Serious 0 · Dark 3
Grounded 4 · Stylized 0 · Heightened 0
Gentle 0 · Charged 3 · Intense 1
Steady 2 · Shifting 2 · Whiplash 0
Straight-faced 3 · Some laughs 1 · Funny 0
Slow burn 2 · Even-paced 2 · Relentless 0
A split, not a type: Casual 2 · Engaged 1 · Full focus 1
Easy watch 0 · Affecting 4 · Heavy 0
Resolved 3 · Open-ended 1 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Rhyan LaMarr's films?
As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Rhyan LaMarr's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
4 credits, 4 with a MovieCove page.

North of the 10(2022)
Midcredits score: 25th percentile of all films
100 Days to Live(2019)
Midcredits score: 54th percentile of all films
Canal Street(2018)
Midcredits score: 49th percentile of all films
Restored Me(2016)
Midcredits score: 57th percentile of all films (provisional, few ratings)
Career shape
Across a limited sample of 4 MovieCove titles from 2016 to 2022.
How do Rhyan LaMarr's films land?
Their typical MovieCove film has a Midcredits score in the 52nd percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 42nd percentile for acclaim.
- 50th to 74th2
- 25th to 49th2
Shape of the crowd
3 of their 4 titles are Divisive.
- Divisive3
- Crowd Pleaser1
Reviewers score the pacing 42/100 in their films, across 3 reviewed titles; fans 57, detractors 25. The element that speaks to their work as a director.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Rhyan LaMarr work with?
People who share at least 2 of Rhyan LaMarr's MovieCove titles, grouped by what they did on them; Yancey Arias shares the most, 3.
Writers
- Jon KnitterShared titles: Canal Street (2018), Restored Me (2016)See all 2 shared titles with Jon Knitter
Actors
- Mykelti WilliamsonShared titles: North of the 10 (2022), Canal Street (2018)See all 2 shared titles with Mykelti Williamson

- Will Yun LeeShared titles: Canal Street (2018), Restored Me (2016)See all 2 shared titles with Will Yun Lee

Cinematographers
- Nicholas M. PuetzShared titles: 100 Days to Live (2019), Canal Street (2018)See all 2 shared titles with Nicholas M. Puetz
Producers
- Yancey AriasShared titles: 100 Days to Live (2019), Canal Street (2018), Restored Me (2016)See all 3 shared titles with Yancey Arias

- Christopher JenningsShared titles: 100 Days to Live (2019), Canal Street (2018)See all 2 shared titles with Christopher Jennings

Mixed roles
- Jalene MackShared titles: North of the 10 (2022), Canal Street (2018)See all 2 shared titles with Jalene Mack
