Ignacia Allamand
Actor · Born August 29, 1981 (45) · Las Condes, Santiago, Metropolitan Region, Chile
María Ignacia Allamand Lyon is a Chilean actress who debuted in the movie Se Arrienda. She has also performed as a playwright in charge of the adaptation of Edmond and as the author of The 80s, The Musical. She is the daughter of the former Chilean Minister of Defense and former Presidential candidate Andrés Allamand Zavala and Bárbara Lyon, recognized for her work in the Alter Ego Foundation. . Due to the work of her father, she lived part of her adolescence in Washington D.C., and then returned to study theater at the Pontificia Universidad Católica de Chile. She was also based in Buenos Aires, where she studied acting. Her debut as an actress was in 2005's Se Arrienda by Alberto Fuguet. Two years later, she debuted on television with the role of teenager Eloísa Solé in Vivir con 10, the first TV series from Chilevisión, which won her an APES Award in 2008. She married actor Tiago Correa on April 18, 2010. One year later, they confirmed their separation by mutual agreement. In 2013, Allamand collaborated and participated in her father's presidential campaign. In 2014, she translated and adapted the play Edmond by prominent US playwright David Mamet, and the following year she wrote The 80s, The Musical. Since her debut on television she has done almost her entire career on the channel Chilevisión. On the film side, she is a stable part of almost all the films of her great friend Nicolás López, who even came to work with Eli Roth in several of them.
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Biography from IMDb.
- August 29, 1981 (45)
- Las Condes, Santiago, Metropolitan Region, Chile
- Actor
- 10 on MovieCove · 30 credits in all
What are Ignacia Allamand's films like?
Across their 8 MovieCove titles with a thematic analysis, their films lean Survival and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 7
A split, not a type: Light 4 · Serious 0 · Dark 4
Grounded 7 · Stylized 0 · Heightened 1
A split, not a type: Gentle 2 · Charged 2 · Intense 4
Steady 3 · Shifting 4 · Whiplash 1
A split, not a type: Straight-faced 4 · Some laughs 1 · Funny 3
Slow burn 0 · Even-paced 7 · Relentless 1
Casual 4 · Engaged 4 · Full focus 0
A split, not a type: Easy watch 5 · Affecting 0 · Heavy 3
Resolved 5 · Open-ended 1 · Ambiguous 2
Roles they play
- Allyas Maria Gracia in S.O.S. Mamis: La película (2022)
Moods and endings
- Happy3
- Bittersweet1
- Tragic1
- Ambiguous3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Ignacia Allamand's films?
As of October 24, 2026, 8 of their 10 MovieCove titles stream on a subscription or free service, most on Tubi (4).
Subscription and free streaming for Ignacia Allamand's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
30 credits, 10 with a MovieCove page; 9 appearances as themselves are hidden until asked for.
The Dad Quest(2025)
Midcredits score: 32nd percentile of all films
S.O.S MAMIS 2: New Mom On The Block (not in the MovieCove catalog yet)(2023)
Midcredits score: 33rd percentile of all films
El mesero (not in the MovieCove catalog yet)(2021)
Nuestro teatro (not in the MovieCove catalog yet)(2021)
For Better, For Worse (not in the MovieCove catalog yet)(2019)
American Huaso (not in the MovieCove catalog yet)(2018)
Downhill(2016)
Midcredits score: 3rd percentile of all films
A Woman with No Filter(2018)
Midcredits score: 36th percentile of all films
I'm Not Crazy! (not in the MovieCove catalog yet)(2018)
Do It Like An Hombre(2017)
Midcredits score: 39th percentile of all films
Mother(2016)
Midcredits score: 33rd percentile of all films
No Filter (not in the MovieCove catalog yet)(2016)
Familia moderna (not in the MovieCove catalog yet)(2015)
Knock Knock(2015)
Midcredits score: 10th percentile of all films
Que Pena tu Serie (not in the MovieCove catalog yet)(2015)
Los Jetas: La revolución es interior (not in the MovieCove catalog yet)(2014)
The Green Inferno(2013)
Midcredits score: 19th percentile of all films
For Sale (not in the MovieCove catalog yet)(2013)
El Reemplazante (not in the MovieCove catalog yet)(2012)
Aftershock(2012)
Midcredits score: 12th percentile of all films
Cobre (not in the MovieCove catalog yet)(2012)
Qué pena tu boda(2011)
Midcredits score: 29th percentile of all films
Infiltradas (not in the MovieCove catalog yet)(2011)
Fuck My Life (not in the MovieCove catalog yet)(2010)
Cartas de mujer (not in the MovieCove catalog yet)(2010)
Moonlighters (not in the MovieCove catalog yet)(2010)
Lamb of God (not in the MovieCove catalog yet)(2008)
Mala conducta (not in the MovieCove catalog yet)(2008)
For Rent (not in the MovieCove catalog yet)(2005)
Career shape
Star power in the 94th percentile of 239,109 people with a billed film role, over a full career of 30 titles from 2005 to 2025; peak year 2017.
Biggest box office
Do It Like An Hombre (2017)
Highest rated
Do It Like An Hombre (2017)
Most popular right now
Knock Knock (2015)
Film career
Peak 2017 · fewer prominent film roles lately. Top draw in 1 MovieCove title. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 2010Screen debut· Fuck My Life
- 2021Career best· El mesero
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30.
How do Ignacia Allamand's films land?
Their typical MovieCove film has a Midcredits score in the 31st percentile, the median of all 10; across their 8 films with reception data, the typical film sits in the 28th percentile for acclaim.
- 25th to 49th6
- Below 25th4
Shape of the crowd
8 of their 10 titles are Mixed.
- Divisive1
- Cult Classic1
- Mixed8
Reviewers score the acting 37/100 in their films, across 5 reviewed titles; fans 57, detractors 23. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Ignacia Allamand work with?
People who share at least 2 of Ignacia Allamand's MovieCove titles, grouped by what they did on them; Antonio Quercia shares the most, 7.
Directors
- Nicolás LópezShared titles: A Woman with No Filter (2018), Do It Like An Hombre (2017), Mother (2016), Knock Knock (2015), Aftershock (2012), Qué pena tu boda (2011)See all 6 shared titles with Nicolás López
Writers
- Guillermo AmoedoShared titles: Do It Like An Hombre (2017), Knock Knock (2015), Aftershock (2012), Qué pena tu boda (2011)See all 4 shared titles with Guillermo Amoedo
- Eli RothShared titles: Knock Knock (2015), Aftershock (2012)See all 2 shared titles with Eli Roth
Actors
- Ariel LevyShared titles: A Woman with No Filter (2018), Do It Like An Hombre (2017), Downhill (2016), Aftershock (2012), Qué pena tu boda (2011)See all 5 shared titles with Ariel Levy
- Lorenza IzzoShared titles: Knock Knock (2015), Aftershock (2012), Qué pena tu boda (2011)See all 3 shared titles with Lorenza Izzo
- Aaron BurnsShared titles: Do It Like An Hombre (2017), Mother (2016), Knock Knock (2015)See all 3 shared titles with Aaron Burns
- Marcial TagleShared titles: S.O.S. Mamis: La película (2022), Aftershock (2012)See all 2 shared titles with Marcial Tagle
Composers, cinematographers and editors
- Antonio QuerciaShared titles: S.O.S. Mamis: La película (2022), A Woman with No Filter (2018), Do It Like An Hombre (2017), Mother (2016), Knock Knock (2015), Aftershock (2012), Qué pena tu boda (2011)See all 7 shared titles with Antonio Quercia
- Diego Macho GómezShared titles: S.O.S. Mamis: La película (2022), A Woman with No Filter (2018), Do It Like An Hombre (2017), Mother (2016), Knock Knock (2015), Aftershock (2012), Qué pena tu boda (2011)See all 7 shared titles with Diego Macho Gómez
- Manuel RiveiroShared titles: S.O.S. Mamis: La película (2022), A Woman with No Filter (2018), Do It Like An Hombre (2017), Mother (2016), Knock Knock (2015), Aftershock (2012), Qué pena tu boda (2011)See all 7 shared titles with Manuel Riveiro
Producers
- Miguel Asensio LlamasShared titles: S.O.S. Mamis: La película (2022), A Woman with No Filter (2018), Do It Like An Hombre (2017), Mother (2016), Knock Knock (2015), Aftershock (2012), Qué pena tu boda (2011)See all 7 shared titles with Miguel Asensio Llamas
- Rodrigo TrujilloShared titles: S.O.S. Mamis: La película (2022), A Woman with No Filter (2018), Do It Like An Hombre (2017), Mother (2016)See all 4 shared titles with Rodrigo Trujillo
- Jacobo NazarShared titles: A Woman with No Filter (2018), Do It Like An Hombre (2017), Mother (2016)See all 3 shared titles with Jacobo Nazar